Students

MUS 311 – Digital Music: Performance, Remixing and DJ-ing

2015 – S2 Day

General Information

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Unit convenor and teaching staff Unit convenor and teaching staff Lecturer
Adrian Renzo
Contact via Email
Y3A-155
By appointment
Credit points Credit points
3
Prerequisites Prerequisites
39cp
Corequisites Corequisites
Co-badged status Co-badged status
Unit description Unit description
This unit builds practical skills to mix music for a live audience. Lectures and production lab workshops develop the techniques necessary for DJ-ing and laptop performance. The broad objective is to develop students’ awareness of mixing techniques in the live performance of electronic music, to develop creative skills in constructing studio-based DJ sets, and to collaborate creatively with colleagues. Students are introduced to Ableton Live software as a tool for laptop performance and production. This unit caters to a variety of skill levels with both beginning and advanced students welcome.

Important Academic Dates

Information about important academic dates including deadlines for withdrawing from units are available at https://www.mq.edu.au/study/calendar-of-dates

Learning Outcomes

On successful completion of this unit, you will be able to:

  • Apply concepts of music design and theory to DJ performance.
  • Critically analyse mixing technique and song selection.
  • Select and deploy appropriate mixing techniques.
  • Use mixing technologies.
  • Demonstrate creativity through expressive techniques.

Assessment Tasks

Name Weighting Due Groupwork/Individual Short Extension AI Approach
Worksheets 35% Weekly No
Mix Critique 25% 5pm 28 August No
Live Performance 40% Weeks 8-12 No

Worksheets

Due: Weekly
Weighting: 35%
Groupwork/Individual:
Short extension 3: No
AI Approach:

Assessment Outline

Worksheets will be distributed in a number of tutorials. The worksheets will help you to prepare for your Live Performance assessment. Some worksheets will require you to evaluate your peers' work.

Requirements

  • Worksheets are to be completed and submitted by the end of the tutorial.
  • The tasks on each worksheet must be completed to a satisfactory standard.
  • Where worksheets involve peer evaluation, you must provide constructive feedback on your peers' work, following the guidelines which will be provided in class.

Assessment Criteria

The worksheets will be assessed according to the following criteria:

  • Evidence that all tasks have been completed.
  • Evidence of constructive feedback on your peers' work (noting the strengths of each performance and making constructive suggestions for improvement).

Submission Instructions

All tasks specified on the worksheets should be posted on the 300-level Assignments Dropbox on the MMCCS server by the end of the tutorial.

Extensions and Late Penalties

Students who fail to submit the tasks on the MMCCS server for any given worksheet by the end of their tutorial will forfeit the marks for that worksheet.

Extensions are only granted if you have submitted a Disruption to Studies application. Please see the 'Disruption to Studies' policy: http://mq.edu.au/policy/docs/disruption_studies/policy.html


On successful completion you will be able to:
  • Critically analyse mixing technique and song selection.
  • Use mixing technologies.
  • Demonstrate creativity through expressive techniques.

Mix Critique

Due: 5pm 28 August
Weighting: 25%
Groupwork/Individual:
Short extension 3: No
AI Approach:

Assessment Outline

Write an analysis of a medley recording. (A link to the recording will be available on iLearn by Week 1.) An important aspect of DJing and remixing is the ability to listen critically. Therefore, this assessment aims to develop the skill of analysing how music has been arranged, edited, or otherwise manipulated.

Requirements

The critique must be between 700 and 900 words, and should address the following aspects of the recording. The most important items are marked with an asterisk.

  • What are the overall strengths and weaknesses of this mix?
  • Compare one of the featured tracks with the original version of the track. Identify three aspects of the track which have been changed for the purposes of the mix.*
  • Analyse one segue (that is: a transition from one track to the next). Which elements of the segue are gradual and which elements are abrupt?*
  • Which elements of this recording do you think would encourage people to dance (or discourage them from dancing)?

