Unit convenor and teaching staff |
Unit convenor and teaching staff
Unit Convenor
Emilio Lomonaco
Contact via emilio.lomonaco@mq.edu.au
W6A204
Monday, Wednesday 12:00 - 13:00
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Credit points |
Credit points
3
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Prerequisites |
Prerequisites
6cp at 200 level including ITL211
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Corequisites |
Corequisites
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Co-badged status |
Co-badged status
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Unit description |
Unit description
This unit examines social and political reality in post-war and contemporary Italy through film. It looks at topical issues such as the mafia; the representation of women; regionalism; religion; language and dialect; migration; and consumerism as represented, explicitly and implicitly, in some of the best known films of Italian cinema. The films screened also offer an overview of the most important periods and genres in Italian film production, from neorealism to 'la Commedia all'Italiana', and introduce students to some of Italy's best known filmmakers.
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Information about important academic dates including deadlines for withdrawing from units are available at https://www.mq.edu.au/study/calendar-of-dates
On successful completion of this unit, you will be able to:
Name | Weighting | Due |
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2 Written assignments | 30% | wks 6,12 |
Class Participation | 10% | ongoing |
Oral Presentation | 20% | week 13 |
Final essay | 40% | TBA |
Due: wks 6,12
Weighting: 30%
500 words in Italian
Due: ongoing
Weighting: 10%
Attendance and active participation to class weekly discussions/forums
Due: week 13
Weighting: 20%
Film Review Critique
Due: TBA
Weighting: 40%
1500 words in Italian
Text: A History of Italian Cinema, Peter Bondanella, Continuum, New
York-London, 2009 ISBN 978-1-4411-6069-0
Films:
Lo sceicco bianco (1952), Federico Fellini.
Pane amore e fantasia (1953), Luigi Comencini.
I soliti ignoti (1958), Mario Monicelli.
Divorzio all'italiana (1961), Pietro Germi.
Il sorpasso (1962), Dino Risi.
81/2(1963), Federico Fellini.
I mostri (1963), Dino Risi. (Episodi guardati in classe)
Mimì metallurgico ferito nell’onore (1971), Lina Wertmüller.
C’eravamo tanto amati (1974), Ettore Scola
Mediterraneo (1991), Gabriele Salvatores.
Johnny Stecchino (1991), Roberto Benigni.
Caterina va in città (2003), Paolo Virzì
Documentaries:
1) Italian Comedy from Totò to Benigni
2) Federico Fellini – Sono un gran bugiardo
Saranno a disposizione, per ogni film, DVD che potranno essere usati nella stanza W6A 206
(International Studies Recources Room).
Week 1
Presentazione e panoramica sul corso. Temi e contenuti.
Il cinema italiano fino alla II Guerra Mondiale.
Letteratura italiana tra Ottocento e Novecento.
Giovanni Verga e il Verismo.
Il Neorealismo (introduzione).
Discussione in classe/visione di inserti cinematografici.
Domande per la discussione della lezione seguente.
Da vedere per la settimana seguente:
Film: Pane, amore e fantasia
Week 2
Discussione/visione.
I registi del Neorealismo.
La terra trema Luchino Visconti / I Malavoglia.
Letteratura italiana tra Ottocento e Novecento.
Luigi Pirandello.
Introduzione su Federico Fellini.
Domande per la discussione della lezione seguente.
Da vedere per la settimana seguente:
Film: Lo sceicco bianco
Week 3
Discussione/visione.
La rottura con il Neorealismo.
Il cinema di Federico Fellini.
Domande per la discussione della lezione seguente.
Da vedere per la settimana seguente:
Documentario: Fellini- Sono un gran bugiardo (100 minuti)
Film: 81/2
Week 4
Discussione/visione.
Federico Fellini / Luigi Pirandello.
Realtà e mondo onirico di Fellini.
Umorismo e riflessioni pirandelliane ne Lo sceicco bianco e 81/2.
Introduzione alla Commedia all’italiana.
Domande per la discussione della lezione seguente.
Da vedere per la settimana seguente:
Film: I soliti ignoti
Week 5
Discussione/visione.
Il boom economico.
I registi e gli attori della commedia all’italiana.
Domande per la discussione della lezione seguente.
