Unit convenor and teaching staff |
Unit convenor and teaching staff
Convenor, Lecturer and Tutor
Helen Wolfenden
Contact via Email. (Note that I don't access messages on my desk phone.)
10HA 193E
Please email for an appointment.
Tutor
Fereydoun Pelarek
Contact via Email only
Email only
Please email for an appointment.
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Credit points |
Credit points
10
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Prerequisites |
Prerequisites
40cp at 1000 level or above
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Corequisites |
Corequisites
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Co-badged status |
Co-badged status
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Unit description |
Unit description
Introducing students to the radio broadcasting industry, this unit has a large practical component for radio and podcast. Its main aim is to enable students to produce creative and or journalistic work, including content suitable for broadcast on Sydney station, 2SER. Students gain a broad understanding of program making and sound production media, with attention to public, commercial and community radio forms. The unit also introduces students to the rapidly expanding realm of podcasting and online radio. The workshop component of the unit concentrates on techniques of recording and producing pre-recorded sound 'stories'. Through hands-on production classes in the radio lab, students learn to develop skills in interviewing, story construction and voice presentation, and learn to research, record, mix, and write for radio and podcast. |
Information about important academic dates including deadlines for withdrawing from units are available at https://www.mq.edu.au/study/calendar-of-dates
On successful completion of this unit, you will be able to:
Late Assessment Submission Penalty
Unless a Special Consideration request has been submitted and approved, a 5% penalty (of the total possible mark) will be applied each day a written assessment is not submitted, up until the 7th day (including weekends). After the 7th day, a mark of‚ 0 (zero) will be awarded even if the assessment is submitted. Submission time for all written assessments is set at 11.55pm. A 1-hour grace period is provided to students who experience a technical issue.
This late penalty will apply to non-timed sensitive assessment (incl essays, reports, posters, portfolios, journals, recordings etc). Late submission of time sensitive tasks (such as tests/exams, performance assessments/presentations, scheduled practical assessments/labs etc) will only be addressed by the unit convenor in a Special consideration application. Special Consideration outcome may result in a new question or topic.
Name | Weighting | Hurdle | Due |
---|---|---|---|
Vox Pops | 20% | No | Week 6: 31/3/2023 6pm |
Interview | 20% | No | Week 8: 28/4/2023 6pm |
Radio or Podcast Feature | 45% | No | Week 12: 26/5/2023 6pm |
Participation | 15% | No | Weeks 2-12: S1 2023 |
Assessment Type 1: Media presentation
Indicative Time on Task 2: 15 hours
Due: Week 6: 31/3/2023 6pm
Weighting: 20%
Record and edit a vox pop. Refer to iLearn for further information.
Assessment Type 1: Media presentation
Indicative Time on Task 2: 15 hours
Due: Week 8: 28/4/2023 6pm
Weighting: 20%
Record and edit an interview. Refer to iLearn for further information.
Assessment Type 1: Media presentation
Indicative Time on Task 2: 35 hours
Due: Week 12: 26/5/2023 6pm
Weighting: 45%
Produce a short radio feature or podcast episode. Refer to iLearn for further information.
Assessment Type 1: Participatory task
Indicative Time on Task 2: 10 hours
Due: Weeks 2-12: S1 2023
Weighting: 15%
Demonstrate active engagement with the listenings and readings as well as active engagement in the practical workshop activities. Refer to iLearn for further information.
1 If you need help with your assignment, please contact:
2 Indicative time-on-task is an estimate of the time required for completion of the assessment task and is subject to individual variation
Please Note: Lectures commence in Week 1. Tutorials/Workshops commence in Week 2.
Unless otherwise advised, this Unit uses FACE TO FACE Lectures and Workshop/Tutorials ONLY. (There may be some exceptions to this in the case of staff illness or public holidays.)
Please attend all classes.
Technical assistance and demonstrations are given in tutorial/workshops and students need to be able to attend these throughout the semester.
