Unit convenor and teaching staff |
Unit convenor and teaching staff
Eva Anagnostou
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Credit points |
Credit points
10
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Prerequisites |
Prerequisites
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Corequisites |
Corequisites
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Co-badged status |
Co-badged status
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Unit description |
Unit description
Every week students will be introduced to a number of myths from ancient Greece, Rome, the ancient Near East (including Egypt), and some myths from the Aboriginal traditions. You will study the earliest creation myths, explore the stories of gods and goddesses, heroes and monsters, in ancient literature and art. The myths, studied in translation, will be analysed in terms of their cultural context, the genre in which they belong, their typology and as the semester progresses through certain theoretical perspectives. |
Information about important academic dates including deadlines for withdrawing from units are available at https://www.mq.edu.au/study/calendar-of-dates
On successful completion of this unit, you will be able to:
Please, find below an introduction to the assessment tasks for this Unit. Separate rubrics for the Myth Analysis and the Essay are available via the ilearn website. Please, note that while you can use AI as a learning resource, you CANNOT submit assessments generated by AI tools. This would not be considered as your own work and therefore a breach of Academic Integrity.
Assessment Task 1 of 3:
Analysis of a Myth
Due: 23:59 10/9/23 (= Sunday midnight Week 7)
Weighting: 30%
Length: 1000 words
Every week students will be introduced to a number of myths from ancient Greece, Rome, the ancient Near East (including Egypt), and some myths from the Aboriginal traditions. The myths will be analysed in terms of their cultural context, the genre in which they belong (oral tradition vs written tradition/ epic versus drama/ literature versus historiography), their typology (cosmogonical myths vs ritual myths vs cultural hero myths etc) and as the semester progresses through certain theoretical perspectives (structuralism and post-structuralism, functionalism, phenomenology).
By week 7, both in the lectures and the tutorials students will be exposed to analysing myths based on their cultural context, recognizing their typology and their genre. Our analyses will combine a close reading of the ancient evidence with insights from modern scholarship. By ‘modern scholarship’ we mean work published in academic journals or monographs. You will find readings suggested for each lecture and tutorial in the ilearn site. In addition to what we refer to as essential readings, there will also be an extended list of works that can be found in the library for your perusal. Do not use general or encyclopedic style websites such as WIKIPEDIA as sources.
For this task, students are asked to analyse a myth of their choice with regard to the myth's cultural context, its typology and/or its genre by referencing the ancient evidence and secondary literature thoroughly.
You are also required to submit a bibliography of all ancient and modern items consulted.
Please refer to the guide to referencing and essay presentation, available on the unit’s website.
Submissions which exceed the prescribed length by more than 10% will not be marked.
Submission: Submission is made electronically via the ‘assignment’ link on the unit’s webpage.
On successful completion you will be able to:
To Help you with your first task, here are some suggestions for mythic topics to be analysed (feel free to choose a topic of your own in consultation with your lecturer/tutor):
The quest for immortality in Babylonian and Greek mythology.
Gods and humans in Babylonian and Greek mythology.
Vernant and the role of sacrifice in Greek Mythology.
Myth and memory (Babylonian/Greek/aboriginal)
Pandora: Explaining ancient Greek misogyny
Heracles and the Heroic Archetype in Greek Mythology.
The role of Heracles’ parerga in Greek myth
Story Telling in the time of Hesiod. The Theogony a theology.
Polis and Piety: the relation between Athenian Theatre and Athenian politics.
The Underworld before and after the Mysteries of Eleusis.
The role of katabasis in Greek mythology.
The social aspects of Dionysian cult.
Explain the character of Prometheus in Plato’s Protagoras.
Young girl interrupted: tracing initiation patterns in the story of [Medea/Electra/ Antigone/ Helen/ Iphigenia].
Defining Alexandrian poetics.
Alexander between Myth and History.
The origins of Greek pastoral poetry.
Where do the similarities between Homer and Vergil stop?
Discuss the Aeneid as a “national” epic.
Ovid as a Silver Age poet.
Explain Herodotus’ title as the Father of History.
Ritual and myth in aboriginal communities.
Kingship and Culture (Babylonian/ Greek/Aboriginal).
The value of comparative mythology.
Assessment Task 2 of 3:
Essay
Due: 23:59 29/10/23 (= Sunday midnight Week 12)
Weighting: 35%
Length: 2000 words
Write an essay of no more than 2000 words on ONE of the topics below. Please, make sure your Essay topic is DIFFERENT to your analysis topic to avoid cases of self-plagiarism reported via Turnitin. Self-plagiarism is a breach of academic integrity.
· Label your work when you submit it in the following way:
§ Number of Question.Surname.Student ID number
§ (eg 4.Smith.9458767)
1. Discuss the extent to which theories of myth provide an explanation for Greek myth. Feel free to focus your essay on structuralism, post-structuralism, functionalism OR phenomenology.
2. Discuss the extent to which Greek mythology was influenced by myths from other cultures.
3. Discuss the extent to which Roman mythology was influenced by myths from other cultures.
4. Ancient Greek myth embraces religion, science and philosophy, in contrast to nowadays tendency to differentiate between these lines of enquiry. Discuss our approach(es) of Greek mythology in relation to the above statement.
5. Discuss the notion of kinship in aboriginal mythology.
6. Discuss the myth of Pandora in light of the ancient Greek view on women.
7. Discuss the main aspects of Babylonian divine kingship.
8. Motifs of cosmogony in aboriginal myths.
9. Death and Afterlife in the Homeric Epics.
10. The Heroic King: Models of Kingship in Homer.
11. Explain the factors that made for Zeus’ success in winning and retaining sovereign power in the universe. How secure is Zeus’ Olympian order? Discuss with reference to episodes from Hesiod’s Theogony.
12. Examine the profile of Zeus as king of the gods in Prometheus Bound.
13. Ancient Greek gods were often attributed human qualities which distance them significantly from nowadays perceptions about the divine. What impact did this have to the sense of piety the ancient Greeks adopted towards their gods?
14. “Monsters exist in order to be killed.” Consider this remark in the light of your knowledge of the Odyssey.
15. In the light of some of the stories you have studied consider the significance of trickery and deception in Greek myth. Discuss with reference to famous bearers of these qualities.
16. In the light of some of the stories you have studied consider the significance of eating and swallowing in Greek myth.
17. Ritual patterns in ancient Greek drama: Antigone and Iphigeneia.
18. Compare Heracles and Dionysus as mystery gods. What do their similarities and differences tell us about the ideal Greek man?
19. The role of ritual in aboriginal culture.
20. Analyze rites of passage and discuss their social importance in ancient Greece.
21. Discuss male ritual rites in ancient Greece: from the Black Hunter to Hippolytus
22. Discuss the popularity of the Eleusinian rites in Greek/ Greco-Roman antiquity.
23. Discuss in what ways the legend of Alexander the Great complies with the traditional Greek myths you studied until now.
24. The Romans did not have a mythology of their own, but simply appropriated the Greek traditional stories about gods and heroes. Do you agree with this view?
25. Vergil, Aeneas, and Augustan Propaganda.
26. Discuss Ovid’s Metamorphoses: is his work an epic, in your opinion?
27. The use of myth in Ovid’s Metamorphoses and the didactic tradition.
28. The use of myth in Plato’s philosophy
How to submit your essay via Turnitin
Your essay is to be submitted electronically through the TURNITIN submission link.
Upload your essay through the ESSAY SUBMISSION TURNITIN link in the assessment section on the unit's main page.
For further instructions on how to submit an assigment follow this link:
On successful completion you will be able to:
Assessment Task 3 of 3
Online Quizzes
Due: 23:59 6/8/23; 20/8/23; 3/9/23; 1/10/23; 15/10/23 (= Sunday midnight of weeks 2, 4, 6, 8, and 10)
Weighting: 5 quizzes x 7% each = 35%
Format/length: each quiz will comprise of 15 multiple choice answers and will be marked automatically. The quizzes are timed.
