Unit convenor and teaching staff |
Unit convenor and teaching staff
Unit Convenor
Dr Helene Thomas
Contact via email
Y3A153
By appointment
Radio Facilities Manager
Peter Ring
Contact via 9850 2171
Building Y3A, Room 170
By appointment
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Credit points |
Credit points
3
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Prerequisites |
Prerequisites
6cp at 200 level including MAS207
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Corequisites |
Corequisites
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Co-badged status |
Co-badged status
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Unit description |
Unit description
This unit provides an advanced understanding of diverse radio forms and their production as they are emerging in the contemporary online/broadcast context. Students work across a range of professional roles contributing their skills and output to either a series of programs composed of a variety of radio forms (features, comedy, talkback, reportage, discussion, live music, performance) or towards a live special event program. Students also work towards an online presentation with additional features (image, text, podcasts). The workshop program comprises production meetings (modelled on industry practice) and the acquisition of advanced audio production skills extending students' previous knowledge and experience. Specialist studio/audio production is taught using Protools and appropriate other softwares. Students also acquire advanced skills in voice production and microphone techniques for music, field and actuality recording (also applicable to film and other audio-visual forms). Lectures extend students' knowledge of critical, formal and technical developments in radio and related audio media (production and performance), including recent audio-rich storytelling forms emerging online and in new public and cultural institutional contexts. Principally drawing on Australian examples, the unit also explores new initiatives in radio and audio-rich forms internationally.
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Information about important academic dates including deadlines for withdrawing from units are available at https://www.mq.edu.au/study/calendar-of-dates
On successful completion of this unit, you will be able to:
Name | Weighting | Due |
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Participation in podcast | 20% | Week to be assigned |
Critical appraisal exercise | 15% | Week 7, Friday April 29 |
Audio Feature | 35% | Week 11, Monday May 23 |
Role for Live Show | 30% | Week 13/14 tbc |
Due: Week to be assigned
Weighting: 20%
There are two parts to this assessment: participation in a podcast episode and listening to the podcast episodes.
Participation: Students will take in turns partnering with the unit convenor (Helene Thomas) to prepare, present and package one podcast episode over the course of the unit. These podcasts will replace weekly lectures. Leading up to their assigned week students will listen to a professionally produced radio feature/podcast/live radio excerpt and discuss the piece with the other presenters of the podcast (fellow students and convenor). The podcast presenters will critique the piece or pieces they've listened to thinking about theme, structure and narrative style, content, technical production and quality, and target audience. The podcasts will be recorded in the radio studio every Monday from 9am-10am. Punctuality is a pre-requisite. Being late will be considered a "no-show". This part of the assessment is worth 10%.
Listening: All students will be required to participate in a regular quiz via iLearn. The quiz will have questions related to the podcast episodes. Students who engage with the podcast each week should receive full or high marks for this assessment. This part of the assessment is also worth 10%.
The criteria against which your participation will be graded are:
This assessment task relates to the following Learning Outcomes: 1, 2, 3, 4, 5, 6.
Due: Week 7, Friday April 29
Weighting: 15%
For this assessment all students will be required to submit a "rough cut"* of their audio feature at the beginning of tutorials in Week 7 after the mid-session break. During the week 7 tutorials students will be assigned one student feature each and will have five days to complete a critical appraisal of the piece. Students will be assessed on the quality of their feedback**. The appraisal will cover feedback on the idea, structure, narrative style, content, technical production and quality, whether each moment of the piece is understood and how engaging it is. Students are required to offer suggestions for improvements and also highlight the strengths of the piece. The required word length of the critical appraisal is between 400 and 500 words (approximately 1 page).
This assessment is due on Friday 29th April by midnight. Assessment to be submitted through turnitin.
Assessment tasks are aligned to the unit Learning Outcomes. Timely submission of assessment tasks is a unit requirement or penalties apply. 10% per day (including weekends) will be deducted for all late submissions unless Disruptions to Studies (including a request for an extension) is approved.