REQUIRED READING
A selection of readings on radio (historical aspects, forms, specialist skills etc), are allocated to each week and detailed in the Unit Schedule (see iLearn). Readings are accessed via Leganto http://libguides.mq.edu.au/leganto
NOTE that you MUST access Leganto via the block in iLearn in the first instance. This is how the system verifies you as a student in this unit.
RECOMMENDED EQUIPMENT
• One set of good quality closed or semi-closed headphones
• At least one portable memory device
RECOMMENDED READING
(most of these are available in the Macquarie University library)
Abel, Jessica. Out on the wire: the storytelling secrets of the new masters of radio with foreword by Ira Glass. New York 2015. Alten, Stanley. Audio in Media, Tenth Edition, Wadsworth, Boston: 2014
Barkho, Leon. From Theory to Practice: How to assess and apply impartiality in news and current affairs. Uni of Chicago Press: 2013
Barnard, Stephen. Studying Radio. New York: 2000
Beaman, Jim. Programme making for radio. London & NY: 2006
Beaman, Jim. Interviewing for Radio, 2nd Ed. Palgrave Macmillan: 2011
Biewen, John & Dilworth, Alexa. Reality Radio - Telling True Stories in Sound, Duke University Press: 2010
Chantler, Paul & Stewart, Peter. Basic Radio Journalism: 2003
Chignell, Hugh. Public Issue Radio: Talks, News and Current Affairs in the Twentieth
Century, Basingstoke, Palgrave Macmillan: 2011
Crisell, Andrew & Guy Starkey. Radio Journalism, London: 2009
Crisell, Andrew. Ed. Radio (3 Vols). London: 2009
Cunningham, Stuart & Turnbull, Sue. The Media and Communications in Australia, 4th Ed. Allen & Unwin: 2014
Dubber, Andrew. Radio in the Digital Age, London NY, Polity: 2013
Fleming, Carole. The Radio Handbook. London: 2010
Frangi, Anthony. Radio Toolbox: Everything you need to get started in broadcasting in the Digital Age. Macmillan Education, Australia: 2012
Gordon, Janey. Community Radio in the Twenty-first century, Peter Lang: UK 2012
Griffen-Foley, Bridget. Changing Stations: The Story of Australian Commercial Radio: 2009
Hausman, Carl et al. Modern Radio Production. Production, Programming, and Performance. Belmont CA: 2006
Hendy, David. Radio in the Global Age. Cambridge: 2000
Jukes, S. McDonald K. Starkey, G. Understanding Broadcast Journalism, Routledge, 2018
Keith, Michael. The Radio Station. London: Focal Press, 2000
Kern, Jonathon. Sound Reporting: the NPR Guide to Audio Journalism & Production. Chicago & London: Uni of Chicago Press, 2008.
Kramer, Mark & Wendy Call (Eds). Telling True Stories, NY: 2007
McLeish, Robert. Radio Production, 4th Edition, Oxford: 1999
Loviglio, Jason & Hilmes, Michele. Radio's New Wave: Global sound in the digital era, Routledge: 2013
Mundy, John & White, Glyn. Laughing matters : understanding film, television and radio comedy. Manchester Uni Press: 2012
Nuzum, Eric. Make Noise: A Creator's Guide to Podcasting and Great Audio Storytelling. Workman Publishing Company: 2020
Patching, Roger & Hirst, Martin. Journalism Ethics: Arguments and cases for the twenty first century: Macmillan 2013
Phillips, Gail and Mia Lindgren. Australian Broadcast Journalism. South Melbourne: 2013.
Shingler & Wieringa. On Air: Methods & Meanings of Radio. London: 1998
Squier, Susan. Ed. Communities of the air. London: 2003
Starkey, Guy. Radio in context. London: 2004
Street Sean. The Poetry of Radio. The Colour of Sound, Routledge: 2013
Talbot-Smith, Michael. Sound Assistance. London: 1999
Winer, Ethan. Audio Expert: Everything you need to know about audio. Taylor and Francis: 2012
Radio stations/programs, and audio sites of interest online which include examples of feature and interview content.
