| Unit convenor and teaching staff |
Unit convenor and teaching staff
Convenor; Lecturer
Diane Hughes
Contact via 9850 2175
Y3A254
Appointments made via email
Tutor
Veronica Monro
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|---|---|
| Credit points |
Credit points
3
|
| Prerequisites |
Prerequisites
MUS205
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| Corequisites |
Corequisites
|
| Co-badged status |
Co-badged status
|
| Unit description |
Unit description
Building on vocal abilities and understanding acquired in MUS205, this unit aims to provide students with technical and stylistic fluency at an intermediate level of vocal study. Creative approaches to repertoire and songwriting are introduced. In addition, the unit fosters the development of interpretive and performance skills appropriate to a variety of contemporary music genres. Students research contemporary popular music styles and are encouraged to pursue specific interests such as Musical Theatre, Blues, Jazz, Country, Pop, Rock and the singer-songwriter. This unit combines lectures/workshops and practical tutorials.
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Information about important academic dates including deadlines for withdrawing from units are available at https://www.mq.edu.au/study/calendar-of-dates
On successful completion of this unit, you will be able to:
| Name | Weighting | Due | Groupwork/Individual | Short Extension | AI Approach |
|---|---|---|---|---|---|
| Vocal exercises and program | 15% | 25/08/15; Week 5 | No | ||
| Vocal Journal | 20% | 11/09/15; Week 7 | No | ||
| Blues ensemble | 25% | 29/9/15 Rec; 6/10/15 Ref/Perf | No | ||
| Individual Performance | 40% | 03/11/15-04/11/15; Week 13 | No |
Due: 25/08/15; Week 5
Weighting: 15%
Groupwork/Individual:
Short extension 3: No
AI Approach:
Vocal exercises: In addition to their own researched and selected exercises, students will be required to sing exercises from the set MUS206 exercises and use a loop station. Assessments of exercises will occur where possible within scheduled tutorial times. However, students may also be required to book an individual time for assessments outside those times.
Program: The vocal practice program should detail the individual practice routine devised by the student and include warm-ups, exercises for vocal development and cool-downs. The vocal program should include in-text references (e.g., to the researched and selected exercises) and demonstrate understanding of the program components. The vocal program must be typed and contain a reference list.
Programs are to be submitted via Turnitin by 5:00PM on the due date.
Assessment criteria
Implementation (practical) and understanding (written) of vocal technique and stylistic integrity including:
Due: 11/09/15; Week 7
Weighting: 20%
Groupwork/Individual:
Short extension 3: No
AI Approach:
This assessment begins in Week 1 and concludes at the end of Week 7. It requires weekly reflection on individual progress in relation to the vocal program and unit content. This may involve content summaries, individual research and critical listening exercises when appropriate. Following the development of a vocal program (Week 1), students are to therefore required to write progressive weekly reflections (maximum of 500 words each week). Diligent sequential entries are required. The journal must be typed, should include in-text references, discography and contain a reference list.
Journals are required to be submitted via Turnitin by 5:00PM on the due date.
Assessment criteria: Evidence of:
Due: 29/9/15 Rec; 6/10/15 Ref/Perf
Weighting: 25%
Groupwork/Individual:
Short extension 3: No
AI Approach:
This assessment entails a group recording (29/9) and performance (6/10) of a 12 bar blues that, in addition to group sections, allows each student to sing a solo line or a 12 bar sequence, submit a reflection statement (maximum of 750 words) on the ensemble process and learning. Students are therefore required to prepare for and to actively participate weekly in tutorials, iLearn forums and additional rehearsals. Students are required to individually write lyrics to a group theme consistent with the blues style, and to collectively structure a melodic component in tutorials. Students will be marked individually on their respective contributions including creating, recording, reflecting and performing.
A selection of instrumental backings is provided, however groups may also choose to provide their own simple musical accompaniment in a 12 bar blues format.
Ensemble assessments will occur where possible within the scheduled lecture time.
Written component: The reflection statement should include in-text references and demonstrate understanding of the blues style, blues vocal nuances and group development. It should also have the individual student lyrics attached that may be referenced in the reflection. The reflection statement must be typed and contain in-text referencing and a reference list if appropriate.
Reflection statements are required to be submitted via Turnitin by 5:00PM on the same date as the performance (6/10).
Assessment criteria
Evidence of:
Due: 03/11/15-04/11/15; Week 13
Weighting: 40%
Groupwork/Individual:
Short extension 3: No
AI Approach:
This assessment requires a solo performance of 2 contrasting songs, 2 spoken introductions to those songs and stagecraft, in front of an audience from memory. CD backings or musical accompaniment are to be provided by students. No melody, either sung or played, is to be heard in these recordings.
Students will be marked their performance of two songs representative of two contemporary musical styles/genres. Students are required to discuss the style of their songs as introductions to each song (from memory), detailing the style and the vocal nuances they will perform that represent their chosen styles. Students have up to 10 minutes performance time (including song introductions and set-up time).
Assessment criteria
Evidence of:
Students will either be assigned assessment times during the scheduled lecture and tutorial times, or will be assigned additional assessment times during Week 13.
Technology used and required:
Recommended Text:
Peckham, A. (2006). Vocal Workouts for the Contemporary Singer. Boston, MA: Berklee Press.
