Unit convenor and teaching staff |
Unit convenor and teaching staff
Unit Convenor
Jillian Kramer
Contact via Via MQ email
10HA 191 F Phone: (02) 9850 2252
Online Appointment via Zoom Web Conferencing or Zoom Chat (details in ilearn)
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Prerequisites |
Prerequisites
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Corequisites |
Corequisites
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Co-badged status |
Co-badged status
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Unit description |
Unit description
This unit introduces students to a range of theories that question traditional hierarchies of value and that enable a critical re-evaluation of the practices of everyday life. This unit theorises key topics such as: countercultures; oppositional cultures and post-subcultures; the politics of high versus popular and low culture; and counter-cultural practices in global and local contexts. The following practices, sites and objects are examined: graffiti, hip hop and crimes of style; graffiti and the cultural politics of public space; graffiti as a form of political activism and dissent; the relation between kitsch and high art; the politics of kitsch in the context of colonialism and Indigeneity; the cultural politics of tourist sites; gigantism and miniaturism; queer culture, camp and kitsch; and celebrity kitsch.
All enrolment queries should be directed to Open Universities Australia (OUA): see www.open.edu.au
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Information about important academic dates including deadlines for withdrawing from units are available at https://www.open.edu.au/student-admin-and-support/key-dates/
On successful completion of this unit, you will be able to:
Assessment Preparation: Over the course of this unit, you are going to explore a series of topics, ideas and activities that will not only encourage you to engage with new ways of thinking and new knowledge; they will also prepare you to complete the assessments and meet the learning outcomes of the unit. We will prepare for you to complete each assessment via the (a) weekly activities (see guide in ilearn) that engage with the unit content and (2) by sharing assessment clips that provide detailed guidance and samples in assessment forums.
Feedback: For each assessment, you will receive individual feedback via grade book. You may also receive group feedback via the announcements and assessment clips.
Special Consideration: If you have experienced an unavoidable and serious disruption and are unable to complete this task by the due date, please email your unit convenor and request Special Consideration via ask.mq.edu.au. For more information about the Special Consideration process please click here.
Late Submission: Unless a Special Consideration request has been submitted and approved, (a) a penalty for lateness will apply – two (2) marks out of 100 will be deducted per day for assignments submitted after the due date – and (b) no assignment will be accepted more than seven (7) days (incl. weekends) after the original submission deadline. No late submissions will be accepted for timed assessments – e.g. quizzes, online tests.
Grading Note: Assessment standards in this unit align with the University's grade descriptors, available at: https://staff.mq.edu.au/work/strategy-planning-and-governance/university-policies- and-procedures/policies/assessment
Name | Weighting | Hurdle | Due |
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Engagement and Collaboration | 15% | No | Week 2 to Week 10 |
Scholarly Reflection Task | 15% | No | 18th of August 11:59pm (AEST) |
Visual Analysis | 25% | No | 23rd of September 11:59pm (AEST) |
Final Essay | 45% | No | 8th of November 11:59pm (AEST) |
Due: Week 2 to Week 10
Weighting: 15%
In this unit, students are required to actively engage with their peers in order to develop a shared understanding of the key ideas, concepts and debates that we discuss throughout this unit.
Requirements: From week two to week ten, students are required to participate in the learning activities within the designated time frame. They must participate in two ways:
The forum will be opened when the activity is posted each week on Tuesday and then closed the following Monday.
Weekly posts and comments: As you complete your weekly posts and comments, please remember that these posts should generate discussion. We do not expect you to present a 'correct' or 'perfectly formed' answer; often you will find there isn't a singular 'right' answer. Instead, we're looking for you to draw on what you've learnt in the lecture, book and readings to respond to the activity or question. We'd like you to add your thoughts on the key concepts, ask questions about the readings and share ideas about the topic to the discussion so that we can collaborate and help one another to understand the concepts. If you have any questions about what we're looking for, please consult the marking criteria below and then contact Jillian.
Assessment Criteria (full rubric in ilearn):
Preparation: Please see the Engagement and Collaboration guide on ilearn to prepare for this assessment task. This guide includes a detailed outline and rationale for this assessment task and sample posts and comments.
Special Consideration: If you cannot complete a weekly activity or discussion due to unavoidable and serious disruption, please request Special Consideration via ask.mq.edu.au. For more information about the Special Consideration process please click here.
Late Assessment Penalty: Unless a Special Consideration request has been submitted and approved, no late submissions will be accepted as this is a timed assessment. You may chose to post your response and comments, but they may not contribute to your overall mark for this assessment.
Feedback: While a final grade for this assessment will be determined at the end of the semester, informal feedback will be offered via regular announcements and discussion posts. If you would like further feedback on how you're going with this task, please contact Jillian via her MQ email address.
Due: 18th of August 11:59pm (AEST)
Weighting: 15%
For this assessment, students are required to select two of their own responses to the weekly activities undertaken in the discussion forms so far. They are required to complete a 400-500 word scholarly reflection task for each post.
In these scholarly reflections, students are required to (a) outline the context of their post on the discussion forum, (b) demonstrate how it enhances their understanding of the key concepts or methods explored in the unit, and (c) discuss how their thoughts have developed since writing their post. Students must use appropriate academic communication methods. Both reflections must be referenced, structured and written in accordance with academic standards.
Students can find a template for this assessment task in the Assessments and Guides Section on the ilearn page. Each post they include should be 150-300 words in length (about a paragraph). This means you may either use a full post, or an extract. The posts are not included in the word count.
This assessment task will be marked according to the following assessment criteria (see full rubric in ilearn):
Preparation: In order to prepare to undertake this assessment, students are expected to engage in the designated assessment discussion forum. Here, they can find a template for this assessment, ask questions, share their approach and watch a clip containing a detailed outline of the task and samples.
Submission: Students will submit this task via the Turnitin link on the unit iLearn Site.
Special Consideration: If you're unable to complete this task by the due date due to an unavoidable and serious disruption, please email your unit convenor and request Special Consideration via ask.mq.edu.au. For more information about the Special Consideration process please click here.
Late Penalty: Unless a Special Consideration request has been submitted and approved, (a) a penalty for lateness will apply – two (2) marks out of 100 will be deducted per day for assignments submitted after the due date – and (b) no assignment will be accepted more than seven (7) days (incl. weekends) after the original submission deadline. No late submissions will be accepted for timed assessments – e.g. quizzes, online tests.
Feedback: Individual feedback will be given via gradebook.
Due: 23rd of September 11:59pm (AEST)
Weighting: 25%
For this assessment, students will continue developing the knowledge and skills that they will need in order to complete the final essay. They will build on their understandings of the key concepts in order to perform their own 1,000 word visual analysis of kitsch and graffiti. Students are required to respond to the following prompt:
In their answers, students must draw on de Certeau's work (1988) and at least two other readings to analyse one example of kitsch and one example of graffiti. They should aim to build a strong argument that exposes the ways in which their examples are (or are not) 'tactical in character.' The images they have chosen should be cited and pasted at the beginning of their analysis.
Students must also use academic referencing and attach a reference list at the end of their essay. For more information on referencing please follow the link to Macquarie University Library’s Referencing Guide here: http://libguides.mq.edu.au/Referencing.
Each visual analysis will be marked according to the following marking criteria (please see assessment rubric in ilearn):
Preparation: Students will be expected to write their essays based on the guidance they receive in the lectures and online weekly discussion. This assessment will be explained and samples will be shown in the weekly forums and/or assessment clip.
Submission: The visual analysis will be submitted via the turnitin link in ilearn.
Special Consideration: If you have experienced an unavoidable and serious disruption and are unable to complete this task by the due date, please request Special Consideration via ask.mq.edu.au. For more information about the Special Consideration process please click here.
Late Submission: Unless a Special Consideration request has been submitted and approved, (a) a penalty for lateness will apply – two (2) marks out of 100 will be deducted per day for assignments submitted after the due date – and (b) no assignment will be accepted more than seven (7) days (incl. weekends) after the original submission deadline. No late submissions will be accepted for timed assessments – e.g. quizzes, online tests.
Feedback: Students will receive individual feedback in gradebook. They may also receive group feedback via weekly discussions.
Due: 8th of November 11:59pm (AEST)
Weighting: 45%
For this assessment, students are required to write a 2,000 word essay in response to one of the questions listed below. Drawing on the concepts offered in the relevant readings, students must perform a forensic visual analysis of at least one example in order to demonstrate their argument. Please note that students must not write on the same example that they used in their visual analysis.
