Unit convenor and teaching staff |
Unit convenor and teaching staff
Convenor/Lecturer
Mary Mainsbridge
Contact via (02) 9850 2116
Y3A 165E
Email for appointment
Sarah Keith
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Credit points |
Credit points
3
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Prerequisites |
Prerequisites
39cp at 100 level or above including 3cp in MUS units at 300 level
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Corequisites |
Corequisites
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Co-badged status |
Co-badged status
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Unit description |
Unit description
This unit enables students to consolidate their musical learning through research, individual artistry, production and/or advanced performance. Collaborative projects will focus on musical creativities, performance and production. In addition, individual projects will be student initiated and project proposals will be followed with faculty consultations. The unit will conclude with a showcase of individual projects and/or performances. A written report on the process and realisation of the individual project will be submitted at the conclusion of the unit. Students will also be required to submit an integrative portfolio of their key achievements in music studies and documentation in relation to career aspirations.
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Information about important academic dates including deadlines for withdrawing from units are available at https://www.mq.edu.au/study/calendar-of-dates
On successful completion of this unit, you will be able to:
In addition to citing set readings, the written tasks (proposal, critical analysis and reflection) should include at least 2 additional scholarly references (e.g. journal article; book chapter) relevant to the aims of the assessment task.
Name | Weighting | Hurdle | Due |
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Proposal | 15% | No | 28 August 2017 (Week 5) |
Creativity and Collaboration | 35% | No | 9 October 2017 (Week 9) |
Creative Project | 50% | No | Week 13; 6 & 7 November 2017 |
Due: 28 August 2017 (Week 5)
Weighting: 15%
This assessment requires students to critically analyse their musical learning and goals. Students are required to submit a proposal (maximum of 1000 words) for the creative project (e.g., performance of new work; recording of original musical work). Please note that all creative projects must be NEW projects for MUS306. They are not to include existing band performances or structures, recordings already underway or be reliant upon other musicians to bring to fruition. Where the project involves some form of collaboration, a breakdown of roles and tasks, together with a credit list is required. Proposals need to include the aim of the performance/project, the scope of the performance/project, the people involved and their roles, a proposed budget, technical requirements and staging plan. The proposal should be referenced in-text and include a reference list in APA style. It is to be submitted via Turnitin by 5:00PM on the due date.
Assessment criteria:
Due: 9 October 2017 (Week 9)
Weighting: 35%
This assessment entails musical creativity, collaboration and an ensemble performance in which each student creates an individual musical segment of the group's piece. Each segment is to be no less than 1 minute. Each student is required to 1) write lyrics and construct a melody, 2) engage in recording their individual segment, 3) engage in devising group harmony/percussion/accompaniment for their segment within a group ensemble and 4) critically analyse the creative process, individual contribution and project realisation. Production students may integrate created segments within the ensemble. All production segments will also need to include lyrics and melody.
An iLearn forum will be set up for each group for ALL ensemble communication so as to effectively track the collaboration component.
Students will be assessed individually on their respective contributions including creating, recording, performing (25% weighting) and critical analysis (10% weighting). Students should actively participate, as a component of their mark will reflect this. The individual sections are to be finalised prior to Week 7 (11/09/17) recording sessions (student attendance at these sessions is required as it is linked to the assessment task). In these sessions, all segments will be recorded in order for individual analysis (due Monday Week 9 - 9/10/17) and to facilitate subsequent collaboration for musical arranging and performance. Analysis methods/requirements will be detailed during the Week 4 Lecture. The critical analysis must be written using academic protocols such as referencing (in-text and reference list in APA style) and structure. A maximum word limit of 750 words applies including the reference list. The analysis is to be submitted via Turnitin by 5:00PM on the same date as the performance (9/10/17).
Assessment criteria:
Due: Week 13; 6 & 7 November 2017
Weighting: 50%
This project entails a performance or project to be presented in a showcase format (30% weighting). Students will be assessed on their creativity and individuality with a maximum showcase time of 15 minutes (including set-up). Please note that all creative projects must be NEW projects for MUS306. They are not to include existing band performances or structures, recordings already underway or reliant upon other musicians to bring to fruition. Where the project has involved some form of collaboration, a breakdown of roles and tasks, together with a credit list is required.
Students are also required to submit a 1500-word written reflection (20% weighting) on the process and outcomes of the work in relation to project aims, career aspirations and musical goals. It is to include a credit list and a break down of roles where appropriate. This reflection will be accompanied by a list of past works, artist statement and supporting audio-visual material such as photos, audio or videos documenting prior musical learning and/or creative projects that have assisted or underpinned the work’s development and realisation. The reflection must be written using academic protocols such as referencing (in-text and reference list in APA style). The critical evaluation is to be submitted via Turnitin by 5:00PM on the same date as the showcase (6/11 or 7/11).
