Students

MMCS303 – Music, Sound and Moving Image

2019 – S1 Day

General Information

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Unit convenor and teaching staff Unit convenor and teaching staff Convenor
Intan Paramaditha
10HA 193B
Wednesdays 2–3pm
Credit points Credit points
3
Prerequisites Prerequisites
39cp at 100 level or above
Corequisites Corequisites
Co-badged status Co-badged status
Unit description Unit description
Moving images, in whatever form we consume them, are nothing without the soundtracks that underpin them and the soundscapes that surround them. This unit allows students to explore, analyse and create screen soundtracks building on theories of film and television studies, popular music studies, interactivity and gaming, genre, cultural history, audience engagement, narrative and character development. Fans, musicians, screen makers and anyone interested in exploring multimedia communication would benefit from this exploration into the unique interactions between music, sound and the moving image, as we break down the effectiveness of visual and sonic storytelling in a variety of contexts. Music, Sound and the Moving Image explores histories of screen and sound technologies and their interactions, but also uses these as a way to track and predict how future developments might play and sound out.

Important Academic Dates

Information about important academic dates including deadlines for withdrawing from units are available at https://www.mq.edu.au/study/calendar-of-dates

Learning Outcomes

On successful completion of this unit, you will be able to:

  • Understand and recall vocabulary for screen sound analysis
  • Create/synthesise practical skills in screen sound creation
  • Apply focused listening skills directly related to soundtracks
  • Evaluate the historical and technological developments in screen sound
  • Analyse the role of sound in different genres

General Assessment Information

Late Submission Penalty

Unless a Special Consideration request has been submitted and approved, (a) a penalty for lateness will apply – two (2) marks out of 100 will be deducted per day for assignments submitted after the due date – and (b) no assignment will be accepted more than seven (7) days (incl. weekends) after the original submission deadline. No late submissions will be accepted for timed assessments – e.g. quizzes, online tests.

 

Assessment Policy

This unit follows assessment standards set in the University's Assessment Policy: 

https://staff.mq.edu.au/work/strategy-planning-and-governance/university-policies-and-procedures/policies/assessment

Assessment Tasks

Name Weighting Hurdle Due
Active participation 20% No weeks 2–12
Online quiz 25% No 11/04/2019
Soundtrack and Essay 55% No 22/05 & 05/06 11:59pm

Active participation

Due: weeks 2–12
Weighting: 20%

Students are expected to attend all lectures and tutorials and contribute to class discussions. You should demonstrate an ability to articulate and share ideas on concepts raised in the readings and lectures. Participation also involves asking pertinent questions that stimulate further discussions. It is essential that you do the readings and take notes before attending the tutorial.

Assessment criteria (for a full assessment rubric, please refer to iLearn):  

Reading and reflection: Evidence of engagement with the unit readings, demonstration of in-class reflection through participation in assignments and discussions.

Communication: Demonstration of clear communication skills, evidence of engagement with arguments of others.

 


On successful completion you will be able to:
  • Understand and recall vocabulary for screen sound analysis
  • Create/synthesise practical skills in screen sound creation
  • Apply focused listening skills directly related to soundtracks
  • Evaluate the historical and technological developments in screen sound
  • Analyse the role of sound in different genres

Online quiz

Due: 11/04/2019
Weighting: 25%

In week 7, students will take a multiple choice quiz in iLearn. The questions are based on unit readings, lectures and tutorials from weeks 1–6. The quiz will be open all day on Thursday the 11th of April, 2019, and students are welcome to take it anywhere they like. Students have one (1) hour to complete the quiz and they are welcome to consult supporting materials. Only one attempt is allowed. Detailed instructions including examples will be provided in week 4. 


On successful completion you will be able to:
  • Understand and recall vocabulary for screen sound analysis
  • Evaluate the historical and technological developments in screen sound
  • Analyse the role of sound in different genres

Soundtrack and Essay

Due: 22/05 & 05/06 11:59pm
Weighting: 55%

This assessment has three (3) components: a creative group project (25%), an individual report (compulsory, but not marked) and an individual essay (30%).

