Unit convenor and teaching staff |
Unit convenor and teaching staff
Unit Convenor
Kathryn Millard
Contact via kathryn.millard@mq.edu.au
Y3A Room 157
Monday 2.30-4.00
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Credit points |
Credit points
3
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Prerequisites |
Prerequisites
12cp
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Corequisites |
Corequisites
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Co-badged status |
Co-badged status
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Unit description |
Unit description
This unit introduces students to writing for screen media; from film and television to portable devices. It explores techniques for developing ideas and writing scripts for fiction, non-fiction, animation and hybrid forms. This unit combines creative writing projects with critical analysis. It is relevant to those interested in screen media, writing and creative process.
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Information about important academic dates including deadlines for withdrawing from units are available at https://www.mq.edu.au/study/calendar-of-dates
On successful completion of this unit, you will be able to:
Unit Requirements and Expectations
Students attend a one-hour lecture weekly. Students attend and participate in a two-hour weekly tutorial workshop from Week 2. Students are expected to read and view materials posted by the Lecturer at the iLearn page for this course.
To pass this course, students are expected to attend lectures, participate in tutorial exercises and discussion, submit all assignments and receive a Pass grade overall.
Without adequate documentation (eg. doctor's certificate), missing more than three tutorials will adversely affect your participation grade.
There is no examination for this unit.
Submitting Assignments
Assignments should be submitted via the boxes on the ground floor of Building W6A. They will be returned to students in class.
Name | Weighting | Due |
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Script Field-Notes | 25% | 23/03/15 |
Storyboard OR Treatment | 25% | 27/04/15 |
First Draft Script | 40% | 05/06/15 |
Participation | 10% | ongoing |
Due: 23/03/15
Weighting: 25%
This task involves leaving your computer behind and taking a field trip. The aim is to observe/record details from the world. This material will feed into the short screenplay you will be working on this semester.
A. Write a 150 word outline of your script idea. Your script idea should be for a movie suitable for broadcast via the web, mobile devices or screening. It should be able to be shot in Australia. It could be for a short drama, non-fiction, animation or hybrid movie.
B. Assemble Field-Notes for your script idea.
Your Field-notes should address the following:
1. Character. Draw a quick sketch of your proposed character or entity. Or record an interview with someone who might have a similar professional or personal background to your proposed character? What did you learn that was surprising about this person or entity? What were your observations of the subject’s dress, body language and speech rhythms? How could you draw on this in developing your script?
2. Place. Visit a place that could function as a key location in your script. Take some photographs. Observe the time of day. Note the light, colours, forms, location sounds. Consider how you might use these observations in your script.
3. Key Imagery. Assemble 6 key images (photographs, postcards, magazine images, found pictures, frames from other movies etc.) that could inspire situations, ideas, imagery or dramatic action.
4. Research. Briefly summarise any key reading, viewing or listening that has informed your script idea.
5. Key text. A quote that is relevant to your idea. (Please provide details of the writer and where it was published.)
Assemble your notes into a document/folder for assessment.
Prepare a 10 minute version to discuss with your tutorial group. Your tutor will allocate you a time to present.
Due: 27/04/15
Weighting: 25%
The storyboard for this assignment is aimed at developing your script idea, rather than shot-listing for production.
Prepare the storyboard or treatment using Celtx or Microsoft Word. If you would like to use an alternative, discuss it with your tutor.
Development Storyboard Parameters:
A development storyboard presents an overview of your proposed 10 minute script in sketches and/or photographs and text.
1. The storyboard can use text on screen, voiceover, music and sound. Keep any dialogue to a minimum.
2. You must include a minimum of 12 images. Use more if necessary.
3. The storyboard should be prepared using Celtx software (unless you have discussed an alternative with your tutor). Please submit a printed hard copy for assessment.
4. The storyboard should be accompanied by a 150 word outline of your 10 minute script idea.
Treatment Parameters
A treatment is usually a chronological (in screen time) unfolding of your story, generally without dialogue, paying particular attention to style, dynamics, mood, genre, colour, character, sound and action. It is what is happening on the screen in words.
The submitted treatment should include:
1. 3-6 line biographies of the key characters
2. 3 page complete draft story treatment
3. Detailed scene breakdowns of the first three scenes of the script.
Due: 05/06/15
Weighting: 40%
Write a First Draft screenplay of around 10 minutes (roughly 10 pages).
You should aim to draw on the research you have undertaken - and the feedback you have received - throughout the semester.