Assessment criteria:
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MUS 306 Tutorials: 10:00, 12:00 and 3:00 Mondays; Y3A 187 |
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Both lecture and tutorial attendance is a requirement. Tutorials begin in Week 2. As some lectures involve practical activities, attendance at lectures and tutorials will be recorded weekly. Students missing lectures or tutorials without submitting a Disruption to Studies application will automatically have marks deducted from their musical collaboration mark.
Late Submissions
Tasks 10% or less. No extensions will be granted. Students who have not submitted the task prior to the deadline will be awarded a mark of 0 for the task, except for cases in which an application for Disruption to Studies is made and approved.
Tasks above 10%. Students who submit late work without an approved Disruption to Studies extension will receive a penalty of 10% per day. This penalty does not apply for cases in which an application for Disruption to Studies is made and approved.
(Disruption to Studies Policy http://www.mq.edu.au/policy/docs/disruption_studies/policy.html )
Students are expected to undertake independent research relating their findings in their written assessments and in their performances. Appropriate referencing in APA style, including in-text referencing, must be adhered to.
All performance assessments must be from memory – no reading of lyrics or music is permitted. If performing in a language other than English (an option for one style only), a translation of all lyrics is required. Students will need to supply their own musical accompaniment, including rehearsal tracks. It is the responsibility of students to ensure that rehearsal/performance tracks do not breach copyright legislation (obtained legally; not pirated copies or illegal downloads) or have the melody or vocal line heard within the track. Please ensure that all backing tracks are supplied on a USB memory stick for performance assessments.
Informal and formal feedback in this unit is provided in several ways. Interactive lectures and exercises provide opportunities to test critical thinking and listening skill development; tutor and peer comments in tutorials are other ways of receiving informal feedback throughout the session. Formal feedback is disseminated for all assessment tasks.
Students are expected to undertake independent research relating their findings in their written assessments and in their creative project.
Students are required to use technologies approriate to the projects; production students are required to use their own programs and laptops. A PA system, projector and lighting system will be supplied for the final creative project showcase.
Required readings:
Week 1: Baym, N. K. 2010. 'Rethinking the Music Industry.' Popular Communication: The International Journal of Media and Culture. 8/3: 177-180.
Week 2: Australia Council for the Arts 2015, Arts Nation: An Overview of Australian Arts, 2015 Edition, Sydney, Australia. Available at: http://www.australiacouncil.gov.au/workspace/uploads/files/arts-nation-october-2015-5638269193891.pdf
Hughes, D. Evans, M., Morrow, G. & Keith, S. 2016. 'Standing out in the crowd.' The New Music Industries: Disruption and Discovery, 37-62. London: Palgrave Macmillan.
Week 3: Burnard, Pamela. 2012. 'A framework for understanding musical creativities.' In Musical Creativities in Practice, 213-236. Oxford: Oxford University Press.
Week 4: Lopez-Gonzalez, M., & Limb, C. 2012. 'Musical Creativity and the Brain', Cerebrum. 2012 Jan-Feb; 2012: 2. Published online 2012 Feb 22. Available at: http://www.ncbi.nlm.nih.gov/pmc/articles/PMC3574774/
Week 5: Candy, L. 2006. Published online November 2006. ‘Practice-based research: A guide’ Available at: http://www.creativityandcognition.com/resources/PBR%20Guide-1.1-2006.pdf
Week 6: Brown, J. 2012. 'Examining Creativity in Collaborative Performance: Constraint and Freedom.' TEXT.: Australasian Association of Writing Programs 2012. 16: 1-16. Available at: http://acquire.cqu.edu.au:8080/vital/access/manager/Repository/cqu:8881
Week 7: Huber, D. and Runstein, R. 2014. Modern Recording Techniques. Oxford: Taylor and Francis.
The written tasks (proposal, analysis and critical evaluation) should include at least 2 additional scholarly references (e.g. journal article; book chapter) relevant to the aims of the assessment task.
Weekly readings will be available through the library databases and suggested readings for further research will be discussed in lectures. Full readings lists will be available on iLearn.
Week 1
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Unit introduction and the new music industries
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Week 2
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Project proposal type and structure; Music copyright
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Week 3
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Musical creativity 1
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Week 4
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Musical creativity 2
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Week 5
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Documenting creativity and practice-based research in the arts |
Week 6
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Musical collaboration: theories and processes
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Week 7
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Recording procedures; Recording sessions
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Week 8
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Public Holiday
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Week 9
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Musical collaboration (performance) |
Week 10
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Integrating/analysing musical learning and artist traits
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Week 11
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Consolidating 'individuality' |
Week 12
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Effective musical communication
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Week 13 |
Creative Project – Showcase and Critical Evaluation |
Macquarie University policies and procedures are accessible from Policy Central. Students should be aware of the following policies in particular with regard to Learning and Teaching:
Academic Honesty Policy http://mq.edu.au/policy/docs/academic_honesty/policy.html
Assessment Policy http://mq.edu.au/policy/docs/assessment/policy_2016.html
Grade Appeal Policy http://mq.edu.au/policy/docs/gradeappeal/policy.html
Complaint Management Procedure for Students and Members of the Public http://www.mq.edu.au/policy/docs/complaint_management/procedure.html
Disruption to Studies Policy (in effect until Dec 4th, 2017): http://www.mq.edu.au/policy/docs/disruption_studies/policy.html
Special Consideration Policy (in effect from Dec 4th, 2017): https://staff.mq.edu.au/work/strategy-planning-and-governance/university-policies-and-procedures/policies/special-consideration
In addition, a number of other policies can be found in the Learning and Teaching Category of Policy Central.