These are short online quizzes on the material covered in the lecture topics. Access to each quiz is through the unit’s website. You may take the quizzes at any time during the specific week, but you may take each quiz only once. Maximum time allowed for each quiz is 45 mins (for 15 questions per each quiz). These quizzes are instead of an exam: there is no formal examination for the unit. In addition, they help you keep track of your progress and your readings on a weekly basis.
You are advised to complete each quiz after listening to the relevant lectures: since the quizzes are every two weeks, they will cover material for the previous two weeks; for example, the quiz of week 2 will cover material from weeks 1 and 2. It may be useful to have the lecture notes (pdf) open while you attempt the quiz. Please do not start a quiz until you are ready to answer the questions! In the past some students opened a quiz to see how it worked: once opened the quiz must be completed as you may take each quiz only once.
On successful completion you will be able to:
Late Assessment Submission Penalty:
Unless a Special Consideration request has been submitted and approved, a 5% penalty (of the total possible mark) will be applied each day a written assessment is not submitted, up until the 7th day (including weekends). After the 7th day, a mark of ‘0’ (zero) will be awarded even if the assessment is submitted. Submission time for all written assessments is set at 11.55pm. A 1-hour grace period is provided to students who experience a technical issue.
This late penalty will apply to non-timed sensitive assessment (incl essays, reports, posters, portfolios, journals, recordings etc). Late submission of time sensitive tasks (such as tests/exams, performance assessments/presentations, scheduled practical assessments/labs etc) will only be addressed by the unit convenor in a Special consideration application. Special Consideration outcome may result in a new question or topic.
IMPORTANT NOTE ON MARKS: Grading decisions for each assessment task will be moderated against the set criteria and standards before task results are released.
Name | Weighting | Hurdle | Due |
---|---|---|---|
Quizzes | 35% | No | 11:59, 6/8/2023; 20/8/2023; 3/9/2023; 1/10/2023; 15/10/2023 |
Analysis of a Myth | 30% | No | 11:59, 10/9/2023 |
Essay | 35% | No | 11:59, 29/10/2023 |
Assessment Type 1: Quiz/Test
Indicative Time on Task 2: 20 hours
Due: 11:59, 6/8/2023; 20/8/2023; 3/9/2023; 1/10/2023; 15/10/2023
Weighting: 35%
These are short online quizzes on the material covered within the unit. Access to the quizzes is through links in the ilearn page.
Assessment Type 1: Case study/analysis
Indicative Time on Task 2: 20 hours
Due: 11:59, 10/9/2023
Weighting: 30%
A short written paper in which you analyse a myth: your word limit is 1000 words. Submit answers to the questions set through the Turnitin link in the unit's ilearn page. Further details on this task are on the unit's ilearn page.
Assessment Type 1: Essay
Indicative Time on Task 2: 38 hours
Due: 11:59, 29/10/2023
Weighting: 35%
This is a longer written assessment task: your word limit is 2000 words. You will be given a choice of topics in the Essay section of the unit's iLearn site. Submit your essay through the Turnitin link in the unit's ilearn page. Further details on this task and how to complete it successfully are on the unit's ilearn page.
1 If you need help with your assignment, please contact:
2 Indicative time-on-task is an estimate of the time required for completion of the assessment task and is subject to individual variation
Delivery
The unit will be delivered via 2 recorded lectures available online over 12 weeks. The lectures will be followed by an 1 hour weekly tutorial. Online flexible and OUA students will be given the chance to contribute to online forums on a weekly basis instead of attending live tutorials. In addition, 4 online, recorded zoom sessions will be offered during the term as preparation for your assessment tasks and an opportunity for students to ask questions, whether content or assessment related.
Resources
All the materials, primary and secondary, needed for this course will be uploaded in the ilearn website and are also available through the Library Reading List (Leganto). You will have access to this material from the start of the semester and you will be able to pace your progress. If, however, you wish to make a head-start, feel free to consult the following:
Classical Myth: Homepage (uvic.ca)
Handouts and Weblinks for Classical Mythology (CLAS230 Monmouth College)
Classical Mythology, Ninth Edition (oup.com)
Encyclopedia Mythica (pantheon.org)
The best source for classical texts on the Internet: Perseus Digital Library (tufts.edu)
The texts are available here in English translation and in the original Greek with links to online lexical and grammatical aids. All Perseus texts are linked to explanatory notes, maps, images, and other resources. There is also a searchable hypertext encyclopedia: Perseus Encyclopedia, Abacus, Abacus (tufts.edu)
Greek Myth Resources (ysu.edu)Greek Gods & Goddesses | Theoi Greek Mythology
A Useful and Long Bibliography on Myth (not to scare you, hopefully, but enthuse you preferably!)