Script Parameters
1. Tell the story visually. Use dialogue sparingly.
2. Please refer to the Australian film industry’s standard drama format for guidance.
Alternative presentations such as photo/text collage, complete animation storyboard, graphic novel style, or transmedia, game or multi-platform format scripts – are encouraged. Please discuss this option with your tutor or the lecturer well in advance of the due date.
Please note that information on formatting will be available at the unit’s iLearn page. It will be discussed in tutorials ahead of the assignment.
Due: ongoing
Weighting: 10%
Students are required to attend and actively participate in all tutorials. Participation is more than attendance. It requires being punctual and prepared. Tutorials will be devoted to exercises aimed at generating ideas and stories and discussion of creative work-in-progress.
E Readings
MAS 202 e-readings for this course will be available on the iLearn site prior to the weeks teaching. Additional hard copies of recommended and required readings will be placed on 7 day loan in Reserve. The e-readings contain information necessary to completing assignments for this course. Additional readings will be posted on iLearn through the semester.
Technologies/resources required.
Students will be required to use their own computers for development of treatments, storyboards and scripts. It is recommended that MAS 202 students become familiar with Celtx (free script software). Microsoft Word or Final Draft (professional script writing software) can also be used for scriptwriting.
Lecture Schedule (and Required Readings)
Week 1: Introduction to MAS 202. What is a Screenplay?
Week 2: Where do story ideas come from?
Reading:
Karentnikova, Inga (1990) How Scripts Are Made pp. 1-15
Wells Paul (2007) ‘Initial Ideas and starting points’ in Scriptwriting Basics (Animation) pp. 40-57.
Week 3: Journeys and Going Places
Reading:
Dancyger, Ken and Rush, Jeff (2007) ‘Alternative Scriptwriting’ pp.16-37
Shortland, Cate (2004) Flowergirl Script in Emma Crimmings and Rhys Graham Ed. ‘Short Site: Recent Australian Short Film’
Week 4: People and Encounters
Reading:
Dancyger, Ken (2001) ‘Genre’ in Global Scriptwriting pp.59-74
Elliot, Adam (2004) Harvey Krumpet Script in Emma Crimmings and Rhys Graham Ed. ‘Short site: Recent Australian Short Film’ 2004.
Week 5 : Guest Lecturer
Week 6: Drawn from Life
Sorkin, Aaron (2010) Social Network Screenplay pp.1-20
SEMESTER BREAK
Week 7: Writing with Images
Reading:
Millard, Kathryn (2006) ‘Writing for the Screen: Beyond the Gospel of Story’
http://www.scan.net.au/scan/journal/display.php?journal_id=77
Nolan, Christopher (2010) Inception – Shooting Script pp. 7-19
Week 8: Voice and Sound
Grove, Eliot (2014) Raindance Writers’ Lab pp.101-112
Week 9: Guest Lecturer
Week 10: Collaboration
Reading
Millard, Kathryn (2014) ‘Collaboration: Writing the Possible’ in ‘Screenwriting in a Digital Era’ pp. 158-177
Alibar, Lucy and Zeitlin Benh (2012) Beasts of the Southern Wild Screenplay pp.1-20
Week 11: The Writer's Room
Reading:
Redvall, Eva Novrup (2014) Writing and Producing Drama in Denmark pp. 131-158
Read an excerpt from one of the Emmy Award nominated scripts here:
http://la-screenwriter.com/2013/07/22/read-scripts-of-emmy-nominated-shows/
Week 12: Writing for Production
Week 13: No Lecture this week
Macquarie University policies and procedures are accessible from Policy Central. Students should be aware of the following policies in particular with regard to Learning and Teaching:
Academic Honesty Policy http://mq.edu.au/policy/docs/academic_honesty/policy.html
Assessment Policy http://mq.edu.au/policy/docs/assessment/policy.html
Grading Policy http://mq.edu.au/policy/docs/grading/policy.html
Grade Appeal Policy http://mq.edu.au/policy/docs/gradeappeal/policy.html
Grievance Management Policy http://mq.edu.au/policy/docs/grievance_management/policy.html
Disruption to Studies Policy http://www.mq.edu.au/policy/docs/disruption_studies/policy.html The Disruption to Studies Policy is effective from March 3 2014 and replaces the Special Consideration Policy.
In addition, a number of other policies can be found in the Learning and Teaching Category of Policy Central.
Macquarie University students have a responsibility to be familiar with the Student Code of Conduct: https://students.mq.edu.au/support/student_conduct/
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MMCCS Session Re-mark Application http://www.mq.edu.au/pubstatic/public/download/?id=167914
Information is correct at the time of publication
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Learning Skills (mq.edu.au/learningskills) provides academic writing resources and study strategies to improve your marks and take control of your study.
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