Macquarie University students have a responsibility to be familiar with the Student Code of Conduct: https://students.mq.edu.au/support/student_conduct/
Results shown in iLearn, or released directly by your Unit Convenor, are not confirmed as they are subject to final approval by the University. Once approved, final results will be sent to your student email address and will be made available in eStudent. For more information visit ask.mq.edu.au.
MMCCS Session Re-mark Application http://www.mq.edu.au/pubstatic/public/download/?id=167914
Information is correct at the time of publication
Macquarie University provides a range of support services for students. For details, visit http://students.mq.edu.au/support/
Learning Skills (mq.edu.au/learningskills) provides academic writing resources and study strategies to improve your marks and take control of your study.
Students with a disability are encouraged to contact the Disability Service who can provide appropriate help with any issues that arise during their studies.
For all student enquiries, visit Student Connect at ask.mq.edu.au
For help with University computer systems and technology, visit http://www.mq.edu.au/about_us/offices_and_units/information_technology/help/.
When using the University's IT, you must adhere to the Acceptable Use of IT Resources Policy. The policy applies to all who connect to the MQ network including students.
Our graduates will also be capable of creative thinking and of creating knowledge. They will be imaginative and open to experience and capable of innovation at work and in the community. We want them to be engaged in applying their critical, creative thinking.
This graduate capability is supported by:
We want our graduates to have emotional intelligence and sound interpersonal skills and to demonstrate discernment and common sense in their professional and personal judgement. They will exercise initiative as needed. They will be capable of risk assessment, and be able to handle ambiguity and complexity, enabling them to be adaptable in diverse and changing environments.
This graduate capability is supported by:
Our graduates will have enquiring minds and a literate curiosity which will lead them to pursue knowledge for its own sake. They will continue to pursue learning in their careers and as they participate in the world. They will be capable of reflecting on their experiences and relationships with others and the environment, learning from them, and growing - personally, professionally and socially.
This graduate capability is supported by:
Our graduates will take with them the intellectual development, depth and breadth of knowledge, scholarly understanding, and specific subject content in their chosen fields to make them competent and confident in their subject or profession. They will be able to demonstrate, where relevant, professional technical competence and meet professional standards. They will be able to articulate the structure of knowledge of their discipline, be able to adapt discipline-specific knowledge to novel situations, and be able to contribute from their discipline to inter-disciplinary solutions to problems.
This graduate capability is supported by:
We want our graduates to be capable of reasoning, questioning and analysing, and to integrate and synthesise learning and knowledge from a range of sources and environments; to be able to critique constraints, assumptions and limitations; to be able to think independently and systemically in relation to scholarly activity, in the workplace, and in the world. We want them to have a level of scientific and information technology literacy.
This graduate capability is supported by:
Our graduates should be capable of researching; of analysing, and interpreting and assessing data and information in various forms; of drawing connections across fields of knowledge; and they should be able to relate their knowledge to complex situations at work or in the world, in order to diagnose and solve problems. We want them to have the confidence to take the initiative in doing so, within an awareness of their own limitations.
This graduate capability is supported by:
We want to develop in our students the ability to communicate and convey their views in forms effective with different audiences. We want our graduates to take with them the capability to read, listen, question, gather and evaluate information resources in a variety of formats, assess, write clearly, speak effectively, and to use visual communication and communication technologies as appropriate.
This graduate capability is supported by:
As local citizens our graduates will be aware of indigenous perspectives and of the nation's historical context. They will be engaged with the challenges of contemporary society and with knowledge and ideas. We want our graduates to have respect for diversity, to be open-minded, sensitive to others and inclusive, and to be open to other cultures and perspectives: they should have a level of cultural literacy. Our graduates should be aware of disadvantage and social justice, and be willing to participate to help create a wiser and better society.
This graduate capability is supported by:
We want our graduates to be aware of and have respect for self and others; to be able to work with others as a leader and a team player; to have a sense of connectedness with others and country; and to have a sense of mutual obligation. Our graduates should be informed and active participants in moving society towards sustainability.
This graduate capability is supported by: