Students

MAS 202 – Screenwriting: An Introduction

2015 – S1 Day

General Information

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Unit convenor and teaching staff Unit convenor and teaching staff Unit Convenor
Kathryn Millard
Contact via kathryn.millard@mq.edu.au
Y3A Room 157
Monday 2.30-4.00
Credit points Credit points
3
Prerequisites Prerequisites
12cp
Corequisites Corequisites
Co-badged status Co-badged status
Unit description Unit description
This unit introduces students to writing for screen media; from film and television to portable devices. It explores techniques for developing ideas and writing scripts for fiction, non-fiction, animation and hybrid forms. This unit combines creative writing projects with critical analysis. It is relevant to those interested in screen media, writing and creative process.

Important Academic Dates

Information about important academic dates including deadlines for withdrawing from units are available at https://www.mq.edu.au/study/calendar-of-dates

Learning Outcomes

On successful completion of this unit, you will be able to:

  • Understand a range of screenwriting approaches and methodologies
  • Generate story ideas and material suited to screen media
  • Draw upon independent research for a creative project
  • Evaluate screenwriting and creative work in progress
  • Demonstrate the ability to reflect in action
  • Contribute to collaborative discussions

General Assessment Information

Unit Requirements and Expectations

Students attend a one-hour lecture weekly. Students attend and participate in a two-hour weekly tutorial workshop from Week 2. Students are expected to read and view materials posted by the Lecturer at the iLearn page for this course.

To pass this course, students are expected to attend lectures, participate in tutorial exercises and discussion, submit all assignments and receive a Pass grade overall.

Without adequate documentation (eg. doctor's certificate), missing more than three tutorials will adversely affect your participation grade.

There is no examination for this unit.

Submitting Assignments 

Assignments should be submitted via the boxes  on the ground floor of Building W6A. They will be returned to students in class.  

Assessment Tasks

Name Weighting Due
Script Field-Notes 25% 23/03/15
Storyboard OR Treatment 25% 27/04/15
First Draft Script 40% 05/06/15
Participation 10% ongoing

Script Field-Notes

Due: 23/03/15
Weighting: 25%

This task involves leaving your computer behind and taking a field trip. The aim is to observe/record details from the world. This material will feed into the short screenplay you will be working on this semester.

A. Write a 150 word outline of your script idea. Your script idea should be for a movie suitable for broadcast via the web, mobile devices or screening. It should be able to be shot in Australia. It could be for a short drama, non-fiction, animation or hybrid movie. 

B. Assemble Field-Notes for your script idea.

Your Field-notes should address the following:

1. Character. Draw a quick sketch  of your proposed character or entity.  Or record an interview with someone  who might have a similar professional or personal background  to your proposed character? What did you learn that was surprising about this person or entity?  What were your observations of the subject’s dress, body language and speech rhythms? How could you draw on this in developing your script?

2. Place. Visit a place that could function as a key location in your script. Take some photographs. Observe the time of day. Note the light, colours, forms, location sounds. Consider how you might use these observations in your script.

3. Key Imagery. Assemble 6 key images (photographs, postcards,  magazine images, found pictures, frames from other movies etc.) that could inspire situations, ideas, imagery or dramatic action.

4. Research.  Briefly summarise any key reading, viewing or listening that has informed your script idea. 

5. Key text. A quote that is relevant to your idea. (Please provide details of the writer and where it was published.)

Assemble your notes into a document/folder for assessment.

Prepare a 10 minute version to discuss with your tutorial group. Your tutor will allocate you a time to present.


On successful completion you will be able to:
  • Generate story ideas and material suited to screen media
  • Draw upon independent research for a creative project
  • Evaluate screenwriting and creative work in progress

Storyboard OR Treatment

Due: 27/04/15
Weighting: 25%

The storyboard  for this assignment is aimed at developing  your  script idea, rather  than shot-listing for  production. 

Prepare the storyboard or treatment using Celtx or Microsoft Word. If you would like to use an alternative, discuss it with your tutor.  

Development Storyboard Parameters:

A  development storyboard presents an overview of your proposed 10 minute script in  sketches and/or photographs and text. 

1. The  storyboard can use text on screen, voiceover, music and sound.  Keep any dialogue  to a minimum. 

2. You must include a minimum of  12  images. Use more if necessary.

3. The storyboard should be prepared using Celtx software (unless you have discussed an alternative with your tutor). Please submit a printed hard copy for assessment.