DEFINING ‘Myth’:
Csapo, E. 2005.Theories of Mythology. Malden MA: Blackwell Publishing.
Sebeok, T.A. 1955. Myth: A Symposium. Bloomington: U. Indiana Press (ISBN 0-253-20083-0) ["The structural Study of Myth," by Claude Levi-Strauss]
Kirk, G. 1970. Myth: Its Meaning and Functions in Ancient and Other Cultures. Berkeley: U. of California (ISBN 0-520-02389-7) (also other editions, Penguin)
Littleton, C.S. 1973. The New Comparative Mythology: An anthropological Assessment of the Theories of Georges Dumezil. Berkeley: U. of California, revised edition) (ISBN 0-520-02403-6)
Fromm, E. 1951. The Forgotten Language: An Introduction to the Understanding of Dreams, Fairy Tales and Myth. New York: Grove Press [Freudian]
Bettelheim, B. 1976. The Uses of Enchantment: The Meaning and Importance of Fairy Tales. New York: Random House/Vintage (ISBN 0-394-72265-5) [Jungian]
Polti, G. 1916. The Thirty-six Dramatic Situations (trans. L. Ray). Ridgewood, NJ: the Editor Company [available on books.google.com]
Aarne, A. and S. Thompson. 1973. The Types of the Folktale: A Classification and Bibliography 2nd revised edition. Helsinki: Academia Scientiarum Fenica.
Non-Greek MEDITERRANEAN MYTHOLOGIES:
Clark, R.T. 1960. Myth and Symbol in Ancient Egypt. London/New York: Thames & Hudson.
Frankfort, H. 1948. Kingship and the Gods: A Study of Ancient Near Eastern Religion as the Integration of Society & Nature. Chicago: University of Chicago (ISBN 0-226-26011-9).
George, A.R. 2003. The Babylonian Gilgamesh Epic: Introduction, Critical Edition, and Cuneiform Texts 2 vols. Oxford: Oxford U. Press.
Jacobsen, Th. 1976. The Treasures of Darkness: A History of Mesopotamian Religion. New Haven: Yale U Press (ISBN 0-300-02291-3).
GREEK AND ROMAN MYTHOLOGY:
Price, S. and E. Kearns. 2004. The Oxford Dictionary of Classical Myth and Religion. Oxford: Oxford U Press.
Buxton, R. 2004. The Complete World of Greek Mythology. London: Thames and Hudson.
Grant, M. 1962. The Myths of the Greeks and Romans. New York: NAL-Mentor (ISBN 0-452-00420-9).
Detienne, M. 2003. The Writing of Orpheus: Greek Myth in Cultural Context (tr. J. Lloyd). Baltimore: Johns Hopkins (original Paris: Gallimard, 1968).
Bernabé, P.A. and A. Jiménez San Cristóbal. 2008. Instructions for the Netherworld: The Orphic Gold Tablets. Leiden-Boston: Brill.
Freedman, L. 2003. The Revival of the Olympian Gods in Renaissance Art. Cambridge: Cambridge U Press.
Brumble, H.D. 1998. Classical Myths and Legends in the Middle Ages and Renaissance. New York: Routledge.
Miles, G. 1999. Classical Mythology in English Literature. New York: Routledge.
O'Brien, M. 1968. Twentieth Century Interpretations of OEDIPUS REX. Englewood Cliffs NJ: Prentice Hall.
Lefkowitz, M. 2003. Greek Gods, Human Lives: What We Can Learn From Myths. New Haven: Yale U Press.
Nilsson, M.P. 1931 (and frequently reprinted ever since). The Mycenaean Origins of Greek Mythology. New York: Norton.