Questions:
Essays will be marked according to the following criteria (please see assessment rubric in ilearn):
Preparation: The final essay will be discussed, and examples will be shown, in weekly discussions that occur throughout the second half of semester. In order to prepare to undertake this assessment, students are also expected to engage in the designated assessment discussion forum. Here, they can ask questions, share their approach and watch a clip containing a detailed outline of the task and samples.
Submission: The final essay will be submitted via the link to turnitin on the unit ilearn site.
Feedback: Students will receive individual feedback in gradebook.
Special Consideration: If you have experienced an unavoidable and serious disruption and are unable to complete this task by the due date, please request Special Consideration via ask.mq.edu.au. For more information about the Special Consideration process please click here.
Late Submission: Unless a Special Consideration request has been submitted and approved, (a) a penalty for lateness will apply – two (2) marks out of 100 will be deducted per day for assignments submitted after the due date – and (b) no assignment will be accepted more than seven (7) days (incl. weekends) after the original submission deadline. No late submissions will be accepted for timed assessments – e.g. quizzes, online tests.
Students will complete this unit online. At the beginning of the study period, they will find the weekly schedule listed sequentially down the ilearn page from week 1 to week 13. Listed underneath each week, they will find details about the content, lecture, a link to the unit readings and a link to the weekly activity and discussion forum.
Unit Readings: The readings for each week are available via the Macquarie University Library. A link to the readings is provided in the listing for each week. If you have trouble finding and/or accessing the readings, please search the library's online database and consult your tutor.
Weekly Activities and Discussion: At the beginning of each week, your tutor will send an announcement that introduces the weekly topic and highlights any upcoming tasks. Following the announcement, they will also post an activity for you to complete in the weekly section. These activities are designed to help you develop your understanding of the unit content. They also aim to provide a space to ask questions and interact with your peers.
The General Discussion Forum: If you have any general questions about the unit or an assessment, and would like to share them with your peers, please start a conversation in the general discussion forum. This forum is open for everyone to start discussions, share resources and ask questions.
The Dialogue Module: This module is available for students who would like to have private conversations with their tutor.
Week One: Introduction (Lectures and Tutorials start this week)
Week Two: “Crimes of Style”
Week Three: The Cultural Politics of Graffiti
Week Four: Graffiti as a “Contentious form of Political Participation"
Week Five: Kitsch, Bad Taste and Distinction
Week Six: Kitsch, Mechanical Reproduction & Modernity
Week Seven: Assessment Feedback and Workshops (No readings this week)
RECESS
Week Eight: The Politics of Kitsch
Week Nine: Gigantism & Miniaturism
Week Ten: Kitsch/Art
Week Eleven: Queer as Kitsch
Week Twelve: Celebrity Kitsch
Week Thirteen: Assessment Revision and Submission Week (No readings this week)
Unless a Special Consideration request has been submitted and approved, (a) a penalty for lateness will apply – two (2) marks out of 100 will be deducted per day for assignments submitted after the due date – and (b) no assignment will be accepted more than seven (7) days (incl. weekends) after the original submission deadline. No late submissions will be accepted for timed assessments – e.g. quizzes, online tests.
The University recognises that students may experience events or conditions that adversely affect their academic performance. If you experience serious and unavoidable difficulties at exam time or when assessment tasks are due, you can consider applying for Special Consideration.
You need to show that the circumstances:
If you feel that your studies have been impacted submit an application as follows:
Outcome
Once your submission is assessed, an appropriate outcome will be organised.
You can withdraw from your subjects prior to the census date (last day to withdraw). If you successfully withdraw before the census date, you won’t need to apply for Special Circumstances. If you find yourself unable to withdraw from your subjects before the census date - you might be able to apply for Special Circumstances. If you’re eligible, we can refund your fees and overturn your fail grade.
If you’re studying Single Subjects using FEE-HELP or paying up front, you can apply online.
If you’re studying a degree using HECS-HELP, you’ll need to apply directly to Macquarie University.
Macquarie University policies and procedures are accessible from Policy Central (https://staff.mq.edu.au/work/strategy-planning-and-governance/university-policies-and-procedures/policy-central). Students should be aware of the following policies in particular with regard to Learning and Teaching:
Undergraduate students seeking more policy resources can visit the Student Policy Gateway (https://students.mq.edu.au/support/study/student-policy-gateway). It is your one-stop-shop for the key policies you need to know about throughout your undergraduate student journey.