Assessment Criteria

Your critique will be assessed according to the following criteria.

  • Ability to compare a track in its original form with its appearance in the mix.
  • Ability to clearly and concisely describe salient aspects of the mix from a DJ/producer's perspective.
  • Precision of analysis.
  • Level of prose, grammar, and syntax.

Submission Instructions

The assignment is due on Turnitin/iLearn by 5pm, Friday 28 August (Week 5). Your first submission on Turnitin is final. Please check that you are submitting the correct file. Any requests for resubmission will attract a late penalty.

Extensions and Late Penalties

Assignments up to one (1) week late will receive a 10% deduction of the total marks possible. Assignments up to two (2) weeks late will receive a 20% deduction of the total marks possible. Assignments submitted more than two (2) weeks late will not be accepted.

Please note that late penalties accrue from 17:00:01 on the due date. It is strongly recommended that you submit your work one day early.

Extensions may be granted at the convenor's discretion and if you have submitted an application for Disruption to Studies. Please see the 'Disruption to Studies' policy: http://mq.edu.au/policy/docs/disruption_studies/policy.html


On successful completion you will be able to:
  • Critically analyse mixing technique and song selection.

Live Performance

Due: Weeks 8-12
Weighting: 40%
Groupwork/Individual:
Short extension 3: No
AI Approach:

Assessment Outline

In this assessment, you will perform a 10-minute DJ set using Ableton Live, liaise with other students to ensure that you 'mix into' your set smoothly, and submit a self-evaluation sheet (available on iLearn). You will be allocated a performance time slot by Week 4.

Requirements

  • The live mix must be a minimum of 10 minutes. You may use up to 2 minutes extra for transitions to and from your set.
  • Ableton Live's Session View must be used as the 'hub' for the set. Turntables and or other instruments may be used as supplements.
  • You must submit your Live Set, a self-evaluation sheet, and a Set Tracklist to the MMCCS 300-level Dropbox and to any designated computers by 5pm on the Wednesday prior to your performance.
  • You will need to liaise with the people playing before and after you, to ensure that the overall tracklist is cohesive and the mixing seamless.
  • All tracks must be high-quality audio files. Lossless formats such as WAV and AIFF are preferred, although MP3s encoded at 320kbps may also be acceptable. Music ripped from YouTube clips is not acceptable.
  • You may be required to attend a separate viva voce regarding this assignment, to elaborate on your preparation process.
  • If you choose to use your own equipment for the performance, you are responsible for ensuring that your hardware and software are in good working order.
  • Click 'Collect All and Save' before submitting your assignment. No concessions will be made if your Live Set is missing the required audio files.

Assessment Criteria

Marks will be awarded according to the following criteria:

  • Ability to apply concepts of music design and theory to DJ performance.
  • Level of mixing techniques.
  • Competence in the use of technologies.
  • Creative adaptation of sound materials.
  • Quality of self-assessment.

Submission Instructions

The Live Performances will take place during class time, after the mid-semester break.

By 5pm on the Wednesday prior to your performance, you must upload a folder to the MMCCS 300-level Dropbox. The folder must include:

  • the final version of your Ableton Live set
  • a self-evaluation sheet (available on iLearn)
  • a Set Tracklist (guidelines available on iLearn)

For example, if your performance is scheduled for Tuesday 6 October, you must upload your Live Set by 5pm Wednesday 30 September. 

Extensions and Late Penalties

Students who miss the Week 4 tutorial should contact Adrian Renzo immediately to arrange an assessment date. 

No extensions can be granted without a Disruption to Studies application.

If you experience serious and unavoidable disruption, please submit a Disruption to Studies application and contact Adrian Renzo to arrange an assessment date. (Please see the 'Disruption to Studies' policy: http://mq.edu.au/policy/docs/disruption_studies/policy.html)

Please note: it is your responsibility to keep at least three copies of your work in different locations (e.g. an external hard drive, your own computer, and a USB flash drive). The hard drives of computers in the lab can be erased at any time, so these computers should not be used as back-up storage. No extensions will be granted in the event that you fail to back-up your work and inadvertently lose data.


