Students

MECO837 – Digital Media Strategies

2015 – S1 Day

General Information

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Unit convenor and teaching staff Unit convenor and teaching staff
John Potts
Karen Pearlman
Credit points Credit points
4
Prerequisites Prerequisites
Admission to MCrMedia or MFJ
Corequisites Corequisites
Co-badged status Co-badged status
Unit description Unit description
This unit examines the impacts of new technologies on media practices, industries and economies. Key media forms are contextualised within histories of transformation and continuity, and current issues affecting production and distribution are explored.

Important Academic Dates

Information about important academic dates including deadlines for withdrawing from units are available at https://www.mq.edu.au/study/calendar-of-dates

Learning Outcomes

On successful completion of this unit, you will be able to:

  • Engage in sophisticated critical analysis of creative media works (Graduate Capabilities 2, 3, 6)
  • Consolidate theoretical knowledge and understanding specific to the discipline of media arts and media practice (GC 1, 2, 3 & 6)
  • Communicate knowledge and critical expertise in written and spoken forms to professional audiences (GC 4, 5 & 6)
  • Situate an understanding of creative media practice within a broader theoretical and environmental framework (GC 2, 5 & 6)
  • Synthesise theoretical and creative approaches to contemporary issues in media practice, including intellectual property and models of publication (GC 1, 3 & 6)

Assessment Tasks

Name Weighting Due Groupwork/Individual Short Extension AI Approach
Presentation 25% 3 June No
Major Essay 40% 10 June No
Minor Essay 25% 6 May No
Participation 10% 3 June No

Presentation

Due: 3 June
Weighting: 25%
Groupwork/Individual:
Short extension 3: No
AI Approach:

 

A presentation delivered to the seminar group on a case study of disruption to a specific media industry or form. Presentations should be twenty minutes in duration and take place in the seminars of Weeks 10 - 13.


On successful completion you will be able to:
  • Engage in sophisticated critical analysis of creative media works (Graduate Capabilities 2, 3, 6)
  • Consolidate theoretical knowledge and understanding specific to the discipline of media arts and media practice (GC 1, 2, 3 & 6)
  • Communicate knowledge and critical expertise in written and spoken forms to professional audiences (GC 4, 5 & 6)
  • Situate an understanding of creative media practice within a broader theoretical and environmental framework (GC 2, 5 & 6)
  • Synthesise theoretical and creative approaches to contemporary issues in media practice, including intellectual property and models of publication (GC 1, 3 & 6)

Major Essay

Due: 10 June
Weighting: 40%
Groupwork/Individual:
Short extension 3: No
AI Approach:

This essay is the major research paper on a topic of your choice within the domain of media forms, media industry and technological disruption. The essay should be on a different topic to the minor essay. Word limit is 4,000 words.


On successful completion you will be able to:
  • Engage in sophisticated critical analysis of creative media works (Graduate Capabilities 2, 3, 6)
  • Consolidate theoretical knowledge and understanding specific to the discipline of media arts and media practice (GC 1, 2, 3 & 6)
  • Communicate knowledge and critical expertise in written and spoken forms to professional audiences (GC 4, 5 & 6)
  • Situate an understanding of creative media practice within a broader theoretical and environmental framework (GC 2, 5 & 6)
  • Synthesise theoretical and creative approaches to contemporary issues in media practice, including intellectual property and models of publication (GC 1, 3 & 6)

Minor Essay

Due: 6 May
Weighting: 25%
Groupwork/Individual:
Short extension 3: No
AI Approach:

A minor research essay on a topic of your choice relating to media industries and disruption. Word length is 2,000 words.


On successful completion you will be able to:
  • Engage in sophisticated critical analysis of creative media works (Graduate Capabilities 2, 3, 6)
  • Consolidate theoretical knowledge and understanding specific to the discipline of media arts and media practice (GC 1, 2, 3 & 6)
  • Communicate knowledge and critical expertise in written and spoken forms to professional audiences (GC 4, 5 & 6)
  • Situate an understanding of creative media practice within a broader theoretical and environmental framework (GC 2, 5 & 6)
  • Synthesise theoretical and creative approaches to contemporary issues in media practice, including intellectual property and models of publication (GC 1, 3 & 6)

Participation

Due: 3 June
Weighting: 10%
Groupwork/Individual:
Short extension 3: No
AI Approach:

Contribute to seminar discussion.


On successful completion you will be able to:
  • Engage in sophisticated critical analysis of creative media works (Graduate Capabilities 2, 3, 6)
  • Consolidate theoretical knowledge and understanding specific to the discipline of media arts and media practice (GC 1, 2, 3 & 6)
  • Communicate knowledge and critical expertise in written and spoken forms to professional audiences (GC 4, 5 & 6)
  • Situate an understanding of creative media practice within a broader theoretical and environmental framework (GC 2, 5 & 6)
  • Synthesise theoretical and creative approaches to contemporary issues in media practice, including intellectual property and models of publication (GC 1, 3 & 6)

Delivery and Resources

The unit is in the form of weekly two hour seminars. Readings will be provided by the convenors.