If you would like to see all the policies relevant to Learning and Teaching visit Policy Central (https://staff.mq.edu.au/work/strategy-planning-and-governance/university-policies-and-procedures/policy-central).
Macquarie University students have a responsibility to be familiar with the Student Code of Conduct: https://students.mq.edu.au/study/getting-started/student-conduct
Results published on platform other than eStudent, (eg. iLearn, Coursera etc.) or released directly by your Unit Convenor, are not confirmed as they are subject to final approval by the University. Once approved, final results will be sent to your student email address and will be made available in eStudent. For more information visit ask.mq.edu.au or if you are a Global MBA student contact globalmba.support@mq.edu.au
MMCCS Session Re-mark Application http://www.mq.edu.au/pubstatic/public/download/?id=167914
Information is correct at the time of publication
Macquarie University provides a range of support services for students. For details, visit http://students.mq.edu.au/support/
Learning Skills (mq.edu.au/learningskills) provides academic writing resources and study strategies to improve your marks and take control of your study.
Students with a disability are encouraged to contact the Disability Service who can provide appropriate help with any issues that arise during their studies.
For all student enquiries, visit Student Connect at ask.mq.edu.au
If you are a Global MBA student contact globalmba.support@mq.edu.au
For help with University computer systems and technology, visit http://www.mq.edu.au/about_us/offices_and_units/information_technology/help/.
When using the University's IT, you must adhere to the Acceptable Use of IT Resources Policy. The policy applies to all who connect to the MQ network including students.
Our graduates will also be capable of creative thinking and of creating knowledge. They will be imaginative and open to experience and capable of innovation at work and in the community. We want them to be engaged in applying their critical, creative thinking.
This graduate capability is supported by:
We want our graduates to have emotional intelligence and sound interpersonal skills and to demonstrate discernment and common sense in their professional and personal judgement. They will exercise initiative as needed. They will be capable of risk assessment, and be able to handle ambiguity and complexity, enabling them to be adaptable in diverse and changing environments.
This graduate capability is supported by:
Our graduates will have enquiring minds and a literate curiosity which will lead them to pursue knowledge for its own sake. They will continue to pursue learning in their careers and as they participate in the world. They will be capable of reflecting on their experiences and relationships with others and the environment, learning from them, and growing - personally, professionally and socially.
This graduate capability is supported by:
Our graduates will take with them the intellectual development, depth and breadth of knowledge, scholarly understanding, and specific subject content in their chosen fields to make them competent and confident in their subject or profession. They will be able to demonstrate, where relevant, professional technical competence and meet professional standards. They will be able to articulate the structure of knowledge of their discipline, be able to adapt discipline-specific knowledge to novel situations, and be able to contribute from their discipline to inter-disciplinary solutions to problems.
This graduate capability is supported by:
We want our graduates to be capable of reasoning, questioning and analysing, and to integrate and synthesise learning and knowledge from a range of sources and environments; to be able to critique constraints, assumptions and limitations; to be able to think independently and systemically in relation to scholarly activity, in the workplace, and in the world. We want them to have a level of scientific and information technology literacy.
This graduate capability is supported by:
Our graduates should be capable of researching; of analysing, and interpreting and assessing data and information in various forms; of drawing connections across fields of knowledge; and they should be able to relate their knowledge to complex situations at work or in the world, in order to diagnose and solve problems. We want them to have the confidence to take the initiative in doing so, within an awareness of their own limitations.
This graduate capability is supported by:
We want to develop in our students the ability to communicate and convey their views in forms effective with different audiences. We want our graduates to take with them the capability to read, listen, question, gather and evaluate information resources in a variety of formats, assess, write clearly, speak effectively, and to use visual communication and communication technologies as appropriate.
This graduate capability is supported by:
As local citizens our graduates will be aware of indigenous perspectives and of the nation's historical context. They will be engaged with the challenges of contemporary society and with knowledge and ideas. We want our graduates to have respect for diversity, to be open-minded, sensitive to others and inclusive, and to be open to other cultures and perspectives: they should have a level of cultural literacy. Our graduates should be aware of disadvantage and social justice, and be willing to participate to help create a wiser and better society.
This graduate capability is supported by:
We want our graduates to be aware of and have respect for self and others; to be able to work with others as a leader and a team player; to have a sense of connectedness with others and country; and to have a sense of mutual obligation. Our graduates should be informed and active participants in moving society towards sustainability.