On successful completion you will be able to:
  • Apply concepts of music design and theory to DJ performance.
  • Select and deploy appropriate mixing techniques.
  • Use mixing technologies.
  • Demonstrate creativity through expressive techniques.

Delivery and Resources

Delivery Mode

This unit consists of online lectures and on-campus tutorials.

Class Times

Classes take place in Y3A-223. For more details please see the MQ Timetables website.

http://www.timetables.mq.edu.au

Unit Requirements

Assessment tasks are aligned to the unit Learning Outcomes. Timely submission of assessment tasks is a unit requirement or penalties apply. Please see the 'Submission Instructions' and 'Extensions and Late Penalties' for each assignment.

Recommended Readings

Recommended readings will be listed on iLearn and will be available through the library's MultiSearch function, or will be freely available through online journals.

Required Technology

Ableton Live 9 is available for student use on all computers in the lab. (No external licences are available for students.) You may use the lab to work on your assignments at any time that no class is being held in the room. The lab is open from 8am to 10pm, Monday to Friday. Please see MQ Timetables to check when the lab is free.

http://www.timetables.mq.edu.au

You will need to supply your own headphones for this course. The headphones do not need to be premium-grade DJ headphones, but they do need to cover your ears and block out a reasonable amount of noise. (The earbuds supplied with iPhones will not be suitable for performing live.) 

You will need to supply your own data storage hardware. It is expected that you will regularly make three copies of your work on your own external hard drives, computers, and/or USB flash drives.

Hardware and Software Compatability

It is students' responsibility to ensure that any work undertaken outside of the MMCCS is fully functional within and compatible with the Mac version of Ableton Live currently installed on the computers in the MMCCS labs. Additional VST instruments and effects not native to Ableton Live should not be used in submitted assignments unless you are also providing the hardware on which such instruments will run.

Unit Schedule

A weekly unit schedule will be available on iLearn.

Policies and Procedures

Macquarie University policies and procedures are accessible from Policy Central. Students should be aware of the following policies in particular with regard to Learning and Teaching:

Academic Honesty Policy http://mq.edu.au/policy/docs/academic_honesty/policy.html

Assessment Policy  http://mq.edu.au/policy/docs/assessment/policy.html

Grading Policy http://mq.edu.au/policy/docs/grading/policy.html

Grade Appeal Policy http://mq.edu.au/policy/docs/gradeappeal/policy.html

Grievance Management Policy http://mq.edu.au/policy/docs/grievance_management/policy.html

Disruption to Studies Policy http://www.mq.edu.au/policy/docs/disruption_studies/policy.html The Disruption to Studies Policy is effective from March 3 2014 and replaces the Special Consideration Policy.

In addition, a number of other policies can be found in the Learning and Teaching Category of Policy Central.

Student Code of Conduct

Macquarie University students have a responsibility to be familiar with the Student Code of Conduct: https://students.mq.edu.au/support/student_conduct/

Results

Results shown in iLearn, or released directly by your Unit Convenor, are not confirmed as they are subject to final approval by the University. Once approved, final results will be sent to your student email address and will be made available in eStudent. For more information visit ask.mq.edu.au.

Additional Information

MMCCS website:

https://www.mq.edu.au/about_us/faculties_and_departments/faculty_of_arts/department_of_media_music_communication_and_cultural_studies/ 

MMCCS Session Re-mark Application: http://www.mq.edu.au/pubstatic/public/download/?id=167914 

Information is correct at the time of publication

Student Support

Macquarie University provides a range of support services for students. For details, visit http://students.mq.edu.au/support/

Learning Skills

Learning Skills (mq.edu.au/learningskills) provides academic writing resources and study strategies to improve your marks and take control of your study.

