Unit convenor and teaching staff |
Unit convenor and teaching staff
Unit Convenor
Stephen Collins
Contact via stephen.collins@mq.edu.au
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Credit points |
Credit points
4
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Prerequisites |
Prerequisites
(12cp in CUL or MAS units at 300 level or 42cp in LAW units at 400 or 500 level) or admission to MA or PGDipArts or PGCertArts
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Corequisites |
Corequisites
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Co-badged status |
Co-badged status
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Unit description |
Unit description
Intellectual property is a leviathan of the digital era. The last decade has seen consistent augmentation of copyright laws in the face of open content, peer-to-peer distribution, and new distribution models. User rights such as fair dealing (Australia, UK) and fair use (America) have, by contrast, been weakened as intellectual property 'evolves' into something resembling real property. The digital era provokes debate over ownership of culturally ubiquitous works as a 'rip, mix and burn' aesthetic is hardwired into personal computers, software and mass approaches to digital content. This unit analyses the impact of the law on cultural production in the digital era.
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Information about important academic dates including deadlines for withdrawing from units are available at https://www.mq.edu.au/study/calendar-of-dates
On successful completion of this unit, you will be able to:
Name | Weighting | Due |
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Seminar Presentation | 30% | As allocated |
Major Essay | 50% | Week 13 |
Seminar Participation | 20% | Ongoing |
Due: As allocated
Weighting: 30%
You are required to give a 30-minute presentation on one of the weekly topics. Your presentation must not simply summarise the readings, but draw out the issues within the topic and provoke discussion for the remainder of the class.
Your presentation will involve at least one contemporary case study appropriate to the topic.
You are expected to draw on the readings as well as demonstrating wider, independent research on the topic. You should endeavour to draw upon published academic research over journalistic reports.
Please do not rely on electronic props to support your presentation (available technology is dependent on room timetabling).
Due: Week 13
Weighting: 50%
You are required to submit a 3500 word essay in week 13. You can either generate your own question or respond to the following:
Copyright has been called "an engine of free expression". Discuss the accuracy of this statement.
If you choose to generate your own question then you should discuss it with your convener first.
Essays must adhere to a written style and referencing system suitable for academic purposes.
All essays will be submitted via iLearn to Turn It In. Essays will be marked and returend online.
Due: Ongoing
Weighting: 20%
Seminars are an important part of this unit in providing time and space to discuss ideas and research. You are expected to arrive at seminars punctually and having completed the set readings for each topic. Your participation mark is derived from your engagement with set materials, the topic and seminar discussion. Seminar participation is key in discussing ideas, new research and also clarifying any uncertainties.
All readings are provided electronically via the library's eReserve system (follow the link on iLearn).
No readings
Martha Woodmansee. ‘On the Author Effect: Recovering Collectivity’ in (eds.) Martha Woodmansee & Peter Jaszi The Construction of Authorship. (1994). Duke University Press: Durham & London. 15-28.
Peter Jaszi. ‘On the Author Effect: Contemporary Copyright and Collective Creativity’ in (eds.) Martha Woodmansee & Peter Jaszi The Construction of Authorship. (1994). Duke University Press: Durham & London. 29-56.
Michel Foucault. ‘What is an Author?” in (ed.) Paul Rabinow. The Foucault Reader. (1984). Pantheon Books: New York. 101-120.
Kembrew McLeod. Owning Culture. (2001). Peter Lang: New York. 1-37.
L. Ray Patterson & Stanley W. Lindberg. The Nature of Copyright: A Law of Users’ Rights. (1991). The University of Georgia Press: Athens & London. 19-45.
John Gantz & Jack Rochester. Pirates of the Digital Millennium: How the Intellectual Property Wars Damage Our Personal Freedoms, Our Jobs, and the World Economy. (2005). Prentice Hall: New York. 27-61
Neil Weinstock Netanel. ‘Copyright and a Democratic Civil Society’. (1996). 106 Yale Law Journal 283-387.
Steve Collins. ‘“Property Talk” and the Revival of Blackstonian Copyright’. (2006). 9(4) M/C Journal (online) <http://journal.media-culture.org.au/0609/5-collins.php>.
Steve Collins. ‘Digital Fair: Prosumption and the Fair Use Defence’. (2010). 10(1) Journal of Consumer Culture 37-55.
Lawrence Lessig. Remix. (2008). The Penguin Press: US. 1-19.
Axel Bruns. ‘Distributed Creativity: Filesharing and Produsage’ in (ed.) Stefan Sonvilla-Weiss Mashup Cultures. (2010). SpringerWien: New York. 24-37.
Lloyd Weinreb. ‘Fair’s Fair: A comment on the fair use doctrine’. (1990). 103 Harvard Law Review. 1137-1161.
No readings
Lawrence Lessig. Free Culture. (2004). The Penguin Press: New York. 282-286.
Cory Doctorow. ©ontent. (2008). Tachyon Publications: San Francisco. 71-75.
Steve Collins. ‘Waveform Pirates’ (2008). 3 Journal of the Art of Record Production (online) <http://arpjournal.com/680/waveform-pirates-sampling-piracy-and-musical-creativity/>
Joanna Demers. Steal This Music. (2006). University of Georgia Press: Athens, Georgia. 111-146.
Henry Jenkins. Textual Poachers. (1992). Routledge: New York & London. 152-184.
Meredith McCardle. ‘Fan Fiction, Fandom, and Fanfare: What’s All the Fuss?’ (2003). 9 Boston University Journal of Science and Technology Law. 434-468.
Matt Mason. The Pirate’s Dilemma. (2008). Free Press: New York, Toronto, London & Sydney. 33-67.
Cory Doctorow. ©ontent. (2008). Tachyon Publications: San Francisco. 3-26.
To be announced
No readings
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Academic Honesty Policy http://mq.edu.au/policy/docs/academic_honesty/policy.html
Assessment Policy http://mq.edu.au/policy/docs/assessment/policy.html
Grading Policy http://mq.edu.au/policy/docs/grading/policy.html
Grade Appeal Policy http://mq.edu.au/policy/docs/gradeappeal/policy.html
Grievance Management Policy http://mq.edu.au/policy/docs/grievance_management/policy.html
Disruption to Studies Policy http://www.mq.edu.au/policy/docs/disruption_studies/policy.html The Disruption to Studies Policy is effective from March 3 2014 and replaces the Special Consideration Policy.
In addition, a number of other policies can be found in the Learning and Teaching Category of Policy Central.
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All written assignments are to be submitted electronically via iLearn. Details will be given out during class.
Hardcopy submissions will not be accepted or marked.
Assignments submitted after the due date will be penalised 10% per day.