Unit convenor and teaching staff |
Unit convenor and teaching staff
John Potts
Kirstin Mills
|
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Credit points |
Credit points
10
|
Prerequisites |
Prerequisites
"Admission to Graduate Diploma of Research OR Bachelor of Philosophy."
|
Corequisites |
Corequisites
|
Co-badged status |
Co-badged status
|
Unit description |
Unit description
This unit will introduce students to research in the cognate disciplines of Media and Communication Studies, Literary Studies, and Creative Practice, exploring what characterises research in these disciplines. Students will encounter and learn to critically evaluate the key concepts, questions and issues that have shaped and/or are currently shaping research in these disciplines. This unit will equip students to analyse the disciplines’ key literature and identify the important theoretical approaches, methods, arguments and ethical considerations that characterise research within this area. This unit will prepare students to position their own developing research ideas within a disciplinary context as they prepare for future independent research projects. |
Information about important academic dates including deadlines for withdrawing from units are available at https://www.mq.edu.au/study/calendar-of-dates
On successful completion of this unit, you will be able to:
Unless a Special Consideration request has been submitted and approved, a 5% penalty (of the total possible mark) will be applied each day a written assessment is not submitted, up until the 7th day (including weekends). After the 7th day, a mark of ‘0’ (zero) will be awarded even if the assessment is submitted. Submission time for all written assessments is set at 11.55pm. A 1-hour grace period is provided to students who experience a technical issue. This late penalty will apply to written reports and recordings only. Late submission of time sensitive tasks (such as tests/exams, performance assessments/presentations, scheduled practical assessments/labs will be addressed by the unit convenor in a Special consideration application.
Name | Weighting | Hurdle | Due |
---|---|---|---|
Minor Essay | 30% | No | 29/4/2025 |
Major Essay | 50% | No | 9/6/2025 |
Seminar Presentation | 20% | No | 27/5/2025 |
Assessment Type 1: Essay
Indicative Time on Task 2: 30 hours
Due: 29/4/2025
Weighting: 30%
Minor essay on a topic chosen by the student in relation to their discipline
Assessment Type 1: Essay
Indicative Time on Task 2: 50 hours
Due: 9/6/2025
Weighting: 50%
Major essay on a topic chosen by the student in relation to their discipline, which may expand on their Seminar Presentation
Assessment Type 1: Presentation
Indicative Time on Task 2: 20 hours
Due: 27/5/2025
Weighting: 20%
Seminar presentation on a topic chosen by the student in relation to their discipline
1 If you need help with your assignment, please contact:
2 Indicative time-on-task is an estimate of the time required for completion of the assessment task and is subject to individual variation
Weekly seminars begin in Week 2. Seminars are held on Tuesdays 11 - 1, in 29WW 039. Weekly readings and assessment information are available on iLearn.
FOAR8002
Research in Media, Literature and Creative Practice
Unit Schedule
Seminars: Tues 11 - 1, 29WW 039
Week 2: 4 March – Introduction to Research in Disciplines (John Potts)
Week 3: 11 March - Media Studies (John Potts)
Reading: Turner, G. (2015), 'Introduction', Re-Inventing the Media, London and New York:
Routledge. pp. 1-15.
Week 4: 18 March - Writing (Willa McDonald)
Reading: Rachel Robertson, Daniel Juckes, Marie O’Rourke and Renee Pettitt-Schipp
"An ambiguous genre: thoughts on creative non-fiction and the exegesis", Text: Journal of
Writing and Writing Programs, Special Issue, 44, The Exegesis Now ed's Craig Batty and Donna Lee Brien, Oct, 2017. http://www.textjournal.com.au/speciss/issue44/content.htm
Jen Webb, Jordan Williams and Paul Collis "Talking it over: the agony and the ecstasy of the
creative writing doctorate", Text: Journal of Writing and Writing Programs, Special Issue, 44, The Exegesis Now ed's Craig Batty and Donna Lee Brien, Oct, 2017.http://www.textjournal.com.au/speciss/issue44/Webb_et_al.pdf
Week 5: 25 March – Literature (Louise D’Arcens)
Week 6: 1 April - Cultural Studies (Nicole Anderson)
Reading: Nicole Anderson and Katrina Schulnke, 'Introduction: Theory to Practice' in Anderson & Schulnke, Cultural Theory in Everyday Practice, Oxford: Oxford University Press, 2009
Week 7: 8 April - Creative Practice (Jon Burtt)
Reading: Barrett, Estelle. 2010, 'Introduction’, in Barrett Estelle, and Barbara Bolt (eds) Practice as Research: Approaches to creative arts enquiry, (New York: Palgrave Macmillan) pp. 1-13
MID-SEMESTER BREAK
Week 8: 29 April - Screen Studies (Stefan Solomon)
Reading: David Bordwell, 'The Viewer's Share: Models of Mind in Explaining Film' (2012)
at http://www.davidbordwell.net/essays/viewersshare.php
Week 9: 6 May - Music Studies (Andrew Robson)
Reading: Hesmondhalgh, David and Negus, Keith (2002) 'Introduction - Popular Music
Studies: Meaning, Power and Value'. In David Hesmondhalgh and Keith Negus (eds), Popular
Music Studies. London: Arnold, pp. 1-10.
Week 10: 13 May – Network Culture Studies (John Potts)
Reading: Rebecca Tushnet, 'Architecture and Morality: Transformative Works, Transforming Fans' in Darling and Pezanowski(eds) Creativity Without Law: Challenging the Assumptions of Intellectual Property (2017)
Louis Menand, ‘Is AI the Death of IP?’, The New Yorker, 15 January, 2024
Week 11: 20 May - Disciplines and Inter-disciplinary Research
Week 12: 27 May - Student Presentations
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Unit information based on version 2025.01 of the Handbook