Student Services and Support

Students with a disability are encouraged to contact the Disability Service who can provide appropriate help with any issues that arise during their studies.

Student Enquiries

For all student enquiries, visit Student Connect at ask.mq.edu.au

IT Help

For help with University computer systems and technology, visit http://informatics.mq.edu.au/help/

When using the University's IT, you must adhere to the Acceptable Use Policy. The policy applies to all who connect to the MQ network including students.

Graduate Capabilities

Creative and Innovative

Our graduates will also be capable of creative thinking and of creating knowledge. They will be imaginative and open to experience and capable of innovation at work and in the community. We want them to be engaged in applying their critical, creative thinking.

This graduate capability is supported by:

Learning outcomes

  • Apply concepts of music design and theory to DJ performance.
  • Select and deploy appropriate mixing techniques.
  • Use mixing technologies.
  • Demonstrate creativity through expressive techniques.

Assessment tasks

  • Worksheets
  • Live Performance

Capable of Professional and Personal Judgement and Initiative

We want our graduates to have emotional intelligence and sound interpersonal skills and to demonstrate discernment and common sense in their professional and personal judgement. They will exercise initiative as needed. They will be capable of risk assessment, and be able to handle ambiguity and complexity, enabling them to be adaptable in diverse and changing environments.

This graduate capability is supported by:

Learning outcomes

  • Select and deploy appropriate mixing techniques.
  • Use mixing technologies.

Assessment tasks

  • Worksheets
  • Live Performance

Discipline Specific Knowledge and Skills

Our graduates will take with them the intellectual development, depth and breadth of knowledge, scholarly understanding, and specific subject content in their chosen fields to make them competent and confident in their subject or profession. They will be able to demonstrate, where relevant, professional technical competence and meet professional standards. They will be able to articulate the structure of knowledge of their discipline, be able to adapt discipline-specific knowledge to novel situations, and be able to contribute from their discipline to inter-disciplinary solutions to problems.

This graduate capability is supported by:

Learning outcomes

  • Apply concepts of music design and theory to DJ performance.
  • Critically analyse mixing technique and song selection.
  • Select and deploy appropriate mixing techniques.
  • Use mixing technologies.

Assessment tasks

  • Worksheets
  • Mix Critique
  • Live Performance

Critical, Analytical and Integrative Thinking

We want our graduates to be capable of reasoning, questioning and analysing, and to integrate and synthesise learning and knowledge from a range of sources and environments; to be able to critique constraints, assumptions and limitations; to be able to think independently and systemically in relation to scholarly activity, in the workplace, and in the world. We want them to have a level of scientific and information technology literacy.

This graduate capability is supported by:

Learning outcomes

  • Apply concepts of music design and theory to DJ performance.
  • Critically analyse mixing technique and song selection.

Assessment tasks

  • Worksheets
  • Mix Critique
  • Live Performance

Problem Solving and Research Capability

Our graduates should be capable of researching; of analysing, and interpreting and assessing data and information in various forms; of drawing connections across fields of knowledge; and they should be able to relate their knowledge to complex situations at work or in the world, in order to diagnose and solve problems. We want them to have the confidence to take the initiative in doing so, within an awareness of their own limitations.

This graduate capability is supported by:

Learning outcomes

  • Apply concepts of music design and theory to DJ performance.
  • Use mixing technologies.

Assessment tasks

  • Worksheets
  • Live Performance

Effective Communication

We want to develop in our students the ability to communicate and convey their views in forms effective with different audiences. We want our graduates to take with them the capability to read, listen, question, gather and evaluate information resources in a variety of formats, assess, write clearly, speak effectively, and to use visual communication and communication technologies as appropriate.

This graduate capability is supported by:

Learning outcomes

  • Select and deploy appropriate mixing techniques.
  • Use mixing technologies.
  • Demonstrate creativity through expressive techniques.

Assessment tasks

  • Worksheets
  • Live Performance