This graduate capability is supported by:
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Arogundade, Ben (2000) Black Beauty. London: Pavillion Books.
Baldwin, Elaine et al (1999) Introducing Cultural Studies. Hemel Hempstead, UK: Prentice Hall.
Benjamin, Walter (1990)“The Work of Art in the Age of Mechanical Reproduction,” Illuminations. Ed. Hannah Arendt. New York: Schoken Books.
Bennet, Andy and Keith Kahn-Harris (eds.) (2004) After Subculture.
Basingstoke, Hampshire: Palgrave Macmillan. Brassai (2002) Graffiti. Paris: Flammarion.
Butler, Francis (1994) “Youth Art and Mobile Galleries,” Artlink 14.3 (Spring).
Caldwell, John (1992)“Live Now,” and Brian Wallis, “We Don’t Need Another Hero: A Critical Reception of the Work of Jeff Koons,” in F. W. Simpson (ed.), Jeff Koons. San Francisco: San Francisco Museum of Modern Art.
Byrd, Ayan D. and Lori L. Tharps (2002) Hair Story: Untangling the Roots of Black Hair in America. New York: St Martin’s Griffin.
Calzada, Remi and Henke Pijenburg (1991) “The Hip-Hop Movement”and “An Interview of Bernard Stiegler by Elizabeth Caillet,” Graffiti Art. Paris: Musee National des Monument Fracais.
Cleto, Fabio (1999) “Introduction: Queering the Camp,” in F. Cleto (ed.), Camp: Queer Aesthetics and the Performing Subject. Ann Arbor: University of Michigan Press.
Codd, John (1990) “Making Distinctions,” in R. Harker, C. Mahar and C. Wilkes (eds.), An Introduction to the Work of Bourdieu. Basingstoke, UK: Macmillan.
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Cresswell, Tim (1996) In Place Out of Place: Geography, Ideology and Transgression. Minneapolis: University of Minnesota Press.
Cross, John (1995) “Kings of Kitsch: Big Things” and Paul Ryan, “Bigs R Us,” Artlink 15.4 (Summer): 5- 14
de Certeau, Michel (1988) “Introduction,” The Practice of Everyday Life. Trans. Steven Rendall. Berkeley: University of California Press.
Deutsche-Guggenheim (2001) Jeff Koons. Berlin: Deutsche-Guggenheim.
Dyer, Richard (2002) “It’s Being so Camp as Keeps Us Going,” The Culture of Queers. London and New York: Routledge, 2002.
Ferrell, Jeff (2001) Tearing Down the Streets. Basingstoke, Hampshire: Palgrave.
Ferrell, Jeff (1996) “Crimes of Style,” Crimes of Style. Boston: Northwestern University Press.
Foreman, Murray (2002) The ‘Hood Comes First: Race, Space and Place in Rap and Hip-Hop. Middletown: Wesleyan University Press.
Frow, John (1995) Cultural Studies and Cultural Value. Oxford: Clarendon Press.
Geason, Susan and Paul R. Wilson (1996) “Introduction” and “The Theory,” Preventing Graffiti and Vandalism. Canberra: Australian Insitute of Criminology.
Gibian, Peter (1997) Mass Culture and Everyday Life. New York: Routledge.
Gillo Dorfles, Gillo (1969) “Kitsch” and “Conclusion” in Gillo Dorfles (ed.), Kitsch: The World of Bad Taste. New York: Universal Books.
Gibson, Lisa and Joanna Besley (2004) Monumental Queensland. St Lucia: University of Queensland Press.
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Gott, Ted and Lisa Sullivan (2002) “Keith Haring in Australia, 1984,” Art and Australia 39.4 (June/July): 560-567.
Hall, Stuart (1994) “Notes on Deconstructing ‘the Popular’,” in John Storey (ed.), Cultural Theory and Popular Culture. Hempel Hemstead, UK: Harverster Wheatsheaf.
Harris, Daniel (2000) “Cuteness,” Cute, Quaint, Hungry and Romantic. N.p.: Da Capo Press.
Hebdige, Dick (1987) “Subculture: The Unnatural Break,” Subculture: The Meaning of Style. New York: Routledge.
Hodge, B. and V. Mishra (1991) The Dark Side of the Dream. North Sydney: Allen and Unwin.