Mikalson, J.D. 1983. Athenian Popular Religion. Chapel Hill: U. North Carolina.
Ogden, D. 2002. Magic, Witchcraft, and Ghosts in the Greek and Roman Worlds: A Sourcebook. Oxford: Oxford U Press.
Anderson, G. 2000. Fairytale in the Ancient World. New York: Routledge.
Dowden, K. 2005. Zeus. New York: Routledge.
Dougherty, C. 2005. Prometheus. New York: Routledge.
Breitberger, B. 2004. Aphrodite and Eros: The Development of Greek Erotic Mythology. New York: Routledge.
Buxton, R. 2009. Forms of Astonishment: Greek Myths of Metamorphosis. New York: Oxford University Press.
Veyne, P. 1983. Did the Greeks Believe in their Myths? Chicago: U of Chicago Press.
Grant, M. 1971. Roman Myths. New York: Scribners.
Perowne, S. 1969. Roman Mythology. New York: Paul Hamlyn.
Wildfang, R.L. 2006. Rome's Vestal Virgins. New York: Routledge.
Wiseman, T.P. 1995. Remus: A Roman Myth. Cambridge: Cambridge U Press.
Wiseman, T.P. 2004. The Myths of Rome. Exeter: University of Exeter Press.
Turcan, R. 1996. The Cults of the Roman Empire. Cambridge: Blackwell [Paris: Les Belles Lettres 1992].
Burkert, W. 1979. Structure and History in Greek Mythology and Ritual. Berkeley/Los Angeles: U of California.
Burkert, W. 1983. Homo necans. The Anthropology of Ancient Greek Sacrificial Ritual and Myth (trans. P. Bing). Berkeley/Los Angeles: U of California.
Burkert, W. 1987. Ancient Mystery Cults. Cambridge, Mass: Harvard U Press.
Bowlby, R. 2009. Freudian Mythologies: Greek Tragedy and Modern Identities. New York/Oxford: Oxford University Press.
Bell, R.E. 1993. Women in Classical Mythology. Oxford: Oxford U Press.
Deacey, S. 2008. Athena. New York: Routledge.
Demand, N. 1994. Birth, Death, and Motherhood in Classical Greece. Baltimore: Johns Hopkins.
Dougherty, C. 2005. Prometheus. New York: Routledge.
Graf, F. 2008. Apollo. New York: Routledge.
Ogden, D. 2008. Perseus. New York: Routledge.
Larson, J. 1995. Greek Heroine Cults. Madison: University of Wisconsin.
Lefkowitz, M.R. 1990. Women in Greek Myth. Baltimore: Johns Hopkins.
Seaford, R. 200. Dionysos. New York: Routledge.
Sergent, B. 1986. Homosexuality in Greek Myth. London: Athlone.
Australian Mythology
Allen, L. 1975. Time Before Morning: Art and Myth of the Australian Aborigines. New York: Crowell.
Arden, H. 1994. Dreamkeepers: A Spirit Journey into Aboriginal Australia. New York: HarperCollins.
Beckett, J. (ed.). 1988. Past and Present: The Construction of Aboriginality. Canberra: Aboriginal Studies Press.
Bell, D. 1978. Daughters of the Dreaming. Sydney: Allen and Unwin.
Berndt, R. & Berndt, C. 1977. The World of the First Australians. Sydney: Ure Smith.
______. 1989. The Speaking Land. Melbourne: Penguin.
Blows, J. 1995. Eagle and Crow: An Exploration of Australian Aboriginal Myth. New York: Garland.
Chatwin, B. 1987. The Songlines. London: Penguin.
Cowan, J. 1990. Mysteries of the Dreaming: The Spiritual Life of Australian Aborigines. Dorset: Prism.
Eliade, M. 1973. Australian Religions: An Introduction. Ithaca: Cornell University Press.
Gill, S. 1998. Storytracking. Texts, Stories, and Histories in Central Australia. Oxford: Oxford University Press.
Hiatt, L. 1975. Australian Aboriginal Mythology: Essays in Honour of W.E.H Stanner. Canberra: Australian Institute of Aboriginal Studies.