Unit Schedule

Week 1: 25 February - Unit introduction

 

Week 2: 4 March - What is Media Disruption?

Reading: Clayton M. Christensen, 'Introduction', The Innovator's Dilemma, Second Edition, New York: HarperBusiness (2000)

Jill Lepore, 'The Disruption Machine: What the Gospel of Innovation Gets Wrong', The New Yorker, 23 June, pp. 30-36, 2014

 

Week 3: 11 March - The new music industry. From ownership models to service models and the rise of user generated content (Julian Knowles) 

 Reading: 'Rethinking Music: A Framing Paper' in Rethinking Music: A Briefing Book. The Berkman Center for Internet & Society, Harvard University (2011).

Burkart, P., 'Music in the Cloud and the Digital Sublime', Popular Music and Society, pp.1-15 (2013).

 

Week 4: 18 March - The artist/fan relationship and new audience engagement strategies (Julian Knowles) 

 Reading: Brown,  S., 'Artist autonomy in a digital era: The case of Nine Inch Nails',  Empirical Musicology Review, Vol 6. No. 4. (2011) http://hdl.handle.net/1811/52949

Belsky, Kahr, Berkelhammer & Benkler   Everything in Its Right Place: Social Cooperation and Artist Compensation. Michigan Telecommunications and Technology Law Review. Volume 17, Issue 1 (2010) http://www.mttlr.org/volseventeen/belsky.pdf

 

Week 5: 25 March - Reconceptualising the recording (Julian Knowles)

Reading: Thomas, S.,  'Artists' Recordworks in the Early Twenty-First Century', Art Documentation: Journal of the Art Libraries Society of North America Vol. 32, No. 2  (pp. 253-273) (Fall 2013) http://www.jstor.org/stable/10.1086/673516

Morrow, G  Radiohead's Managerial Creativity. Convergence : the international journal of research into new media technologies, Vol. 15, No. 2, pp.161-176 (2009) http://con.sagepub.com/content/15/2/161.short

Wikstrom, P., 'A Typology of Music Distribution Models', International Journal of Music Business Research 1 (1), 7-20 (2012)

http://musicbusinessresearch.files.wordpress.com/2012/04/ijmbr_april_2012_patrik_wikstrom1.pdf Social Music Services

 

Week 6: 1 April: Disruption and Journalism 

Reading: John Potts, 'Introduction', The Future of Writing, Basingstoke: Palgrave Pivot (2014)

Kate Eltham, 'When the Web is the World', The Future of Writing (2014)

Jennifer Beckett and Catharine Lumby, 'Reading and Writing the News in the Fifth Estate', The Future of Writing (2014)

Note: Chapters from The Future of Writing (e-book) are available for download from the library online catalogue. 

 

MID-SEMESTER BREAK

 

Week 7: 22 April - The Publishing Industry

Reading: Richard Nash, 'Culture is the Algorithm', The Future of Writing (2014)

Sherman Young, 'Me Myself I: Revaluing Self-Publishing in the Electronic Age', The Future of Writing (2014)

John Potts, 'Book Doomsday: the March of Progress and the Fate of the Book', The Future of Writing (2014)

 

 

Week 8: 29 April -  Creative Writing Technologies

Reading: Nigel Krauth, 'Multigraph, not Monograph: Creative Writing and New Technologies', The Future of Writing (2014) 

Kathryn Millard and Alex Munt, 'The Design of Writing: 29 Observations', The Future of Writing (2014)

 

Week 9 : 6 May: Media Disruption Reconsidered

 

Weeks 10 - 13: Student Presentations

 

Policies and Procedures

Macquarie University policies and procedures are accessible from Policy Central. Students should be aware of the following policies in particular with regard to Learning and Teaching:

Academic Honesty Policy http://mq.edu.au/policy/docs/academic_honesty/policy.html

Assessment Policy  http://mq.edu.au/policy/docs/assessment/policy.html

Grading Policy http://mq.edu.au/policy/docs/grading/policy.html

Grade Appeal Policy http://mq.edu.au/policy/docs/gradeappeal/policy.html

Grievance Management Policy http://mq.edu.au/policy/docs/grievance_management/policy.html

Disruption to Studies Policy http://www.mq.edu.au/policy/docs/disruption_studies/policy.html The Disruption to Studies Policy is effective from March 3 2014 and replaces the Special Consideration Policy.

In addition, a number of other policies can be found in the Learning and Teaching Category of Policy Central.