Required readings are to be completed prioir to the lecture in the corresponding weeks:
Week 2
1. Journal Article: Some Folk Singing of To-Day
Author(s): E. J. Moeran
Source: Journal of the English Folk Dance and Song Society, 1 December 1948, Vol.5(3), pp.152-154
Access: Library Database
2. Journal Article: Culture as a Determinant of Folk-Singing Style. Group and Solo Singing in the Karlovačko Pokuplje Region
Author(s): Grozdana Marošević and Nina H. Antoljak
Source: International Review of the Aesthetics and Sociology of Music Vol. 23, No. 2 (Dec., 1992), pp. 207-221
Access: Library Database
Week 3
3. Journal Article: 'Why do whites sing black?': The blues, whiteness, and early histories of rock
Author(s): M. Daley
Source: Popular Music And Society, 2003 Jun, Vol.26(2), pp.161-167 [Peer Reviewed Journal]
Access: Library Database
4. Journal Article: Gospel and Blues Improvisation
Author(s): Richard Smallwood
Source: Music Educators Journal, Vol. 66, No. 5 (Jan., 1980), pp. 100-104
Access: Library Database
Week 4
5. Journal Article:Towards Identification of African Traits in Early Jazz
Author(s): Mark C. Gridley; Wallace Rave
Source: The Black Perspective in Music, Vol. 12, No. 1 (Spring, 1984), pp. 44-56
Access: Library Database
6. Journal Article: Improvisation for Vocal Jazz Ensembles
Author(s): Doug Anderson
Source: Music Educators Journal, Vol. 66, No. 5 (Jan., 1980), pp. 89-94
Access: Library Database
Week 5
7. Journal Article: It's only rock'n'roll (but he likes it)
Author(s): M. Roncevic
Source: Library Journal, 2007 Mar 1, Vol.132(4), pp.110-110
Access: Library Database
8. Journal Article: Elvis Rock'N'Roll's reluctant rebel
Author(s): Glen Jeansonne
Source: History Today, 2007, Vol.57(8)
Access: Library Database
Week 6
9. Journal Article:Crooning on the Fault Lines: Theorizing Jazz and Pop Vocal Singing Discourse in the Rock Era, 1955-1978
Author(s): Vincent Stephens
Source: American Music, Vol. 26, No. 2 (Summer, 2008), pp. 156-195
Access: Library Database
10. Journal Article: Narrative Paradigms, Musical Signifiers, and Form as Function in Country Music
Author(s): JOCELYN R. NEAL
Source: Music Theory Spectrum, Vol. 29, No. 1 (Spring 2007), pp. 41-72
Access: Library Database
Week 7
11. Journal Article: “Let's go on with the show”: Jay records and a new golden age of the musical theatre
Author(s): James Fisher
Source: Popular Music and Society, 25:3-4, pp.91-107.
Access: Library Database
12. Journal Article: The Beauty and the Beast Trope in Modern Musical Theatre
Author(s): Rebecca Warner
Source: Studies in Musical Theatre, 2015 Mar, Vol.9(1), pp.31-51
Access: Library Database
DELIVERY
Lecture 12-1 TUESDAY Y3A187
Tutorial 2-3 TUESDAY Y3A123
Tutorial 3-4 TUESDAY Y3A123
| Week 1 | Unit overview and introduction |
| Week 2 | Folk |
| Week 3 | Blues |
| Week 4 | Jazz |
| Week 5 | Rock’n’Roll to Rock |
| Week 6 | Pop/Country |
| Week 7 | Musical theatre |
| Week 8 | Blues ensemble recordings |
| Week 9 | Blues ensemble performance |
| Week 10 | The singer-songwriter |
| Week 11 | Nuances and style |
| Week 12 | Developing and performing song introductions |
| Week 13 | Individual Performances |
Macquarie University policies and procedures are accessible from Policy Central. Students should be aware of the following policies in particular with regard to Learning and Teaching:
Academic Honesty Policy http://mq.edu.au/policy/docs/academic_honesty/policy.html
Assessment Policy http://mq.edu.au/policy/docs/assessment/policy.html
Grading Policy http://mq.edu.au/policy/docs/grading/policy.html
Grade Appeal Policy http://mq.edu.au/policy/docs/gradeappeal/policy.html
Grievance Management Policy http://mq.edu.au/policy/docs/grievance_management/policy.html
Disruption to Studies Policy http://www.mq.edu.au/policy/docs/disruption_studies/policy.html The Disruption to Studies Policy is effective from March 3 2014 and replaces the Special Consideration Policy.
In addition, a number of other policies can be found in the Learning and Teaching Category of Policy Central.
Macquarie University students have a responsibility to be familiar with the Student Code of Conduct: https://students.mq.edu.au/support/student_conduct/
Results shown in iLearn, or released directly by your Unit Convenor, are not confirmed as they are subject to final approval by the University. Once approved, final results will be sent to your student email address and will be made available in eStudent. For more information visit ask.mq.edu.au.
Late submissions
Assessments submitted or undertaken after the due or scheduled date without an approved disruption to studies application (Disruption to Studies Policy http://www.mq.edu.au/policy/docs/disruption_studies/policy.html The Disruption to Studies Policy is effective from March 3 2014 and replaces the Special Consideration Policy) will automatically be deducted 10% per day (weekends included).
MMCCS Session Re-mark Application http://www.mq.edu.au/pubstatic/public/download/?id=167914
Information is correct at the time of publication
Macquarie University provides a range of support services for students. For details, visit http://students.mq.edu.au/support/
Learning Skills (mq.edu.au/learningskills) provides academic writing resources and study strategies to improve your marks and take control of your study.
Students with a disability are encouraged to contact the Disability Service who can provide appropriate help with any issues that arise during their studies.
For all student enquiries, visit Student Connect at ask.mq.edu.au
For help with University computer systems and technology, visit http://informatics.mq.edu.au/help/.
When using the University's IT, you must adhere to the Acceptable Use Policy. The policy applies to all who connect to the MQ network including students.
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