4. The storyboard should be accompanied by a  150 word  outline of your 10 minute script idea.

Treatment Parameters

A treatment is usually a chronological (in screen time) unfolding of your story, generally without dialogue, paying particular  attention to style, dynamics, mood, genre, colour, character, sound and action. It is what is happening on the screen in words.

The submitted treatment should include:

1. 3-6 line biographies of the key characters

2. 3 page complete draft story treatment

3. Detailed scene breakdowns of the first three scenes of the  script.


On successful completion you will be able to:
  • Understand a range of screenwriting approaches and methodologies
  • Generate story ideas and material suited to screen media
  • Draw upon independent research for a creative project
  • Evaluate screenwriting and creative work in progress
  • Demonstrate the ability to reflect in action

First Draft Script

Due: 05/06/15
Weighting: 40%

Write a First Draft screenplay of  around 10 minutes (roughly 10 pages).

You should aim to draw on the research you have undertaken - and the feedback you have received - throughout the semester.

Script Parameters

1.    Tell the story visually. Use dialogue sparingly.
2.    Please refer to the Australian film industry’s standard drama format for guidance.

Alternative presentations such as photo/text collage, complete animation storyboard, graphic novel style, or transmedia, game or multi-platform format scripts – are encouraged. Please discuss this option with your tutor or the lecturer well in advance of the due date.

Please note that information on formatting will be available at the unit’s iLearn page. It will be discussed in tutorials ahead of the assignment.


On successful completion you will be able to:
  • Understand a range of screenwriting approaches and methodologies
  • Generate story ideas and material suited to screen media
  • Draw upon independent research for a creative project
  • Evaluate screenwriting and creative work in progress
  • Demonstrate the ability to reflect in action

Participation

Due: ongoing
Weighting: 10%

Students are required to attend and actively participate in all tutorials. Participation is more than attendance. It requires being punctual and prepared. Tutorials will be devoted to exercises aimed at generating ideas and stories and discussion of  creative work-in-progress.


On successful completion you will be able to:
  • Understand a range of screenwriting approaches and methodologies
  • Generate story ideas and material suited to screen media
  • Draw upon independent research for a creative project
  • Evaluate screenwriting and creative work in progress
  • Demonstrate the ability to reflect in action
  • Contribute to collaborative discussions

Delivery and Resources

E Readings

MAS 202 e-readings for this course will be available on the iLearn site prior to the weeks teaching. Additional hard copies of recommended and required readings will be placed on 7 day loan in Reserve. The e-readings contain information necessary to completing assignments for this course. Additional readings will be posted on iLearn through the semester. 

Technologies/resources required.

Students will be required to use their own computers for development of treatments, storyboards and scripts. It is recommended that MAS 202 students become familiar with Celtx (free script software). Microsoft Word or Final Draft (professional script writing software) can also be used for scriptwriting. 

Unit Schedule

Lecture Schedule (and Required Readings)

Week 1: Introduction to MAS 202. What is a Screenplay?

Week 2: Where do story ideas come from? 

Reading:

Karentnikova, Inga (1990) How Scripts Are Made pp. 1-15

Wells Paul (2007) ‘Initial Ideas and starting points’ in Scriptwriting Basics (Animation) pp. 40-57.

Week 3:  Journeys and Going Places 

Reading:

Dancyger, Ken and Rush, Jeff (2007)  ‘Alternative Scriptwriting’ pp.16-37

Shortland, Cate (2004) Flowergirl Script in Emma Crimmings and Rhys Graham Ed. ‘Short Site: Recent Australian Short Film’

Week 4:  People and Encounters 

Reading:

Dancyger, Ken (2001) ‘Genre’ in Global Scriptwriting pp.59-74

Elliot, Adam (2004) Harvey Krumpet Script in Emma Crimmings and Rhys Graham Ed. ‘Short site: Recent Australian Short Film’ 2004.