* A rough cut of a radio feature is almost a completed version of a piece. The Pro Tools session must include all roughly edited segments of the feature (i.e. interviews/narration/music/SFX/atmos etc). Every segment should be placed carefully and thoughtfully and the piece must make sense to the listener. In other words, the structure needs to be well thought out. The length of the rough cut should be approximately the required duration, give or take a little.
** Once this feedback is formally assessed it will be passed on to the student whose work was appraised along with the convenor’s comments and suggestions.
The criteria against which your appraisal will be graded are:
This assessment task relates to the Learning Outcomes: 1, 2, 5, 6
Due: Week 11, Monday May 23
Weighting: 35%
Students will produce audio content for the themed* live three-hour broadcast. This can be in the form of: a feature or a current affairs styled feature package; or audio collage exploration of the theme; or, a series of short pieces around the theme to be spaced through the program; or a radio drama, sketch or comedic presentation/piece. The duration for this piece is between 10 and 15 minutes.
All radio content (features, packages and other) will be judged on their:
Student aims, and any problems encountered, lessons learnt, should be outlined in an accompanying scholarly reflection to assist in the marking process. The required length for this is minimum one page and maximum two pages (500-1000 words).
Assessment criteria for the scholarly reflection is as follows:
Submit audio assessment to DAWS and written material via iLearn before your Tutorial in Week 11.
Assessment tasks are aligned to the unit Learning Outcomes. Timely submission of assessment tasks is a unit requirement or penalties apply. 10% per day (including weekends) will be deducted for all late submissions unless Disruptions to Studies (including a request for an extension) is approved.
IMPORTANT: All features will go through a selection process whereby 3 to 5 are selected for broadcast (the number will depend on duration of the pieces). The judging panel for this selection process will be the EPs of the radio shows, Helene Thomas, Peter Ring and Sean Britten.
This assessment task relates to the following Learning Outcomes: 1, 2, 3, 4, 6.
* Themes will be discussed in tutorials and decided on by the end of the tutorial in Week 2.
Due: Week 13/14 tbc
Weighting: 30%
Students will co-produce a three-hour live radio show to be broadcast on 2SER in Week 13 or 14 (week to be confirmed in first tutorial). The show will include a Q&A forum in the second hour (a replica of the Australian television panel discussion program Q&A, broadcast on ABC television hosted by news journalist Tony Jones).
This assessment is based on individual performance in your role for the live production and written documentation supporting your contribution to the class/team broadcast. In this last respect, you will need to regularly update others of progress in your role on an iLearn forum that will be set up for each class. Keep a diary with regular comments and reflections on your role and content produced for the show. This 'production diary' – with final comments on the success of your program and some of the key things you have learnt – should be kept from Week 7 and be submitted at the end of the week after the broadcast as supporting evidence of your participation. The diary may be digital/typed, or hand written (in part) in a journal/notebook. Typed/online/digital entries including iLearn discussions can be pasted in or enclosed with this (check with convenor for any variations to this).
In the early weeks of the unit you will be elected to a role or will have the chance to volunteer for a specific task.
These tasks include: Executive Producers for the live radio show (create run sheets, direct presenters, check overall technical quality, take responsibility for content, deadlines etc) (2 students); Executive Producer for Q&A Forum segment (choose people for panel and arrange their participation; direct the compere etc) (1 student); a Compere for Q&A segment (1 student) who will work with EP of the Q&A segment in smooth running of forum and scripting/questions; Panel Operators (2 students), one in radio studio, the other operating desk for Q&A forum - both under the direction of Peter Ring (Radio Facilities Manager); Producer-Assistants for the day, to run boom mics, act as messengers/liaison, assist guests, follow up guests with thank-yous and run social media before and on the day (2-3 students); Presenters to host the radio show (up to 4 students, for 2 sessions); Online Content Producers (2 students); a Roving Reporter who will deliver 2 voice pieces on-location via phone, 'filing' these reports live on the day, or possibly these can be pre-produced, but programmed as if live; Audio Content Producer (stings/promos) (1-2 students); Entertainment Producer (organise, rehearse and be responsible for musical artists or other performers featured in the individual class shows, and performing live for radio audiences and before the live audience gathered in the Drama Studio and organise the playlist for the entire show) (1-2 students).