American Public Media Reports https://www.apmreports.org
Australian Broadcasting Corporation https://www.abc.net.au
ABC Editorial Policies https://edpols.abc.net.au
ABC Pronunciation Guide https://www2b.c0.abc.net.au/abcpronunciation-external/
ABC RN Features (extracted from across programming) https://www.abc.net.au/radionational/features/
ABC Radio Eye (features and docs, now as an archive) https://www.abc.net.au/radionational/programs/archived/radioeye/
ABC RN 360 Documentaries (ABC features and documentaries program - 2014/archived) https://www.abc.net.au/radionational/programs/360/
ABC RN Earshot (documentaries, lot of freelancer stuff here) https://www.abc.net.au/radionational/programs/earshot/
ABC Triple J https://www.abc.net.au/triplej/programs/
ABC Triple J (national current affairs/interviews/features program for young people) https://www.abc.net.au/triplej/programs/hack/
ABC Correspondents Report https://www.abc.net.au/radio/programs/correspondentsreport/
ABC RN https://www.abc.net.au/radionational/
ABC Radio Sydney https://www.abc.net.au/radio/sydney/
Australian Communications and Media Authority https://www.acma.gov.au
ABC Newsradio https://www.abc.net.au/newsradio/
BBC (UK) Audio https://www.bbc.co.uk/sounds
Commercial Radio Australia http://www.commercialradio.com.au
Community Broadcasters Association https://www.cbaa.org.au
Community Media Forum Europe http://www.amarceurope.eu/tag/cmfe/
Download This Show (popular podcast on latest technology) https://www.abc.net.au/radionational/programs/downloadthisshow/
Love + Radio (groundbreaking podcast) http://loveandradio.org/
Macquarie Sports Radio (formerly 2UE) https://www.sportsradio.com.au
NOVA 96.9 https://www.nova969.com.au/nova969
National Public Radio (USA) https://www.npr.org
NPR Next Generations (helpful NPR training resource) https://nextgenerationradio.org
Radio Lab (groundbreaking American radio show about big ideas) https://www.wnycstudios.org/shows/radiolab
Radio LaB (University of Bedfordshire community radio station) https://www.studentradio.org.uk/stations/radio-lab-97-1/
Radio-Locator https://radio-locator.com
Radioinfo (subscribe to keep in touch with latest jobs etc in Australia) https://www.radioinfo.com.au
ABC Radio Australia https://www.abc.net.au/radio-australia/
Resonance FM https://www.resonancefm.com
**Story Corps Sound Portraits https://storycorps.org
SBS Radio https://www.sbs.com.au/radio/
**2SER https://2ser.com
**Serial (2014 cult American podcast based on a crime investigation and attracting huge audiences and an international following) https://serialpodcast.org
Sirius Satellite Radio https://www.siriusxm.com
STown (Critically acclaimed podcast by the people who make This American Life and Serial) https://stownpodcast.org/
The Truth Podcast (radio movies, radio drama) http://www.thetruthpodcast.com
ABC Australia: The World Today https://www.abc.net.au/radio/programs/worldtoday/
The Heart (podcast about intimacy) https://www.theheartradio.org/
Third Coast Radio Festival (a showcase of diverse audio) https://www.thirdcoastfestival.org
**This American Life show https://www.thisamericanlife.org
**Transom (showcase for new public radio (very useful to students, highly recommended!) https://transom.org
UBU Web radio http://www.ubu.com/sound/radio_radio/index.html
UN Radio https://news.un.org/en/audio-hub
USA Public radio Hearing Voices https://hearingvoices.com
The Wire (community radio: current affairs, broadcast from 2SER) http://thewire.org.au
WNYC New York public radio station https://www.wnyc.org
World Radio Network https://www.wrn.com
This unit outline is subject to change. Please refer to iLearn for the latest version.