Da vedere per la settimana seguente:
Film: Divorzio all’italiana
Week 6
CONSEGNARE COMPITO 1
Discussione/visione.
L’umorismo nella Commedia all’italiana.
I film del decennio d’oro della Commedia all’italiana.
Domande per la discussione della lezione seguente.
Da vedere per la settimana seguente:
Film: Il sorpasso
Mid Semester Break
Week 7
Discussione/visione.
La commedia “politica” all’italiana.
Gli anni ’70.
Lina Wertmüller.
Domande per la discussione della lezione seguente.
Da vedere per la settimana seguente:
Film: Mimì metallurgico
Week 8
Discussione/visione.
Ettore Scola: omaggi al cinema e alla storia.
Domande per la discussione della lezione seguente.
Da vedere per la settimana seguente:
Film: C’eravamo tanto amati
Week 9
Discussione/visione.
Il declino e la fine della commedia all’italiana.
La commedia degli anni ’80 e ‘90
Roberto Benigni
Domande per la discussione della lezione seguente
Da vedere per la settimana seguente:
Film: Johnny Stecchino
Week 10
Discussione/visione.
La commedia degli anni ’80 e ‘90
Carlo Verdone
Massimo Troisi
Domande per la discussione della lezione seguente
Da vedere per la settimana seguente:
Documentario: Italian Comedy – From Totò to Benigni (60 minuti)
Week 11
Discussione/visione.
La commedia degli anni ’80 e ‘90
Nanni Moretti
Gabriele Salvatores
Domande per la discussione della lezione seguente
Da vedere per la settimana seguente:
Film: Mediterraneo
Week 12
CONSEGNARE COMPITO 2
Discussione/visione.
L’inizio del XXI secolo
Paolo Virzì
Riepilogo e considerazioni finali.
Da vedere per la settimana seguente:
Film: Caterina va in città
Week 13
Presentazioni orali
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Unit Convenor and Tutor
Name: |
Emilio Lomonaco |
Phone: |
+61 2 9850 7025 |
Email: |
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Office: |
W6A 204 |
General enquiries
Name: |
Ms Jennifer Heward |
Phone: |
+61 2 9850 7005 |
Email: |
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Office: |
W6A 217 |
Lecture time and location
For current updates, lecture times and classrooms please consult the MQ Timetables website: http://www.timetables.mq.edu.au. |
Ongoing assessment
Students are required to watch all the movies/documentaries and comment them in Italian. They will be given, each week, a set of questions in relation to the movie/documentary they have to watch (and/or to the chapters of the text they have to study) for the following lesson. Their answers will stimulate comments and discussions in class. Together with attendance and participation to weekly forums, this will be assessed as
Class Participation (10%).
2 written assignments - Compiti con voto (500 words in Italian) (30%)
For your assignments consider these points:
- Attach a signed cover sheet
- Type in double space.
- Use correct accents.
- Make sure to include a bibliography (Websites included).
- Always quote your sources when discussing (other texts read
or Websites) even when you are paraphrasing.
- Whenever it’s possible, support your discussion with examples
(scenes from the film).
Students are to hand in their assignments in class except the Compito Finale.
Due dates:
Compito 1: week 6
Compito 2: week 12
Compito finale: To be e mailed the 18th of November
Presentazione orale (20%) due: week 13
Hand in the written part (500 words in Italian).
The student will present to the class another film from the genres/directors studied in class (Neorealism. Fellini, Comedy Italian Style etc.) Your presentation should be delivered freely (not read from notes) and last no longer than 7 minutes. At the end of the presentation one student and the tutor, will ask one question each (two questions in total) about the film/director presented.
If you have handouts, please let your tutor have the materials ahead of time, so that photocopies can be made before the class starts.
Compito finale (40%) due: TBA
Final written assignment (1500 words in Italian)
Students are to e-mail their final assignment
- Attach a signed cover sheet
- Type in double space.
- Use correct accents.
- Make sure to include a bibliography (Websites included).
- Always quote your sources when discussing (other texts read
or Websites) even when you are paraphrasing.
- Whenever it’s possible, support your discussion with examples
(scenes from the film).
More details will be provided during the semester.
Date | Description |
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04/02/2015 | A change of date for a final assignment |