Unit convenor and teaching staff |
Unit convenor and teaching staff
Unit Convenor
Paul Sheehan
Contact via paul.sheehan@mq.edu.au
W6A 622
Mon 11-12; Thurs 1-2
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Credit points |
Credit points
3
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Prerequisites |
Prerequisites
6cp in ENGL units at 200 level
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Corequisites |
Corequisites
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Co-badged status |
Co-badged status
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Unit description |
Unit description
This unit examines the upheavals that took place in literature and culture between 1900 and 1940. Issues discussed include: imperialism and colonialism; the death of God; the cataclysm of the First World War; the crisis in representation and revolution of the word; changing gender relations; the nightmare of history; and the propagation of myth. These are examined through the manifestos of the major aesthetic movements (Impressionism, Imagism, Vorticism) and related themes (impersonality, anti-self). Texts studied include: works from novelists and poets (Conrad, Yeats, Eliot, Pound, Joyce and Woolf); philosophers (Nietzsche and Freud); visual artists (Lewis); and filmmakers (Bergman and Haneke).
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Information about important academic dates including deadlines for withdrawing from units are available at https://www.mq.edu.au/study/calendar-of-dates
On successful completion of this unit, you will be able to:
Name | Weighting | Due |
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Minor essay | 30% | Thursday following present |
Major essay | 50% | Wednesday 13th November |
Tutorial participation | 20% | Weekly |
Due: Thursday following present
Weighting: 30%
Presentation refers to a 10-minute in-class oral response to the weekly tutorial question, to help stimulate class discussion. This is followed by a 1,200-word essay, a written-up response to the weekly tutorial question. Submit the essay the following Thursday after your presentation, by 5 pm, into the appropriate box (ground floor W6A) with cover-sheet attached.
Due: Wednesday 13th November
Weighting: 50%
2,500-word research paper on two subject areas of modernism you have studied. Essay questions can be found on iLearn site.
Due: Weekly
Weighting: 20%
Tutorial attendance is compulsory. Failure to attend at least 10 of the 12 weekly tutorials without a medical certificate or other kind of documentation may result in failure of the unit.
Participation means showing evidence of preparation and making relevant contributions to discussions.
Lectures take place on Thursdays at 3 pm in C5A 232
Tutorials are on Thursdays, either 4 pm in W5A 105; or 6 pm in W5C 211
The set texts for this unit are:
1. Jon Stallworthy & Jahan Ramazani (eds), The Norton Anthology of English Literature, Vol. F: The Twentieth Century and After (Norton; 9th edition)
2. Ford Madox Ford, The Good Soldier (Norton)
3. James Joyce, A Portrait of the Artist as a Young Man (Oxford)
4. Virginia Woolf, To the Lighthouse (Penguin)
NB: The Norton Anthology / The Good Soldier can be purchased from the Co-Op as a package.
Supplementary texts will be made available via iLearn.
FILMS
Ingmar Bergman, Persona (1966)
Michael Haneke, The White Ribbon (2010)
Recommended reading
See iLearn site.
Online units can be accessed at: http://ilearn.mq.edu.au/.
PC and Internet access are required. Basic computer skills (e.g., internet browsing) and skills in word processing are also a requirement. Please consult teaching staff for any further, more specific requirements.
What has changed
New format: lecture / tutorial, rather than seminar.
WEEK | TOPIC |
Week 1 | Introduction: Inventing Modernism |
Week 2 |
Impressionism and Empire Joseph Conrad, Heart of Darkness;'Preface to The Nigger of the "Narcissus"' Chinua Achebe, 'An Image of Africa' |
Week 3 |
Romanticism Reconstructed W. B. Yeats, 'Adam's Curse', 'A Coat', 'Easter, 1916', 'The Wild Swans at Coole', 'The Second Coming', 'Leda and the Swan', 'Sailing to Byzantium', 'Among School Children', 'The Circus Animals' Desertion' |
Week 4 |
Blasting and Bombardiering Siegfried Sassoon, 'They' Wilfred Owen, 'Anthem for Doomed Youth' Ford Madox Ford, 'From "Antwerp"' T. E. Hulme, 'Trenches: St Eloi' Wyndham Lewis, 'The Romance of War'; 'Cantleman's Spring-Mate' |
Week 5 |
Ascent of the Image T. E. Hulme, 'Romanticism and Classicism' F. S. Flint and Ezra Pound, 'Imagisme / A Few Don'ts' Hulme, 'Autumn' Pound, 'In a Station' H. D., 'Oread', 'Sea Rose' |
Week 6 |
Modernist Storytelling Ford Madox Ford, The Good Soldier Katherine Mansfield, 'The Daughters of the Late Colonel' D. H. Lawrence, 'Odour Of Chrysanthemums' |
Week 7 |
Myth, Tradition, Impersonality T. S. Eliot, 'The Boston Evening Transcript', 'Hysteria', 'The Love Song of J. Alfred Prufrock'; The Waste Land; 'The Hollow Men'; 'Tradition and the Individual Talent' |
MID-SEMESTER BREAK | |
Week 8 |
Revolution of the Word James Joyce, A Portrait of the Artist as a Young Man D. H. Lawrence, 'Why the Novel Matters' |
Week 9 |
Toward the Vortex Wyndham Lewis, 'Long Live the Vortex!; 'Blast 6' Pound, 'Vortex, Pound' Mina Loy, 'Feminist Manifesto' Marinetti and Nevinson, 'A Futurist Manifesto' Lewis, Vorticist paintings |
Week 10 |
Identity, Language, Subjectivity Sigmund Freud, 'The Material and Sources of Dreams'; 'The Dream-Work' Film: Persona |
Week 11 |
Being in Time Virginia Woolf, To the Lighthouse Virginia Woolf, 'Modern Fiction' |
Week 12 |
End and Aftermath: Neo-Modernism(s) Herman Melville, 'The Whiteness of the Whale' Film: The White Ribbon |
Week 13 | Essay workshop |
Macquarie University policies and procedures are accessible from Policy Central. Students should be aware of the following policies in particular with regard to Learning and Teaching:
Academic Honesty Policy http://www.mq.edu.au/policy/docs/academic_honesty/policy.html
Assessment Policy http://www.mq.edu.au/policy/docs/assessment/policy.html
Grading Policy http://www.mq.edu.au/policy/docs/grading/policy.html
Grade Appeal Policy http://www.mq.edu.au/policy/docs/gradeappeal/policy.html
Grievance Management Policy http://mq.edu.au/policy/docs/grievance_management/policy.html
Special Consideration Policy http://www.mq.edu.au/policy/docs/special_consideration/policy.html
In addition, a number of other policies can be found in the Learning and Teaching Category of Policy Central.
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