 

Part 1: Soundtrack (25%)

Working in groups of 3–4, students will produce a soundtrack to a film clip provided by the unit convenor. Tutorials in weeks 8–10 will be dedicated to working on the soundtrack. 

Submission of the soundtrack is via iLearn. The deadline is on the 22nd of May, 2019. The submitted soundtrack must include the names and student IDs of the group members. This may be in the form of a title sequence or by including the information in the file name. Further instructions with examples will be provided in week 8. 

Students will present their work at the tutorials in week 11 (24/05/2019). Groups must bring their soundtracks to class on a USB drive and prepare to answer questions about their work. Each group member is expected to be present. 

Due to copyright reasons, students are not allowed to distribute their work beyond the setting of the unit.

Students will be working on a clip from a silent film. The focus areas of the assessment task are the genre of the film, the construction of cinematic space and the communication of feeling. These are the elements students should be thinking about when choosing sounds to the clip.

Assessment criteria (for a full assessment rubric, please refer to iLearn):

Sound and feeling: assessment will focus on how the chosen sounds and/or music as well as their placement on the timeline convey feeling.

Sound and space: assessment will focus on the construction of space with sound and/or music.

Identifying and working with silent film: assessment will be based on the appropriateness of the sound choices to the genre of the film. 

 

Part 2: Report 

In order to get their marks for this assessment task, each student must submit an individual report where they document the working process of the group. A template is provided in iLearn.

Submission is via Turnitin. The deadline is on the 22nd of May, 2019. 

 

Part 3: Essay (30%)

Students will write a 1500-word essay (excluding references and bibliography) on the construction of cinematic space and the communication of feeling in a film of their choice. Students are expected to compare the choices they made in their own soundtrack to their chosen example. The essay should identify sound choices and reflect on them critically, while also relating them to the lecture topics, readings and tutorial discussions from weeks 1–12. Please note that the essay is not a summary of the sound choices made in the group work. Detailed instructions including examples will be provided in week 8. 

This is a formal essay which will require clear referencing and appropriate research. The weekly readings and other recommended texts are an important place to start for this assessment task. Please use Harvard Referencing System (refer to the guide in iLearn). 

Submission is via Turnitin. The deadline is on the 5th of June, 2019. 

Assessment criteria (for a full assessment rubric, please refer to iLearn):

Reflection: ability to identify key tendencies in making a soundtrack and commenting on the use of sound critically.

Reading and research: evidence of critical engagement with set course materials (unit readings and film examples; evidence of independent reading of appropriate academic material; evidence of thorough research (relating to the chosen film). 

Argument and analysis: well-articulated and well-supported argument; evidence of critical thinking (through taking a position in relation to space and feeling, and supporting this position); evidence of relational thinking (through making connections between key ideas from the course and other cinematic examples, and supporting this position).

Writing and structure: clear, logical and coherent structure; clarity of expression; appropriate referencing; sticking to the word limit.


On successful completion you will be able to:
  • Understand and recall vocabulary for screen sound analysis
  • Create/synthesise practical skills in screen sound creation
  • Apply focused listening skills directly related to soundtracks
  • Evaluate the historical and technological developments in screen sound
  • Analyse the role of sound in different genres

Delivery and Resources

Lectures and tutorials begin in week 1.

 

Please note the University's Late Submission Penalty: Unless a Special Consideration request has been submitted and approved, (a) a penalty for lateness will apply – two (2) marks out of 100 will be deducted per day for assignments submitted after the due date – and (b) no assignment will be accepted more than seven (7) days (incl. weekends) after the original submission deadline. No late submissions will be accepted for timed assessments – e.g. quizzes, online tests.

 

Please note MMCCS's re-mark policy: http://www.mq.edu.au/pubstatic/public/ download/?id=167914

 

Unit schedule and required readings:

There are two required readings each week, and students need to be well prepared before they come to class. The complete reading list is available on iLearn.

All the unit readings are accessible online through the library's multisearch function.