Week 5 :   Guest Lecturer 

Week 6:   Drawn from Life

Sorkin, Aaron (2010) Social Network Screenplay pp.1-20

SEMESTER BREAK

Week 7:   Writing with Images 

Reading:

Millard, Kathryn (2006)  ‘Writing for the Screen: Beyond the Gospel of Story’

http://www.scan.net.au/scan/journal/display.php?journal_id=77

Nolan, Christopher (2010)  Inception – Shooting Script pp. 7-19

Week 8:  Voice and Sound

Grove, Eliot  (2014) Raindance Writers’ Lab pp.101-112

Week 9:   Guest Lecturer

Week 10:  Collaboration 

Reading

Millard, Kathryn  (2014) ‘Collaboration: Writing the Possible’ in ‘Screenwriting in a Digital Era’ pp. 158-177

Alibar, Lucy  and Zeitlin Benh (2012)  Beasts of the Southern Wild Screenplay pp.1-20

Week 11:  The Writer's Room

Reading:

Redvall, Eva Novrup  (2014) Writing and Producing Drama in Denmark pp. 131-158

Read an excerpt from one of the Emmy Award nominated scripts here:

http://la-screenwriter.com/2013/07/22/read-scripts-of-emmy-nominated-shows/

Week 12:  Writing for Production

Week 13No Lecture this week

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Policies and Procedures

Macquarie University policies and procedures are accessible from Policy Central. Students should be aware of the following policies in particular with regard to Learning and Teaching:

Academic Honesty Policy http://mq.edu.au/policy/docs/academic_honesty/policy.html

Assessment Policy  http://mq.edu.au/policy/docs/assessment/policy.html

Grading Policy http://mq.edu.au/policy/docs/grading/policy.html

Grade Appeal Policy http://mq.edu.au/policy/docs/gradeappeal/policy.html

Grievance Management Policy http://mq.edu.au/policy/docs/grievance_management/policy.html

Disruption to Studies Policy http://www.mq.edu.au/policy/docs/disruption_studies/policy.html The Disruption to Studies Policy is effective from March 3 2014 and replaces the Special Consideration Policy.

In addition, a number of other policies can be found in the Learning and Teaching Category of Policy Central.

Student Code of Conduct

Macquarie University students have a responsibility to be familiar with the Student Code of Conduct: https://students.mq.edu.au/support/student_conduct/

Results

Results shown in iLearn, or released directly by your Unit Convenor, are not confirmed as they are subject to final approval by the University. Once approved, final results will be sent to your student email address and will be made available in eStudent. For more information visit ask.mq.edu.au.

Additional information

MMCCS website https://www.mq.edu.au/about_us/faculties_and_departments/faculty_of_arts/department_of_media_music_communication_and_cultural_studies/

MMCCS Session Re-mark Application http://www.mq.edu.au/pubstatic/public/download/?id=167914

Information is correct at the time of publication

Student Support

Macquarie University provides a range of support services for students. For details, visit http://students.mq.edu.au/support/

Learning Skills

Learning Skills (mq.edu.au/learningskills) provides academic writing resources and study strategies to improve your marks and take control of your study.

Student Services and Support

Students with a disability are encouraged to contact the Disability Service who can provide appropriate help with any issues that arise during their studies.

Student Enquiries

For all student enquiries, visit Student Connect at ask.mq.edu.au

IT Help

For help with University computer systems and technology, visit http://informatics.mq.edu.au/help/

When using the University's IT, you must adhere to the Acceptable Use Policy. The policy applies to all who connect to the MQ network including students.

Graduate Capabilities

Creative and Innovative

Our graduates will also be capable of creative thinking and of creating knowledge. They will be imaginative and open to experience and capable of innovation at work and in the community. We want them to be engaged in applying their critical, creative thinking.

This graduate capability is supported by:

Learning outcomes

  • Understand a range of screenwriting approaches and methodologies
  • Generate story ideas and material suited to screen media
  • Draw upon independent research for a creative project
  • Evaluate screenwriting and creative work in progress
  • Demonstrate the ability to reflect in action
  • Contribute to collaborative discussions

Assessment tasks

  • Script Field-Notes
  • Storyboard OR Treatment
  • First Draft Script
  • Participation

Capable of Professional and Personal Judgement and Initiative

We want our graduates to have emotional intelligence and sound interpersonal skills and to demonstrate discernment and common sense in their professional and personal judgement. They will exercise initiative as needed. They will be capable of risk assessment, and be able to handle ambiguity and complexity, enabling them to be adaptable in diverse and changing environments.

This graduate capability is supported by:

Learning outcomes

  • Understand a range of screenwriting approaches and methodologies
  • Generate story ideas and material suited to screen media
  • Draw upon independent research for a creative project
  • Evaluate screenwriting and creative work in progress
  • Demonstrate the ability to reflect in action
  • Contribute to collaborative discussions

Assessment tasks

  • Script Field-Notes
  • Storyboard OR Treatment
  • First Draft Script
  • Participation

Commitment to Continuous Learning

Our graduates will have enquiring minds and a literate curiosity which will lead them to pursue knowledge for its own sake. They will continue to pursue learning in their careers and as they participate in the world. They will be capable of reflecting on their experiences and relationships with others and the environment, learning from them, and growing - personally, professionally and socially.