Submit written documentation via iLearn by the end of the week of the live broadcasts (Sunday midnight). Audio should be submitted to Drop Box in DAWS by the Friday of the broadcast (no later than 5pm). Create your own folder with your name and in your class group and submit all of your audio content into that folder.
Assessment tasks are aligned to the unit Learning Outcomes. Timely submission of assessment tasks is a unit requirement or penalties apply. 10% per day (including weekends) will be deducted for all late submissions unless Disruptions to Studies (including a request for an extension) is approved.
The criteria against which you will be graded are:
This assessment task relates to the following learning outcomes: 1, 2, 3, 4, 6.
LECTURES AND TUTORIALS:
This Unit is structured using a weekly Podcast series (to replaces lectures). These will be uploaded onto iLearn each week from week 1.
2-hour tutorial/radio lab/studio workshops and discussion sessions. You are required to attend all tutorials. As participation in the process of learning is linked to and underpins the unit Learning Outcomes, you will need to either apply for Disruptions to Studies to cover any missed tutorial (if the disruption is greater than three consecutive days) or supply appropriate documentation to your unit convenor for any missed tutorial (if less than three consecutive days).
NB: There will be no tutorials in Week 1. However, there will be a whole of unit gathering on Monday 29th February at 3pm (venue to be confirmed).
REQUIRED EQUIPMENT:
· One set of reasonable quality semi-open or closed headphones (compulsory for each student, due to Health & Safety regulations).
· Memory device to store audio data, in progress and for transport between home and university.
REQUIRED READING:
Abel, Jessica. 2015. Out on the Wire: The Storytelling Secrets of the New Masters of Radio. Penguin Random House.
Please purchase this book from the Co-op bookshop.
RECOMMENDED READING:
Ahern, Steve. Making Radio. Allen and Unwin. Latest Edition in Co-Op and Library.
Alten, Stanley. Audio in Media. Belmont CA: Most recent edition is best. (Should be in the library.) The bible of audio production for those really serious about sound.
Barnard, Stephen. Studying Radio. New York: 2000
Beaman, Jim. Programme making for radio. London & NY: 2006
Beaman, Jim. Interviewing for Radio. London & NY: 2012
Biewen, John. Reality radio: telling true stories in sound, Durham, 2010
Burns, Maureen et al. Histories of public Service Broadcasters on the web, New York: 2011
Chantler, Paul & Stewart, Peter. Basic Radio Journalism. 2003
Chignell, Hugh. Key Concepts in Radio Studies. Sage: 2009
Chignell, Hugh. Public Issue Radio: Talks, News and Current Affairs in the Twentieth Century: 2011
Crisell, Andrew & Guy Starkey. Radio Journalism, London: 2009
Crisell, Andrew. Ed. Radio (3 Vols). London 2009
Crook, Tim. The Sound Handbook. London. Routledge 2012
Dubber, Andrew. Radio in the Digital Age, Polity, London: 2013
Fleming, Carole. The Radio Handbook. London: 2010
Frangi, Anthony. Radio toolbox: everything you need to get started in broadcasting. Palgrave Macmillan 2012.
Geller, Valerie. Beyond Powerful radio: a communicator's guide to the Internet age. Belmont CA: 2006.
Griffen-Foley, Bridget. Changing Stations: The story of Australian Commercial Radio, Sydney: 2009
Hendy, David. Radio in the Global Age. Cambridge: 2000.
Hicks, Wynford. English for Journalists. London & New York, 2nd Edition2003.