Weekly topics:

Week 1 – Introduction

Week 2 – Music, sound and affect

Week 3 – Corporeality and the musical spectacle

Week 4 – Musicals and entertainment

Week 5 – The Musical Moment

Week 6 – Sounding authentic

Week 7 – Online quiz

Recess

Week 8 – Sound, space, cinema 

Week 9 – Sound design 1

Week 10 – Sound design 2

Week 11 – Music, performance, media  

Week 12 – Music videos

Week 13 – No class (unit convenor available for consultation)

Policies and Procedures

Macquarie University policies and procedures are accessible from Policy Central (https://staff.mq.edu.au/work/strategy-planning-and-governance/university-policies-and-procedures/policy-central). Students should be aware of the following policies in particular with regard to Learning and Teaching:

Undergraduate students seeking more policy resources can visit the Student Policy Gateway (https://students.mq.edu.au/support/study/student-policy-gateway). It is your one-stop-shop for the key policies you need to know about throughout your undergraduate student journey.

If you would like to see all the policies relevant to Learning and Teaching visit Policy Central (https://staff.mq.edu.au/work/strategy-planning-and-governance/university-policies-and-procedures/policy-central).

Student Code of Conduct

Macquarie University students have a responsibility to be familiar with the Student Code of Conduct: https://students.mq.edu.au/study/getting-started/student-conduct​

Results

Results published on platform other than eStudent, (eg. iLearn, Coursera etc.) or released directly by your Unit Convenor, are not confirmed as they are subject to final approval by the University. Once approved, final results will be sent to your student email address and will be made available in eStudent. For more information visit ask.mq.edu.au or if you are a Global MBA student contact globalmba.support@mq.edu.au

Student Support

Macquarie University provides a range of support services for students. For details, visit http://students.mq.edu.au/support/

Learning Skills

Learning Skills (mq.edu.au/learningskills) provides academic writing resources and study strategies to improve your marks and take control of your study.

Student Services and Support

Students with a disability are encouraged to contact the Disability Service who can provide appropriate help with any issues that arise during their studies.

Student Enquiries

For all student enquiries, visit Student Connect at ask.mq.edu.au

If you are a Global MBA student contact globalmba.support@mq.edu.au

IT Help

For help with University computer systems and technology, visit http://www.mq.edu.au/about_us/offices_and_units/information_technology/help/

When using the University's IT, you must adhere to the Acceptable Use of IT Resources Policy. The policy applies to all who connect to the MQ network including students.

Graduate Capabilities

Creative and Innovative

Our graduates will also be capable of creative thinking and of creating knowledge. They will be imaginative and open to experience and capable of innovation at work and in the community. We want them to be engaged in applying their critical, creative thinking.

This graduate capability is supported by:

Learning outcomes

  • Create/synthesise practical skills in screen sound creation
  • Evaluate the historical and technological developments in screen sound
  • Analyse the role of sound in different genres

Assessment tasks

  • Active participation
  • Online quiz
  • Soundtrack and Essay

Capable of Professional and Personal Judgement and Initiative

We want our graduates to have emotional intelligence and sound interpersonal skills and to demonstrate discernment and common sense in their professional and personal judgement. They will exercise initiative as needed. They will be capable of risk assessment, and be able to handle ambiguity and complexity, enabling them to be adaptable in diverse and changing environments.

This graduate capability is supported by:

Learning outcomes

  • Understand and recall vocabulary for screen sound analysis
  • Create/synthesise practical skills in screen sound creation
  • Apply focused listening skills directly related to soundtracks
  • Evaluate the historical and technological developments in screen sound

Assessment tasks

  • Active participation
  • Online quiz
  • Soundtrack and Essay

Commitment to Continuous Learning

Our graduates will have enquiring minds and a literate curiosity which will lead them to pursue knowledge for its own sake. They will continue to pursue learning in their careers and as they participate in the world. They will be capable of reflecting on their experiences and relationships with others and the environment, learning from them, and growing - personally, professionally and socially.

This graduate capability is supported by:

Learning outcomes

  • Understand and recall vocabulary for screen sound analysis
  • Create/synthesise practical skills in screen sound creation
  • Apply focused listening skills directly related to soundtracks
  • Evaluate the historical and technological developments in screen sound
  • Analyse the role of sound in different genres

Assessment tasks

  • Active participation
  • Online quiz
  • Soundtrack and Essay

Discipline Specific Knowledge and Skills

Our graduates will take with them the intellectual development, depth and breadth of knowledge, scholarly understanding, and specific subject content in their chosen fields to make them competent and confident in their subject or profession. They will be able to demonstrate, where relevant, professional technical competence and meet professional standards. They will be able to articulate the structure of knowledge of their discipline, be able to adapt discipline-specific knowledge to novel situations, and be able to contribute from their discipline to inter-disciplinary solutions to problems.