Student Code of Conduct

Macquarie University students have a responsibility to be familiar with the Student Code of Conduct: https://students.mq.edu.au/support/student_conduct/

Results

Results shown in iLearn, or released directly by your Unit Convenor, are not confirmed as they are subject to final approval by the University. Once approved, final results will be sent to your student email address and will be made available in eStudent. For more information visit ask.mq.edu.au.

Student Support

Macquarie University provides a range of support services for students. For details, visit http://students.mq.edu.au/support/

Learning Skills

Learning Skills (mq.edu.au/learningskills) provides academic writing resources and study strategies to improve your marks and take control of your study.

Student Services and Support

Students with a disability are encouraged to contact the Disability Service who can provide appropriate help with any issues that arise during their studies.

Student Enquiries

For all student enquiries, visit Student Connect at ask.mq.edu.au

IT Help

For help with University computer systems and technology, visit http://informatics.mq.edu.au/help/

When using the University's IT, you must adhere to the Acceptable Use Policy. The policy applies to all who connect to the MQ network including students.

Graduate Capabilities

PG - Capable of Professional and Personal Judgment and Initiative

Our postgraduates will demonstrate a high standard of discernment and common sense in their professional and personal judgment. They will have the ability to make informed choices and decisions that reflect both the nature of their professional work and their personal perspectives.

This graduate capability is supported by:

Learning outcomes

  • Engage in sophisticated critical analysis of creative media works (Graduate Capabilities 2, 3, 6)
  • Synthesise theoretical and creative approaches to contemporary issues in media practice, including intellectual property and models of publication (GC 1, 3 & 6)

Assessment tasks

  • Presentation
  • Major Essay
  • Minor Essay
  • Participation

PG - Discipline Knowledge and Skills

Our postgraduates will be able to demonstrate a significantly enhanced depth and breadth of knowledge, scholarly understanding, and specific subject content knowledge in their chosen fields.

This graduate capability is supported by:

Learning outcomes

  • Consolidate theoretical knowledge and understanding specific to the discipline of media arts and media practice (GC 1, 2, 3 & 6)
  • Situate an understanding of creative media practice within a broader theoretical and environmental framework (GC 2, 5 & 6)

Assessment tasks

  • Presentation
  • Major Essay
  • Minor Essay
  • Participation

PG - Critical, Analytical and Integrative Thinking

Our postgraduates will be capable of utilising and reflecting on prior knowledge and experience, of applying higher level critical thinking skills, and of integrating and synthesising learning and knowledge from a range of sources and environments. A characteristic of this form of thinking is the generation of new, professionally oriented knowledge through personal or group-based critique of practice and theory.

This graduate capability is supported by:

Learning outcomes

  • Engage in sophisticated critical analysis of creative media works (Graduate Capabilities 2, 3, 6)
  • Consolidate theoretical knowledge and understanding specific to the discipline of media arts and media practice (GC 1, 2, 3 & 6)
  • Situate an understanding of creative media practice within a broader theoretical and environmental framework (GC 2, 5 & 6)
  • Synthesise theoretical and creative approaches to contemporary issues in media practice, including intellectual property and models of publication (GC 1, 3 & 6)

Assessment tasks

  • Presentation
  • Major Essay
  • Minor Essay
  • Participation

PG - Research and Problem Solving Capability

Our postgraduates will be capable of systematic enquiry; able to use research skills to create new knowledge that can be applied to real world issues, or contribute to a field of study or practice to enhance society. They will be capable of creative questioning, problem finding and problem solving.

This graduate capability is supported by:

Learning outcome

  • Synthesise theoretical and creative approaches to contemporary issues in media practice, including intellectual property and models of publication (GC 1, 3 & 6)

Assessment tasks

  • Presentation
  • Major Essay
  • Minor Essay
  • Participation

PG - Effective Communication

Our postgraduates will be able to communicate effectively and convey their views to different social, cultural, and professional audiences. They will be able to use a variety of technologically supported media to communicate with empathy using a range of written, spoken or visual formats.

This graduate capability is supported by:

Learning outcome

  • Communicate knowledge and critical expertise in written and spoken forms to professional audiences (GC 4, 5 & 6)

Assessment tasks

  • Presentation
  • Major Essay
  • Minor Essay
  • Participation

PG - Engaged and Responsible, Active and Ethical Citizens

Our postgraduates will be ethically aware and capable of confident transformative action in relation to their professional responsibilities and the wider community. They will have a sense of connectedness with others and country and have a sense of mutual obligation. They will be able to appreciate the impact of their professional roles for social justice and inclusion related to national and global issues

This graduate capability is supported by:

Learning outcome

  • Communicate knowledge and critical expertise in written and spoken forms to professional audiences (GC 4, 5 & 6)

Assessment tasks

  • Presentation
  • Major Essay
  • Minor Essay
  • Participation