This graduate capability is supported by:

Learning outcomes

  • Understand a range of screenwriting approaches and methodologies
  • Generate story ideas and material suited to screen media
  • Draw upon independent research for a creative project

Assessment tasks

  • Script Field-Notes
  • Storyboard OR Treatment
  • First Draft Script
  • Participation

Discipline Specific Knowledge and Skills

Our graduates will take with them the intellectual development, depth and breadth of knowledge, scholarly understanding, and specific subject content in their chosen fields to make them competent and confident in their subject or profession. They will be able to demonstrate, where relevant, professional technical competence and meet professional standards. They will be able to articulate the structure of knowledge of their discipline, be able to adapt discipline-specific knowledge to novel situations, and be able to contribute from their discipline to inter-disciplinary solutions to problems.

This graduate capability is supported by:

Learning outcomes

  • Understand a range of screenwriting approaches and methodologies
  • Generate story ideas and material suited to screen media
  • Draw upon independent research for a creative project
  • Evaluate screenwriting and creative work in progress
  • Demonstrate the ability to reflect in action

Assessment tasks

  • Script Field-Notes
  • Storyboard OR Treatment
  • First Draft Script
  • Participation

Critical, Analytical and Integrative Thinking

We want our graduates to be capable of reasoning, questioning and analysing, and to integrate and synthesise learning and knowledge from a range of sources and environments; to be able to critique constraints, assumptions and limitations; to be able to think independently and systemically in relation to scholarly activity, in the workplace, and in the world. We want them to have a level of scientific and information technology literacy.

This graduate capability is supported by:

Learning outcomes

  • Understand a range of screenwriting approaches and methodologies
  • Generate story ideas and material suited to screen media
  • Draw upon independent research for a creative project
  • Evaluate screenwriting and creative work in progress
  • Demonstrate the ability to reflect in action
  • Contribute to collaborative discussions

Assessment tasks

  • Script Field-Notes
  • Storyboard OR Treatment
  • First Draft Script
  • Participation

Problem Solving and Research Capability

Our graduates should be capable of researching; of analysing, and interpreting and assessing data and information in various forms; of drawing connections across fields of knowledge; and they should be able to relate their knowledge to complex situations at work or in the world, in order to diagnose and solve problems. We want them to have the confidence to take the initiative in doing so, within an awareness of their own limitations.

This graduate capability is supported by:

Learning outcomes

  • Understand a range of screenwriting approaches and methodologies
  • Generate story ideas and material suited to screen media
  • Draw upon independent research for a creative project
  • Demonstrate the ability to reflect in action

Assessment tasks

  • Script Field-Notes
  • Storyboard OR Treatment
  • First Draft Script
  • Participation

Effective Communication

We want to develop in our students the ability to communicate and convey their views in forms effective with different audiences. We want our graduates to take with them the capability to read, listen, question, gather and evaluate information resources in a variety of formats, assess, write clearly, speak effectively, and to use visual communication and communication technologies as appropriate.

This graduate capability is supported by:

Learning outcomes

  • Understand a range of screenwriting approaches and methodologies
  • Generate story ideas and material suited to screen media
  • Evaluate screenwriting and creative work in progress
  • Demonstrate the ability to reflect in action
  • Contribute to collaborative discussions

Assessment tasks

  • Script Field-Notes
  • Storyboard OR Treatment
  • First Draft Script
  • Participation

Engaged and Ethical Local and Global citizens

As local citizens our graduates will be aware of indigenous perspectives and of the nation's historical context. They will be engaged with the challenges of contemporary society and with knowledge and ideas. We want our graduates to have respect for diversity, to be open-minded, sensitive to others and inclusive, and to be open to other cultures and perspectives: they should have a level of cultural literacy. Our graduates should be aware of disadvantage and social justice, and be willing to participate to help create a wiser and better society.

This graduate capability is supported by:

Assessment tasks

  • Script Field-Notes
  • Storyboard OR Treatment
  • First Draft Script
  • Participation

Socially and Environmentally Active and Responsible

We want our graduates to be aware of and have respect for self and others; to be able to work with others as a leader and a team player; to have a sense of connectedness with others and country; and to have a sense of mutual obligation. Our graduates should be informed and active participants in moving society towards sustainability.

This graduate capability is supported by:

Assessment task

  • Participation