This graduate capability is supported by:

Learning outcomes

  • Understand and recall vocabulary for screen sound analysis
  • Create/synthesise practical skills in screen sound creation
  • Apply focused listening skills directly related to soundtracks
  • Evaluate the historical and technological developments in screen sound
  • Analyse the role of sound in different genres

Assessment tasks

  • Active participation
  • Online quiz
  • Soundtrack and Essay

Critical, Analytical and Integrative Thinking

We want our graduates to be capable of reasoning, questioning and analysing, and to integrate and synthesise learning and knowledge from a range of sources and environments; to be able to critique constraints, assumptions and limitations; to be able to think independently and systemically in relation to scholarly activity, in the workplace, and in the world. We want them to have a level of scientific and information technology literacy.

This graduate capability is supported by:

Learning outcomes

  • Understand and recall vocabulary for screen sound analysis
  • Create/synthesise practical skills in screen sound creation
  • Apply focused listening skills directly related to soundtracks
  • Evaluate the historical and technological developments in screen sound
  • Analyse the role of sound in different genres

Assessment tasks

  • Active participation
  • Online quiz
  • Soundtrack and Essay

Problem Solving and Research Capability

Our graduates should be capable of researching; of analysing, and interpreting and assessing data and information in various forms; of drawing connections across fields of knowledge; and they should be able to relate their knowledge to complex situations at work or in the world, in order to diagnose and solve problems. We want them to have the confidence to take the initiative in doing so, within an awareness of their own limitations.

This graduate capability is supported by:

Learning outcomes

  • Understand and recall vocabulary for screen sound analysis
  • Create/synthesise practical skills in screen sound creation
  • Apply focused listening skills directly related to soundtracks
  • Evaluate the historical and technological developments in screen sound
  • Analyse the role of sound in different genres

Assessment tasks

  • Active participation
  • Online quiz
  • Soundtrack and Essay

Effective Communication

We want to develop in our students the ability to communicate and convey their views in forms effective with different audiences. We want our graduates to take with them the capability to read, listen, question, gather and evaluate information resources in a variety of formats, assess, write clearly, speak effectively, and to use visual communication and communication technologies as appropriate.

This graduate capability is supported by:

Learning outcomes

  • Understand and recall vocabulary for screen sound analysis
  • Create/synthesise practical skills in screen sound creation
  • Evaluate the historical and technological developments in screen sound
  • Analyse the role of sound in different genres

Assessment tasks

  • Active participation
  • Online quiz
  • Soundtrack and Essay

Engaged and Ethical Local and Global citizens

As local citizens our graduates will be aware of indigenous perspectives and of the nation's historical context. They will be engaged with the challenges of contemporary society and with knowledge and ideas. We want our graduates to have respect for diversity, to be open-minded, sensitive to others and inclusive, and to be open to other cultures and perspectives: they should have a level of cultural literacy. Our graduates should be aware of disadvantage and social justice, and be willing to participate to help create a wiser and better society.

This graduate capability is supported by:

Learning outcomes

  • Create/synthesise practical skills in screen sound creation
  • Evaluate the historical and technological developments in screen sound
  • Analyse the role of sound in different genres

Assessment tasks

  • Active participation
  • Online quiz
  • Soundtrack and Essay

Socially and Environmentally Active and Responsible

We want our graduates to be aware of and have respect for self and others; to be able to work with others as a leader and a team player; to have a sense of connectedness with others and country; and to have a sense of mutual obligation. Our graduates should be informed and active participants in moving society towards sustainability.

This graduate capability is supported by:

Learning outcomes

  • Create/synthesise practical skills in screen sound creation
  • Evaluate the historical and technological developments in screen sound

Assessment tasks

  • Active participation
  • Online quiz
  • Soundtrack and Essay