Horton, D. 1994. The Encyclopedia of Aboriginal Australia: Aboriginal and Torres Strait Islander History, Society, and Culture. Canberra: Aboriginal Studies Press.
Hume, L. 1997. Witchcraft and Paganism in Australia. Carlton: Melbourne University Press.
______. 2002. Ancestral Power. The Dreaming, Consciousness and Aboriginal Australians. Melbourne: Melbourne University Press.
Isaacs, J. 1980. Australian Dreaming: 40,000 Years of Aboriginal History. Sydney: Lansdowne Press.
Janssen, H. (ed.) 1973. Tolai Myths of Origin. Milton: Jacaranda Press.
Lawlor, R. 1991. Voices Of The First Day: Awakening in the Aboriginal Dreamtime. Rochester VT: Inner Traditions.
McConnel, U. 1957. Myths of the Munkan. Carlton: Melbourne University Press.
Mountford, C. 1985. The Dreamtime Book: Australian Aboriginal Myths. Sydney: ETT Imprint.
Reed, A. 1965. Myths and Legends of Australia. Sydney: Reed.
______, 1978. Aboriginal Myths: Tales of the Dreamtime. Terry Hills: Reed.
______, 1993. Aboriginal Myths, Legends, and Fables. Chatswood: Reed.
Robinson, R. 1966. Aboriginal Myths and Legends. Melbourne: Sun Books.
Róheim, G. 1945. The Eternal Ones of the Dream. A Psychoanalytic Interpretation of Australian Myth and Ritual. New York: International University Press.
Sutton, Peter. 2003. Native Title in Australia: An Ethnographic Perspective. Cambridge: Cambridge U Press.
Voigt , A. & Drury, N. 1997. Wisdom Of The Earth: The Living Legacy of the Aboriginal Dreamtime. East Roseville: Simon & Schuster.
WEEK |
LECTURE 1 (TUES) |
LECTURE 2 (WED) |
ASSESSMENT |
1 MYTH |
What is Myth? |
Cosmogony: Aboriginal Traditions |
|
2 COSMOGONY |
Cosmogony: Ancient Near East |
Cosmogony: Hesiod |
QUIZ 1, online, submit Sunday midnight of week 2 = 6 August |
3 KINGSHIP |
Kingship and kinship: Aboriginal Traditions |
Kings and Gods: Ancient Near Eastern Traditions |
|
4 GENRES: EPIC |
Homer: the Iliad |
Homer: the Odyssey |
QUIZ 2, online, submit Sunday midnight of week 4 = 20 August |
5 CITY |
Polis: Rites of Passage |
Polis: Dionysian and Eleusinian Mysteries |
|
6 HEROES |
Heracles: the 13th Olympian |
Female Heroines and Greek Drama |
QUIZ 3, online, submit Sunday midnight of week 6 = 3 September |
7 AFTER THE CITY |
After the Polis: Text as Ritual |
Alexander and the Successors: Myth and History |
ANALYSIS OF MYTH DUE SUNDAY MIDNIGHT OF WEEK 7 = 10 September
|
8 PHILOSOPHY |
Myth in Philosophy I |
Myth in Philosophy II |
QUIZ 4, online, submit Sunday midnight of week 8 = 1 October |
9 ROMAN MYTHS |
Roman Myths I: Aeneid |
Roman Myths II: Ovid |
|
10 THEORY I |
Theoretical Approaches Structuralism |
Theoretical Approaches Poststucturalism |
QUIZ 5, online, submit Sunday midnight of week 10 = 15 October |
11 THEORY II |
Theoretical Approaches Functionalism and Psychoanalysis |
Theoretical Approaches Phenomenology |
|
12 |
REVISION I |
REVISION 2 |
ESSAY DUE SUNDAY MIDNIGHT OF WEEK 12 = 29 October |
13 NO CLASSES OR TUTORIAL THIS WEEK |
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Date | Description |
---|---|
23/07/2023 | I forgot to edit the maths for the quizzes 5 quizzes x 7% each (not 5 as it was before) = 35% of the overall mark. |
Unit information based on version 2023.02 of the Handbook