Keith, Michael. The Radio Station. London: Focal Press, 2000
Keeble, Richard. Ethics for Journalists. London & New York, 2001
Kern, Jonathon. Sound Reporting: the NPR Guide to audio journalism and production, Chicago: 2008
Kramer, Mark & Wendy Call (Eds). Telling True Stories, NY: 2007
*Lingren, Mia, and Philips,Gail. Australian Broadcast Journalism. 3rd Ed. Oxford Uni Press: 2013. In Co-Op and Library
Loviglio, Jason & Hilmes, Michele (Eds) Radio's New Wave: Global Sound in the Digital Age, Routledge: 2013.
McLeish, Robert. Radio Production, 4th Edition, Oxford: 1999
Shingler & Wieringa. On Air: Methods and Meanings of Radio. London: 1998.
Squier, Susan. Ed. Communities of the air. London: 2003
Starkey, Guy. Radio in context. London: 2004
Street, Sean, The Poetry of Radio, the Colour of Sound. London, New York, 2011.
Talbot-Smith, Michael. Sound Assistance. London: 1999
Turner, Graeme. 'Politics, Radio and Journalism in Australia', in Journalism, Vol 10, no 4, August 2009
Journals of relevance (in library/electronic available):
The Radio Journal: international studies in broadcast and audio media, (UK/international).
Journal of Radio and Audio Media, (USA)
Australian Journalism Review (articles on all kinds of journalism)
Radiodoc Review: http://ro.uow.edu.au/rdr/ new online journal reviewing documentary radio/audio (international)
NB: Other Readings may be distributed in class, or uploaded to iLearn, or URL/Library link provided.
Podcasts:
New podcasts are popping up all the time. Some good ones to subscribe to are:
Third Coast International Audio Festival; BBC Documentaries; Radiotonic; From Our Own Correspondent; Earshot; Tape; Home of the Brave; The Heart; Love + Radio; Death, Sex & Money; 99% Invisible; This American Life; Freakonomics; Radiolab; The Moth; Out on the Wire; Benjamin Walker's Theory of Everything; Story Club; StoryCorps; radio rookies; She Does; Handpicked Mix; Another Round; Chat 10 Looks 3; Documentary on One; The New Yorker Radio Hour; HowSound
Web radios and audio sites of interest:
Arte-Radio (in French: radio arm of European cultural channel) http://www.arteradio.com/
American Public Radio works http://americanradioworks.publicradio.org/
Australian Broadcasting Corporation http://www.abc.net.au
ABC Editorial policies http://www.abc.net.au/corp/pubs/edpols.htm
ABC JJJ: http://www.abc.net.au/triplej/programs/
ABC Radio Eye (Features & Docs) http://www.abc.net.au/rn/radioeye/
ABC Correspondents Report ABC http://www.abc.net.au/
ABC Earshot (main ABC features and documentaries program) http://www.abc.net.au/radionational/programs/earshot/
ABC RN: http://www.abc.net.au/radionational/?WT.svl=listen
ABC Local Radio: http://www.abc.net.au/sydney/?WT.svl=local0
All the Best (from fbi, SYN 4ZZZ) storytelling and short docos
Australian Communications and Media Authority http://www.acma.gov.au
BBC (UK) radios http://www.bbc.co.uk/radio/
ABC Newsradio: http://www.abc.net.au/newsradio/?WT.svl=listen
http://www.birst.co.uk/ (University web radio in UK)
Commercial Radio Australia http://www.commercialradio.com.au
Community Broadcasters Association http://www.cbaa.org.au
Community Media Forum Europe http://www.freie-radios.at/cmfe/index.php
fbi http://fbiradio.com
2GB: http://www.2gb.com/
The Heard - a collection of independent podcast producers http://www.theheardradio.com/#who
Kitchen Sisters programs/projects (Davia Nelson & Nikki Silva are award winning producers based in USA, make for NPR etc. http://www.kitchensisters.org
NOVA http://www.novafm.com.au/nova100/home
NPR Interns radio http://www.npr.org/about/nextgen/content/
National Public Radio (USA): http:///www.npr.org
New Radio and Performing Arts: http://new-radio.org/
Radioinfo http://www.radioinfo.com.au
Radiotopia - a collection of popular podcasts mainly in the US http://www.radiotopia.fm/
Third Coast Radio festival http://www.thirdcoastfestival.org/
Radio Lab (exciting US Science radio show) http://www.radiolab.org/
Radio-Locator: http://www.radio-locator.com