MMCC2160 Unit Schedule – Semester 1, 2023
W/B |
Lecture |
Tutes/Workshops |
Readings/Listenings (see Leganto) |
Assessment/Tasks |
1. 20 Feb |
Unit intro Listening – intro |
No tute this week
|
Reality Radio / Introduction |
Read and review unit guide. Record assessment deadlines. Listen to live radio and research and chose your fav songs. |
2. 27 Feb |
The Blind Medium
|
Recording
Reminder to include an ID at the top of every recording – this serves as a release as well as being good practice for identifying and organising recordings. |
Understanding Radio / Andrew Crisell / Ch 1 Characteristics of Radio |
Form pairs Participation assessed |
3. 6 March |
Vox Pops 1 16 December 1961 Four Corners asks what do you want for Christmas https://www.abc.net.au/archives/moments/ BBC Academy: How to Film a Vox Pops https://www.bbc.co.uk/academy/en/articles/art20141029111247531 Radio Rookies DIY Tookit: How to do vox pop |
Recording – uploading into the editor and setting up a project. |
Transom: The Basics BBC Radio 4 – Archive on 4, Speaking as a Member of the public 56:41 |
Vox pop question determined Participation assessed |
4. 13 March |
Vox Pops 2
|
Audio editing |
Reality Radio / Harnessing Luck as an Industrial Product Ira Glass pp. 64-76 (13 pages) Radiolab Scavenger Hunt 18.19 (Text based version: https://transom.org/2018/latif-nasser/ ) |
Vox pops progress discussion Participation assessed |
5. 20 March |
Listening Sound Design 1: Audio Postcards The audience |
Soundscape exercise |
On air / Words, Speech and Voice Chapter 7, Memoir for Your Ears: The Podcast Life / Siobhán McHugh |
Rough edit for vox pop – in class listening Participation assessed |
6. 27 March |
The interview up close Cue sheet Pre-interviewing |
Listening to Vox Pop submissions |
Interviewing for Radio / Jim Beaman Ch1 The Birth of the Radio Interview Ch 2 The Role and Purpose of the Radio Interview https://transom.org/2018/losing-control-interview/ ABC NR RadioEye Toby Guthrie Coils the Spring 54.41 |
Vox Pop deadline Friday 31 March, 6pm Participation assessed |
7. 3 April (Friday 7th – Good Friday) |
Audio Features 1 & The Voice |
Editing/narration exercise or TBC Listen to student interview examples |
Transom: The Voice / Siobhan McHugh https://transom.org/2011/the-power-of-voice/ Invisibilia: Leave a message https://www.npr.org/podcasts/510307/invisibilia (go to SEPTEMBER 14, 2018 BONUS: Leave A Message) 11.35 How Podcasting is Changing the Audio Storytelling Genre / Siobhan McHugh |
Prospects list for interview assessment Form Pairs Participation assessed
|
RECESS |
||||
8. 24 April 25 APRIL – ANZAC DAY |
NO LECTURE Audio Features 2 |
Editing/narration exercise or TBC |
Out on the Wire / Ch 2 The Heat of their breath Making Radio / Ch 17 Torque Radio by Tony Barrell |
Interview deadline: Friday 28 April, 6pm Participation assessed |
9. 1 May |
The jigsaw of narrative structure |
Listening back to interviews – feedback |
Revisionist History http://revisionisthistory.com/episodes/30-analysis-parapraxis-elvis Longform Podcast https://longform.org/posts/longform-podcast-324-malcolm-gladwell Go to (click) 30:20 Revisionist History: Analysis, Parapraxis, Elvis (finish 40.55 or 47.28)
++ Reading on narrative |
Prospects list for feature assessment Participation assessed |
10. 8 May |
Writing for audio |
Listen to student feature examples
Editing |
Writing for Speech / Writing for Radio
|
Feature progress discussion Participation assessed |
11. 15 May |
Sound design |
Editing / Feature consults |
Not dead yet: emerging trends in radio documentary forms in Australia and the US / Mia Lindgren, Siobhan McHugh |
Feature rough edit – in class listening Participation assessed |
12. 22 May |
Summing up, jobs, where to next?
|
Listen to near completion features |
|
Participation assessed Feature Deadline: Friday 26 May, 6pm |
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Unit information based on version 2023.01R of the Handbook