Hooks, bell (1992) “Eating the Other: Desire and Resistance,” Black Looks. Boston: South End Press.
Jahoda, Gustav (1999) Images of Savages. London: Routledge.
Jeffries, John (1992) “Toward a Redefinition of the Urban: The Collision of Culture,” in Gina Dent (ed.), Black Popular Culture. Seattle: Bay Press.
Johnson, Vivien (1996) “Introduction: Aboriginal Art in the Age of Reproductive Technologies,” Copyrites. Sydney: National Indigenous Arts Advocacy Association and Macquarie University.
Jones, Lisa (1994) Bullet Proof Diva: Tales of Race, Sex, and Hair. New York: Anchor Books. Joselit, David (1998) “Investigating the Ordinary,” and Roberta Smith, “Rituals of Consumption,” Art in America (May).
Kulka, Tomas (2002) Kitsch and Art. University Park, Pennsylvania: Pennsylvania State University Press.
Macdonald, Nancy (2001) The Graffiti Subculture. Basingstoke, UK: Palgrave.
McCracken, Grant (1997) “Blondness: The Periodic Table,” Big Hair. London: Indigo, 1997.
Marcus, Julie (ed.) (2000) Picturing the ‘Primitif.’ Canada Bay, NSW: Lhr Press.
Merecer, Kobena (1990) “Black Hair/Style Politics,” in Russell Ferguson et al (eds.), Out There. New York and Cambridge, MA: The New Museum of Contemporary Art and The MIT Press.
Mink, Janis (2000) Duchamp. Cologne: Taschen.
Muggleton, David (2004) Inside Subculture. Oxford: Berg.
Muggleton, David and Rupert Weinzierl (2004) The Post-Subcultures Reader. Oxford: Berg.
Myer, Moe (1994)“Introduction,” The Politics and Poetics of Camp. New York and London: Routledge, 1994.
Neat, Patrick, Where You’re At: Notes from the Frontline of a Hip Hop Planet. London: Bloomsbury, 2003.
Nelson, Robert (1995) “Kitschophrenia,” Artlink 15.4 (Summer): 12-13.
Neat, Patrick (2003) Where You’re At: Notes from the Frontline of a Hip Hop Planet. London: Bloomsbury.
Olalquiaga, Celeste (1992) Megalopolis. Minneapolis: University of Minnesota Press.
Olalquiaga, Celeste (1999)“The Souvenir “ and “The Debris of the Aura,” The Artificial Kingdom. London: Bloomsbury.
Phillips, Susan A. (1999) Wallbangin’: Graffiti and Gangs in L.A. Chicago: University of Chicago Press.
Phillips, Ruth B. (1995) “Why Not Tourist Art? Significant Silences in Native American Museum Representations,” Gyan Prakash (ed.), After Colonialism. Princeton, NJ: Princeton University Press.
Politi, Emma (1997) Keith Haring: Subway Drawings and New York Street Art. Milan: Mazzotta.
Rojek, Chris (2001) “Celebrity and Celetoids,” Celebrity. London: Reaktion Books.
Sikov, Ed (1997) “Laughing Hysterically: Sex, Repression, and American Film Comedy,” in Martin Duberman (ed.), Queer Representations. New York: New York University Press.
Solomon, Robert. C (1991) “On Kitsch and Sentimentality,” The Journal of Aesthetics and Art Criticism 49.1 (Winter).
Stewart, Susan (1999)“The Gigantic,” On Longing. Durham: Duke University Press. Storey, John (1993) An Introductory Guide to Cultural Theory and Popular Culture. Hemel Hempstead, UK: Harvester Wheatsheaf.
Storey, John (ed.) (1994) Cultural Theory and Popular Culture: A Reader. Hemel Hempstead, UK: Harvester Wheatsheaf.
Tofts, Darren (1994) “The Terrain of the Unspeakable: Pink Flamingos and the Cutlure of Trash,” Meanjin 51.4 (Summer).
Tuv, Jan-Ove (2001) “In Defence of Kitsch,” in Odd Nerdrum et al (eds.), On Kitsch. Oslo: Kagge Forlag. Wimsatt, William Upski (1994) Bomb the Suburbs. Chicago: The Subway and Elevated Press.
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Johnson, Viviene (1996) Copyrites: Aboriginal Art in the Age of Reproductive Technologies. National Indigenous Arts Advocacy Association and Macquarie University.
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