Radioinfo http://www.radioinfo.com.au (subscribe to keep in touch with latest jobs etc in Australia)
Radio Australia http://www.radioaustralia.net.au/
Resonance FM http://resonancefm.com/
SBS Radio http://www9.sbs.com.au/radio
2SER http://www.2ser.com/
Serial podcast cult podcast based on re-examination of murder case http://serialpodcast.org
Sirius satellite radio http://www.sirius.com/
Sound Portraits: archive of radio documentaries (USA) http://soundportraits.org/
SYN http://syn.org.au community station, based in Melbourne, under 25s
This American Life show http://www.thislife.org/
Transom: a showcase & workshop for new public radio (useful to students): http://www.transom.org/
UBU Web radio http://www.ubu.com/sound/radio_radio/index.html
2UE: http://www.2ue.com.au/
UN Radio http://www.unmultimedia.org/radio/english/
Hearing Voices USA "best of Public radio" Hearing Voices http://www.hearingvoices.com/ and http://www.prx.org/series/732-hearing-voices
The Wire http://www.thewire.org.au/
WNYC New York public radio station with live performance space http://www.wnyc.org/
World Radio Network: http://www.wrn.com
World Service (BBC) http://www.bbc.co.uk/worldserviceradio
Macquarie University policies and procedures are accessible from Policy Central. Students should be aware of the following policies in particular with regard to Learning and Teaching:
Academic Honesty Policy http://mq.edu.au/policy/docs/academic_honesty/policy.html
New Assessment Policy in effect from Session 2 2016 http://mq.edu.au/policy/docs/assessment/policy_2016.html. For more information visit http://students.mq.edu.au/events/2016/07/19/new_assessment_policy_in_place_from_session_2/
Assessment Policy prior to Session 2 2016 http://mq.edu.au/policy/docs/assessment/policy.html
Grading Policy prior to Session 2 2016 http://mq.edu.au/policy/docs/grading/policy.html
Grade Appeal Policy http://mq.edu.au/policy/docs/gradeappeal/policy.html
Complaint Management Procedure for Students and Members of the Public http://www.mq.edu.au/policy/docs/complaint_management/procedure.html
Disruption to Studies Policy http://www.mq.edu.au/policy/docs/disruption_studies/policy.html The Disruption to Studies Policy is effective from March 3 2014 and replaces the Special Consideration Policy.
In addition, a number of other policies can be found in the Learning and Teaching Category of Policy Central.
Macquarie University students have a responsibility to be familiar with the Student Code of Conduct: https://students.mq.edu.au/support/student_conduct/
Results shown in iLearn, or released directly by your Unit Convenor, are not confirmed as they are subject to final approval by the University. Once approved, final results will be sent to your student email address and will be made available in eStudent. For more information visit ask.mq.edu.au.
Additional information
MMCCS website https://www.mq.edu.au/about_us/faculties_and_departments/faculty_of_arts/ department_ of_media_music_communication_and_cultural_studies/
MMCCS Session Re-mark Application http://www.mq.edu.au/pubstatic/public/download/?id=167914 (Information is correct at the time of publication)
Macquarie University provides a range of support services for students. For details, visit http://students.mq.edu.au/support/
Learning Skills (mq.edu.au/learningskills) provides academic writing resources and study strategies to improve your marks and take control of your study.
Students with a disability are encouraged to contact the Disability Service who can provide appropriate help with any issues that arise during their studies.
For all student enquiries, visit Student Connect at ask.mq.edu.au
For help with University computer systems and technology, visit http://www.mq.edu.au/about_us/offices_and_units/information_technology/help/.
When using the University's IT, you must adhere to the Acceptable Use of IT Resources Policy. The policy applies to all who connect to the MQ network including students.
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